lisensi ini mengizinkan setiap orang untuk menggubah ...kc.umn.ac.id/7030/1/halaman_awal.pdfada...

22
Team project ©2017 Dony Pratidana S. Hum | Bima Agus Setyawan S. IIP Hak cipta dan penggunaan kembali: Lisensi ini mengizinkan setiap orang untuk menggubah, memperbaiki, dan membuat ciptaan turunan bukan untuk kepentingan komersial, selama anda mencantumkan nama penulis dan melisensikan ciptaan turunan dengan syarat yang serupa dengan ciptaan asli. Copyright and reuse: This license lets you remix, tweak, and build upon work non-commercially, as long as you credit the origin creator and license it on your new creations under the identical terms.

Upload: others

Post on 23-Oct-2020

3 views

Category:

Documents


0 download

TRANSCRIPT

  • Team project ©2017 Dony Pratidana S. Hum | Bima Agus Setyawan S. IIP 

     

     

     

     

     

    Hak cipta dan penggunaan kembali: Lisensi ini mengizinkan setiap orang untuk menggubah, memperbaiki, dan membuat ciptaan turunan bukan untuk kepentingan komersial, selama anda mencantumkan nama penulis dan melisensikan ciptaan turunan dengan syarat yang serupa dengan ciptaan asli.

    Copyright and reuse: This license lets you remix, tweak, and build upon work non-commercially, as long as you credit the origin creator and license it on your new creations under the identical terms.

  • PERANCANGAN BRAND REJUVENATION DAMRI

    Laporan Tugas Akhir

    Ditulis sebagai syarat untuk memperoleh gelar Sarjana Desain (S.Ds.)

    Nama : Matius Anthony Purwanto

    NIM : 00000009381

    Program Studi : Desain Komunikasi Visual

    Fakultas : Seni & Desain

    UNIVERSITAS MULTIMEDIA NUSANTARA

    TANGERANG

    2019

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • LEMBAR PERNYATAAN TIDAK MELAKUKAN PLAGIAT

    Saya yang bertanda tangan di bawah ini:

    Nama : Matius Anthony Purwanto

    NIM : 000000009381

    Program Studi : Desain Komunikasi Visual

    Fakultas : Seni & Desain

    Universitas Multimedia Nusantara

    Judul Tugas Akhir:

    PERANCANGAN BRAND REJUVENATION DAMRI

    dengan ini menyatakan bahwa, laporan dan karya tugas akhir ini adalah asli dan

    belum pernah diajukan untuk mendapatkan gelar sarjana, baik di Universitas

    Multimedia Nusantara maupun di perguruan tinggi lainnya.

    Karya tulis ini bukan saduran/terjemahan, murni gagasan, rumusan dan

    pelaksanan penelitian/implementasi saya sendiri, tanpa bantuan pihak lain, kecuali

    arahan pembimbing akademik dan narasumber.

    Demikian surat Pernyataan Originalitas ini saya buat dengan sebenarnya,

    apabila di kemudian hari terdapat penyimpangan serta ketidakbenaran dalam

    pernyataan ini, maka saya bersedia menerima sanksi akademik berupa pencabutan

    gelar (S.Ds.) yang telah diperoleh, serta sanksi lainnya sesuai dengan norma yang

    berlaku di Universitas Multimedia Nusantara.

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • KATA PENGANTAR

    Ucapan syukur yang sangat besar penulis haturkan kepada Tuhan YME

    karena diperbolehkan untuk mengikuti rangkaian kegiatan Tugas Akhir untuk

    memberikan perubahan.

    Ada banyak pengalaman menarik yang penulis dapatkan selama menjalani

    tugas akhir ini seperti mencoba bernegosiasi dengan birokrasi suatu perusahaan

    yang rumit dan juga birokrasi universitas yang kaku.

    Permintaan maaf saya haturkan khususnya untuk segala pihak yang sudah

    mau membantu dan membimbing saya dalam dinamika tugas akhir ini dan

    semoga dari ilmu – ilmu dan informasi yang diberikan semoga penulis dapat

    memperoleh hasil yang sesuai dengan apa yang dikerjakan.

    Ucapan terima kasih tidak lupa saya ucapkan kepada banyak pihak yang

    membantu kelancaran saya untuk menghadapi tugas akhir ini khusunya kepada:

    1. Mohammad Rizaldy S.T., M.Ds.

    2. Chara Susanti, M.Ds.

    3. Restiti (Marketing Comunication DAMRI), Joni Hendri (Senior

    manager pelayanan DAMRI), dan Utama (Sekretaris Direktur Utama)

    4. Nares (Humas DAMRI), Pohan (Senior Manager SDM DAMRI),

    Gavin

    5. Segenap pihak yang membantu perancangan

    6. Keluarga saya yang ada di Semarang

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • ABSTRAKSI

    Damri adalah sebuah perum yang bergerak dalam bidang transportasi darat khususnya bus. Dalam perkembangannya, usia perum ini terus menua dan banyak stigma yang buruk terhadap perum ini. Namun, sudah banyak perkembangan dan perubahaan yang sudah dilakukan oleh perum Damri sehingga memiliki banyak fasilitas baru. Terlebih lagi, banyak unit usaha baru yang telah dibuat oleh perusahaan ini sehingga perusahaan ini harus memiliki sebuah positioning yang baru Oleh karena itu perlu dilakukan rebranding dan pembuatan brand identity yang baru sehingga masyarakat mengetahui value dan visi yang ada pada perum Damri sehingga tidak terdapat stigma yang buruk lagi. Setelah melakukan riset, DAMRI ternyata memiliki sejumlah perubahan yang sangat signifikan bahkan dari lingkup internal perusahaan. Sejumlah perubahan tentunya diperlukan untuk membuat masyarakat aware terhadap perubahan signifikan yang dilakukan DAMRI sehingga dapat dipakai sebagai acuan masyarakat untuk menilai brand ini secara baru. Melihat masalah yang terjadi, penulis mengangkat topik ini untuk membantu DAMRI agar dapat dipandang lebih baik di mata konsumen dan juga siap menghadapi pasar global karena visi mereka yang baru yaitu mencangkup ekspansi internasional.

    Kata kunci: Brand Identity, Branding, Visual Identity

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • ABSTRACT

    Damri is a national company which service land transportation especially by bus. Moreover, Damri is a old national company and there are so many negative perception about this company. Damri had been made a lot of positive changes but, not so many people noticed that. Furthermore, there are a lot of new business unit made by this company. So, this company needs a re-branding and also visual identity changes to deliver the value to the consumer and there will not be a bad perception in consumer’s mind. After doing a research, DAMRI actually have some changes very specific, even from the beginning of the internal company. Some changes had been made to make the consumers aware about the changes that DAMRI did, so it can be a good point to see this company in a new way. Conducting from the problems, writer design this topic to help DAMRI to make a better perception in the consumer’s mid. DAMRI also ready to face the global competition because of their new vision.

    Keywords: Brand Identity, Branding, Visual Identity

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • DAFTAR ISI

    LEMBAR PERNYATAAN TIDAK MELAKUKAN PLAGIAT .................... II

    HALAMAN PENGESAHAN TUGAS AKHIR ............................................... IV

    KATA PENGANTAR ........................................................................................... V

    ABSTRAKSI ...................................................................................................... VII

    ABSTRACT ....................................................................................................... VIII

    DAFTAR ISI ........................................................................................................ IX

    DAFTAR GAMBAR ......................................................................................... XII

    DAFTAR TABEL .............................................................................................. XX

    DAFTAR LAMPIRAN .................................................................................... XXI

    BAB I PENDAHULUAN ...................................................................................... 1

    1.1. Latar Belakang .......................................................................................... 1

    1.2. Rumusan Masalah ..................................................................................... 3

    1.3. Batasan Masalah........................................................................................ 3

    1.4. Tujuan Tugas Akhir .................................................................................. 4

    1.5. Manfaat Tugas Akhir ................................................................................ 5

    BAB II TINJAUAN PUSTAKA ........................................................................... 5

    2.1. Teori Brand ............................................................................................... 3

    2.2. Teori Branding .......................................................................................... 5

    2.3. Brand Revitalization ................................................................................ 7

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • 2.4. Brand Architecture .................................................................................... 8

    2.4.1. Monolithic ...................................................................................... 8

    2.4.2. Endorsed ........................................................................................ 9

    2.4.3. Pluralistic ..................................................................................... 10

    2.5. Logo ........................................................................................................ 11

    2.6. Warna ...................................................................................................... 14

    2.6.1. Putih ............................................................................................. 14

    2.6.2. Hitam ............................................................................................ 14

    2.6.3. Merah ........................................................................................... 15

    2.6.4. Orange .......................................................................................... 15

    2.6.5. Kuning .......................................................................................... 15

    2.6.6. Hijau ............................................................................................. 15

    2.6.7. Biru ............................................................................................... 16

    2.6.8. Ungu ............................................................................................. 16

    2.6.9. Pink .............................................................................................. 16

    2.6.10. Coklat ........................................................................................... 16

    2.6.11. Abu - abu ...................................................................................... 17

    2.6.12. Emas ............................................................................................. 17

    2.6.13. Silver ............................................................................................ 17

    2.7. Tipografi .................................................................................................. 18

    2.7.1. Ukuran tulisan .............................................................................. 18

    2.7.2. Line length .................................................................................... 19

    2.7.3. Line spacing (leading).................................................................. 19

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • 2.7.4 Alignment ..................................................................................... 19

    2.8. Grafis Kendaraan .................................................................................... 19

    2.8.1. Grafis yang Dilukis ...................................................................... 20

    2.8.2. Grafis dari Vinyl .......................................................................... 20

    2.8.3. Vehicle Wraps .............................................................................. 20

    2.9. Bentuk dan Ruang ................................................................................... 21

    2.9.1. Bentuk .......................................................................................... 21

    2.9.2. Pola Bentuk .................................................................................. 24

    2.9.3. Bentuk dan Artinya ...................................................................... 26

    2.10. Gestalt ..................................................................................................... 28

    2.10.1. Similarity ...................................................................................... 28

    2.10.2. Closure ......................................................................................... 29

    2.10.3. Figure and Ground ...................................................................... 30

    2.10.4. Imposible Figure .......................................................................... 30

    2.11. Grid ......................................................................................................... 30

    2.11.1. Margin .......................................................................................... 31

    2.11.2. Kolom dan interval kolom ........................................................... 32

    2.11.3. Flowlines ...................................................................................... 32

    2.11.4. Modul grid ................................................................................... 32

    2.11.5. Zona spasial .................................................................................. 32

    BAB III METODOLOGI .................................................................................. 34

    3.1. Metodologi Pengumpulan Data ............................................................. 34

    3.1.1. Wawancara ................................................................................... 36

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • 3.1.2. Kuisioner ...................................................................................... 46

    3.1.3. Observasi ...................................................................................... 49

    3.2. Studi Eksisting ........................................................................................ 57

    3.3. Metedologi Perancangan ......................................................................... 62

    3.3.1. Melakukan Riset dan Analisis ...................................................... 62

    3.3.2. Mengembangkan Strategi ............................................................ 62

    3.3.3. Membuat Identitas Brand ............................................................. 62

    3.3.4. Menemukan Konsumen yang Potensial ....................................... 67

    3.3.5. Merawat Aset yang ada ................................................................ 67

    BAB IV STRATEGI DAN ANALISIS PERANCANGAN ............................. 68

    4.1. Strategi Perancangan .................................................................................. 68

    4.1.1. Clariflying .....................................................................................................68

    4.1.2. Positioning ...................................................................................................70

    4.1.3 Brand Essence .............................................................................................70

    4.1.4 Big Idea .........................................................................................................71

    4,1,5 Brand Value .................................................................................................71

    4.1.6 Konsep ...........................................................................................................72

    4.1.7. Konsep Visual .............................................................................................73

    4.1.8. Warna ............................................................................................................81

    4.2. Hasil Perancangan ...................................................................................... 82

    4.3. Budgeting ................................................................................................. 130

    DAFTAR PUSTAKA ......................................................................................... XV

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • DAFTAR GAMBAR

    Gambar 2.1. Contoh Brand Architecture Monolithic ............................................ 9

    Gambar 2.2. Contoh Brand Architecture Endorsed ............................................. 10

    Gambar 2.3. Contoh Organizational-endorsed .................................................... 10

    Gambar 2.4. Contoh Sub-brand / subsidiary ........................................................ 10

    Gambar 2.5. Contoh Brand Architecture Pluralistic ........................................... 11

    Gambar 2.6. Contoh Logo Wordmarks ................................................................ 12

    Gambar 2.7. Contoh Logo Letterform ................................................................. 12

    Gambar 2.8. Contoh Logo Pictoral ..................................................................... 13

    Gambar 2.9. Contoh Logo Abstrak ...................................................................... 13

    Gambar 2.10. Contoh Logo Emblem ................................................................... 14

    Gambar 2.11. Contoh Pengaplikasian Grafik pada Kendaraan............................ 21

    Gambar 2.12. Logo Mexipor Xose Teiga (atas) Logo Evenson Design Group

    (EDG) (bawah) .............................................................................................. 22

    Gambar 2.13. Contoh logo dengan bentuk lingkaran .......................................... 22

    Gambar 2.14. Contoh logo dengan bentuk peregi empat ..................................... 23

    Gambar 2.15. Contoh logo dengan bentuk segitiga ............................................. 24

    Gambar 2.16. Logo La Fonda del Sol .................................................................. 25

    Gambar 2.17. Logo Neustar ................................................................................. 26

    Gambar 2.18. Logo Go dan penerapannya........................................................... 27

    Gambar 2.19. Logo Manchester ........................................................................... 28

    Gambar 2.20. Logo Brasil Telecom ..................................................................... 29

    Gambar 2.21. Logo WWF .................................................................................... 29

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • Gambar 2.22. Logo Carrefour .............................................................................. 30

    Gambar 2.23. Logo FedEx ................................................................................... 30

    Gambar 2.24. Logo Institute of Cancer Therapeutics.......................................... 31

    Gambar 3.1. Wawancara dengan Bu Restiti ........................................................ 35

    Gambar 3.2. Wawancara dengan Pak Joni ........................................................... 40

    Gambar 3.3. Wawancara dengan Pak Utama ....................................................... 42

    Gambar 3.4. Grafik Awareness DAMRI .............................................................. 47

    Gambar 3.5. Grafik Rasa Aman ........................................................................... 47

    Gambar 3.6. Grafik Rasa Nyaman ....................................................................... 48

    Gambar 3.7. Grafik Pengetahuan Fasilitas ........................................................... 48

    Gambar 3.8. Jadwal Kedatangan Bus .................................................................. 49

    Gambar 3.9. Desain Interior Bus.......................................................................... 49

    Gambar 3.10. Fasilitas untuk Mengisi Daya Ponsel ............................................ 50

    Gambar 3.11. Tiket Bus ....................................................................................... 50

    Gambar 3.12. Desain Luar Bus Jurusan WTC Serpong....................................... 51

    Gambar 3.13. Bus Royale Class ........................................................................... 52

    Gambar 3.14. Format tempat duduk Bus Royale Class ....................................... 53

    Gambar 3.15. Ruangan Private Lounge ............................................................... 54

    Gambar 3.16. Loket.............................................................................................. 54

    Gambar 3.17. Kerjasama dengan Traveloka ........................................................ 55

    Gambar 3.18. Ruang Tunggu ............................................................................... 55

    Gambar 3.19. Logo PT. KAI sebelum dan sesudah ............................................. 57

    Gambar 3.20. Implementasi Brand Silver Bird ................................................... 59

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • Gambar 3.21. Implementasi Brand Big Bird ....................................................... 59

    Gambar 3.22. Implementasi Brand Big Bird ....................................................... 60

    Gambar 3.23. Implementasi Brand Big Bird ....................................................... 60

    Gambar 3.20. Contoh pembuatan awal logo ........................................................ 65

    Gambar 4.1. Tahap membidik dan menembakkan panah .................................... 73

    Gambar 4.2. Archer paradox ............................................................................... 74

    Gambar 4.3. Jenis ujung anak panah .................................................................... 74

    Gambar 4.4. Sketsa awal logo ............................................................................... 76

    Gambar 4.5. Sketsa awal logo ............................................................................... 77

    Gambar 4.6. Sketsa awal logo ............................................................................... 78

    Gambar 4.7. Sketsa digital logo ............................................................................ 78

    Gambar 4.8. Sketsa digital logo ............................................................................ 79

    Gambar 4.9. Sketsa digital logo ............................................................................ 79

    Gambar 4.10. Proses pembuatan logo ................................................................... 80

    Gambar 4.11. Grid logo ........................................................................................ 80

    Gambar 4.12. Warna tetrad pertama ..................................................................... 81

    Gambar 4.13. Warna tetrad yang di analogus ...................................................... 82

    Gambar 4.14. Logo final ....................................................................................... 82

    Gambar 4.15. Inverse logo .................................................................................... 83

    Gambar 4.16. Warna ............................................................................................. 84

    Gambar 4.17. Tipografi ......................................................................................... 85

    Gambar 4.18. Supergrafis ..................................................................................... 85

    Gambar 4.19. Warna akhir arsitektur brand ......................................................... 86

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • Gambar 4.20. Mood warna urban ......................................................................... 87

    Gambar 4.21. Color palette warna urban .............................................................. 88

    Gambar 4.22. Mood warna casual ........................................................................ 89

    Gambar 4.23. Color palette warna casual ............................................................ 90

    Gambar 4.24. Mood warna powerful..................................................................... 91

    Gambar 4.25. Color palette warna powerful ......................................................... 92

    Gambar 4.26. Arsitektur brand ............................................................................. 93

    Gambar 4.27. Cover GSM .................................................................................... 94

    Gambar 4.28. Kutipan ........................................................................................... 94

    Gambar 4.29. Daftar isi ......................................................................................... 95

    Gambar 4.30. Visi brand ....................................................................................... 95

    Gambar 4.31. Positioning ..................................................................................... 95

    Gambar 4.32. Value............................................................................................... 96

    Gambar 4.33. Tone of voice .................................................................................. 96

    Gambar 4.34. Brand personality ........................................................................... 96

    Gambar 4.35. Brand architecture ......................................................................... 97

    Gambar 4.36. Brand architecture value ................................................................ 98

    Gambar 4.37. Brand architecture value ................................................................ 99

    Gambar 4.38. Brand architecture value .............................................................. 100

    Gambar 4.39. Grid logo ...................................................................................... 100

    Gambar 4.40. Konfigurasi logo ........................................................................... 100

    Gambar 4.41. Konfigurasi logo brand architecture............................................ 101

    Gambar 4.42. Konfigurasi warna logo primer .................................................... 101

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • Gambar 4.43. Konfigurasi warna logo brand architecture ................................. 101

    Gambar 4.44. Konfigurasi susunana logo brand architecture ............................ 102

    Gambar 4.45. Penggunaan logo yang salah ........................................................ 102

    Gambar 4.46. Tipografi ....................................................................................... 102

    Gambar 4.47. Aturan tipografi ............................................................................ 103

    Gambar 4.48. Warna brand utama ...................................................................... 103

    Gambar 4.49. Warna brand architecture ............................................................ 103

    Gambar 4.50. Contoh mood ................................................................................ 104

    Gambar 4.51. Supergrafis ................................................................................... 104

    Gambar 4.52. Pengunaan supergrafis yang benar ............................................... 104

    Gambar 4.53. Penggunaan supergaris yang salah ............................................... 105

    Gambar 4.54. Penggunaan supergaris yang salah ............................................... 106

    Gambar 4.55. Signage ......................................................................................... 107

    Gambar 4.56. Livery samping bus ...................................................................... 107

    Gambar 4.57. Livery depan dan belakang bus .................................................... 108

    Gambar 4.58. Livery kendaraan lain ................................................................... 108

    Gambar 4.59. Seragam ........................................................................................ 108

    Gambar 4.60. Stationary ..................................................................................... 109

    Gambar 4.61. Map folder .................................................................................... 109

    Gambar 4.62. Kartu nama dan amplop ............................................................... 109

    Gambar 4.63. Kop surat dan ID card .................................................................. 110

    Gambar 4.64. Tiket dan snack box ...................................................................... 110

    Gambar 4.65. Website ......................................................................................... 110

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • Gambar 4.66. Instagram ...................................................................................... 111

    Gambar 4.67. Penutup ......................................................................................... 111

    Gambar 4.68. Cover penutup GSM .................................................................... 111

    Gambar 4.69. Cover pembuka company profile ................................................. 112

    Gambar 4.70. Daftar isi ....................................................................................... 113

    Gambar 4.71. Sambutan ...................................................................................... 113

    Gambar 4.72. Sejarah .......................................................................................... 114

    Gambar 4.73. Dewan direksi ............................................................................... 114

    Gambar 4.74. Visi, misi, dan nilai perusahaan ................................................... 115

    Gambar 4.75. Budaya perusahaan ....................................................................... 115

    Gambar 4.76. Wilayah usaha .............................................................................. 116

    Gambar 4.77. Segmen usaha ............................................................................... 116

    Gambar 4.78. Keunggulan .................................................................................. 117

    Gambar 4.79. Penghargaan dan prioritas strategis .............................................. 117

    Gambar 4.80. Galeri ............................................................................................ 118

    Gambar 4.81. Cover penutup company profile ................................................... 118

    Gambar 4.82. Envelope ....................................................................................... 119

    Gambar 4.83. Letterhead ..................................................................................... 120

    Gambar 4.84. Kartu nama depan......................................................................... 121

    Gambar 4.85. Kartu nama belakang .................................................................... 121

    Gambar 4.86. Map Folder ................................................................................... 122

    Gambar 4.87. Directional signage ...................................................................... 123

    Gambar 4.88. Informational signage .................................................................. 123

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • Gambar 4.89. Identificational signage ................................................................ 124

    Gambar 4.90. Tiket ............................................................................................. 124

    Gambar 4.91. Tampak depan bus ........................................................................ 125

    Gambar 4.92. Tampak samping bus .................................................................... 125

    Gambar 4.93. Tampak belakang bus ................................................................... 126

    Gambar 4.94. Flashdisk ...................................................................................... 126

    Gambar 4.95. Snack box...................................................................................... 127

    Gambar 4.96. Mouse pad .................................................................................... 128

    Gambar 4.97. Instagram ...................................................................................... 129

    Gambar 4.98. Website ......................................................................................... 130

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • DAFTAR TABEL

    Tabel 3.1. Brand architecture Blue Bird ............................................................... 61

    Tabel 3.2. Brand architecture DAMRI ................................................................. 62

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

  • DAFTAR LAMPIRAN

    LAMPIRAN A: LEMBAR BIMBINGAN ...................................................... xxv

    LAMPIRAN B: TRANSKRIPT WAWANCARA ........................................ xxix

    LAMPIRAN C: BOOTH ................................................................................. xxxi

    Perancangan Brand Rejuvenation..., Matius Anthony Purwanto, FSD UMN, 2019

    HALAMAN AWALLEMBAR PERNYATAAN TIDAK MELAKUKAN PLAGIATHALAMAN PENGESAHAN TUGAS AKHIRKATA PENGANTARABSTRAKSIABSTRACTDAFTAR ISIDAFTAR GAMBARDAFTAR TABELDAFTAR LAMPIRAN

    matius