kuliah 1 apresiasi

7/28/2019 KULIAH 1 APRESIASI

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UK01402 APRESIASI SENI

(Pengenalan kepada Apresiasi dalam Catan

[email protected]

Tel: 019 8990375
mailto:[email protected]:[email protected]


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The appreciation of art requires a structured

discipline to achieve the following objectives:

Understanding, knowing and

acknowledging the work of art

Analysis with emphasis on perception,description, analysis, interpretation,

hypothesis and evaluation of the work of

art.

Elaboration of the iconographic imagepresented.


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Observation,INTERPRETATION

Hypothesis

Experience,Reading &

KnowledgeThisdisciplinecan only beachievedthrough thefollowingaspects.

This disciplinary experience can be achieved

through the following activities


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Observation

HypothesisInterpretation

Experience

ReadingKnowledge


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There are three basic components to the question that

explains the content of this discipline:


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WHAT

ICON

HYPOTHESIS

Requires descriptive &

perceptive answer

Requires analytical &

interpretive answer

Consideration & evaluationrequired to arrive at the answer


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Malay Couple, 1988, Mixed media collage, 60 x 50 cm

Malay Couple is a

particularly richcollage from the

artists MalaysianSeries, begun in the

early 1980s, in which

he appropriated

images from old

photographs of

figures and families of

the different races,

expressing ideas

about community,

history and memory


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Untitled (Harvesting), 1961, Oil on canvas, 89 x 120 cm

In 1960, the artist

travelled to north

Borneo, in search

of new subject

matter.Harvesting is an

exceptional painting

which grew out of

his visit to Dayak

longhouses and

their culture.

Applying a typicallyFauvist approach,

he picks out the rich

dyes and textures

of cloth and

basketry, and the

bright grains of the

harvest. against the

dark earthy tones of

the figures and

background.


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Amron Omars (b. 1957) , Study for Pertarungan II, 1980,

Charcoal on paper, 78 x 108 cm


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Sarawak Wedding, 1964, Oil on board, 60 x 83.5 cm

Graduating from Nanyang

Academy of Fine Art in

1959, Khoo Sui Hoes (b.

1939) unique stylisationof the Asian figure has

become almost iconic in

the history of modern

Malaysian figuration. His

best paintings create a

state of inner peace, joyfreedom and humour. The

human being is depicted

in serene harmony with

the elements: water, air,

earth and its vegetation.

The artists unique brandof gentle surrealism

expresses a Southeast

Asian ideal without losing

its universal appeal.


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Untitled, 1953, Watercolour on paper, 48.5 x 62.5 cm

Yong Mun Sen (b.1896

- 1962) has sometimes

been referred to as the

father of Malaysian

art, being one of thevery earliest practising

artists in the country.Born in Sarawak, he

eventually settled in

Penang, where he set

up his first studio in

1922.


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revealing of secrets

Appreciation is also known as

revealing of secrets


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Ismail Ibrahim:

Penunggang Kuda dari Kota

Belud, Siri IV,

1988. 54cm x 74 cm,

Papier mache.


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1905-1925

Expressionism is an

artistic style in which the

artist attempts to depict

not objective reality butrather the subjective

emotions and responses

that objects and events

arouse in him. Heaccomplishes his aim

through distortion,

exaggeration,

primitivism, and fantasy

The Scream by Edvard Munch

(1893) which inspired 20th

century Expressionists
http://en.wikipedia.org/wiki/The_Screamhttp://en.wikipedia.org/wiki/Edvard_Munchhttp://en.wikipedia.org/wiki/Edvard_Munchhttp://en.wikipedia.org/wiki/The_Scream


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Bagaimana hendak

membuka rahsia?Membolehkan penghayat menghuraikan segala rahsia

yang tersirat dari sesebuah karya melalui bahasa-bahasa visual yang disampaikan.


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How secrets are revealed

An appreciator needs to be skilled in the waysof getting visible information through works of

arts.


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What are the criteria necessary in an art

appreciator?

Skilled and knowledgeable in the history of art

Understands the style and functions of objet dart

Knows the social and cultural background of the

community where the work of art is produced.


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What are the criteria necessary in an art critic?

Knows some techniques that can produce effects onthe work of art

Ability to evaluate without prejudice

Has his own personal taste and is able to evaluatethe artists creativity in a wide context.


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Aesthetics gained through

appreciation

This approach classifies image observation into four

stages: First, the description stage

Second, the formal analysis stage

Third, the interpretation stage

Fourth, the hypothesis stage

Edmund B.Feldman, Varieties of Visual Experience


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THEORY OF APPRECIATION First, the description stage

Second, the formal analysis

stage

Third, the interpretationstage

Fourth, the hypothesis

stage

FORMALISTIC

ASPECT

ICONOGRAPHIC

ASPECT


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Analytical observation

(by Zoy)


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Theory of Appreciation

This approach classifies image observation into

four stages: First, the description stage

Second, the formal analysis stage

Third, the interpretation stage

Fourth, the hypothesis stage

Edmund B.Feldman, Varieties of Visual Experience


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Description

The Description Stage: In this stage, we try to

identify the basic images depicted by the artist,

that is:

a middle-aged woman, three young women and two

young men.


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Formal analysis

Formal Analysis Stage:

This stage limi ts the observat ion to theformal elements found on the surface, such

as co lou r, space, shape, form , l ines and

texture.

How far these elements interact to produceeffects of m otion, balance, contrast,

harmony and focus. Inc lud ing the design

struc ture.


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Interpretation

This stage requires in-depth exp lorat ion . We the

images portrayed as symbols to enable us to

analyse in m ore detai l . We begin b y ask ing qu est ions as a s imp le guide in our search for

answers

who is the middle-aged woman?,

what is her character l ike?

what is her character l ike?,

how is the character /sty le presented by the youths ?.

These quest ions m ust b e answ ered to obtain a rat ional

analysis.


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Hypothesis

This stage enables us to make assumpt ions

based on the answers to the quest ions

posed. The assumptions are,

the art ist is try ing to make a social cr i t ic ism on the

youth s of today.

The art ist made a comparison between Bosn ia where

there is an ethnic war happening in their f ight to

defend rel ig ious values, and Kuala Lumpu r wheretheBohs ia phenomenon is d i ff icu l t to com bat.


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TQ

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