Download - The Greatest Love Songs of the 70s
\rranged for piano, voice & guitar The Greatest LOVE SONGS
Of The 70s
The Greatest
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Order No. AM986799 ISBN 1-84609-708-8 This book © Copyright 2006 Wise Publications, a division of Music Sales Limited.
Unauthorised reproduction of any part of this publication by any means including photocopying is an infringement of copyright
Front cover photo courtesy of Jupiter Images. Back cover photos; Leo Sayer. - Pieter Mazel/LFI, Olivia Newton-John, Rod Stewart & Gladys Knight/LFI, David Soul - Brad Elterman/LFI.
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Ain't No Sunshine Bill Withers 4
Always On My Mind Elvis Presley 7
Baby, I Love Your Way Peter Frampton 10
Can't Give You Anything (But My Love) The Styiistics 16
Can't Smile Without You Barry Manilow 19
Don't Give Up On Us David Soul 24
The First Time Ever I Saw Your Face Roberta Flack 30
Hopelessly Devoted To You Olivia Newton-john 34
How Deep Is Your Love Bee Gees 39
I Don't Know How To Love Him Yvonne Elliman 42
I Don't Want To Talk About It Rod Stewart 46
If You Leave Me Now Chicago 86
Jealous Guy John Lennon 50
Love And Affection Joan Armatrading 52
Lovin' You Minnie Riperton 62
Midnight Train To Georgia Gladys Knight & The Pips 66
My Love Wings 70
She Charles Aznavour 73
So You Win Again Hot Chocolate 78
Sometimes When We Touch Dan Hill 93
Sorry Seems To Be The Hardest Word Elton John 98
Talking In Your Sleep Rebe McEntire 104
We've Only Just Begun The Carpenters 107
When I Need You Leo Sayer 114
Where Do I Begin (Theme from 'Love Story') Andy Williams 110
Wonderful Tonight Eric Clapton 124
Your Song Elton John 119
Ain't No Sunshine Words & Music by Bill Withers
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1. Ain't no sun - shine when she's gone. It's not warm_ when she's a-
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© Copyright 1971 Interior Music Incorporated, USA. Universal/MCA Music Limited.
All rights in Germany administered by Universal/MCA Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
4
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Always On My Mind Words & Music by Mark James, Wayne Thompson & Johnny Christopher
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© Copyright 1971 (Renewed 1979) Sebanine Music Incorporated/Budde Songs Incorporated, USA. Screen Gems-EMI Music Limited (75%)/Chelsea Music Publishing Company Limited (25%).
All Rights Reserved. International Copyright Secured.
7
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Baby, I Love Your Way Words & Music by Peter Frampton
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) Copyright 1975 Nuages Artists Music Limited/Almo Music Corporation, USA. Rondor Music (London) Limited.
All rights in Germany administered by Rondor Musikverlag GmbH. All Rights Reserved. International Copyright Secured.
10
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Wan-na be with you night and day.. Guitar
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14
Wan-na tell you I love your way.. Wan-nabe with you night and day._
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Verse 2: Moon appears to shine and light the sky With the help of some fire-fly I wonder how they have the power to shine I can't see them under the pine But don't hesitate 'cos your love won't wait.
Ooh, baby I love your way etc.
Verse 3: I can see the sunset in your eyes Brown and grey and blue besides Clouds are stalking islands in the sun I wish I could buy one out of season But don't hesitate 'cos your love won't wait.
Ooh, baby I love your way etc.
15
Can't Give You Anything (But My Love) Words & Music by Hugo Peretti, Luigi Creatore & George David Weiss
Strongly rhythmic
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f p=F* 3? Ft © Copyright 1975 Music Sales Corporation, USA.
Campbell Connelly & Company Limited. All Rights Reserved. International Copyright Secured.
16
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or - di - na - ry guy_ vo - tion I will give-
fi and my po - ckets are emp - ty,— all my life just to you girl,-
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18
Can't Smile Without You Words & Music by Chris Arnold, David Martin & Geoff Morrow
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© Copyright 1975 Dick James Music Limited. Universal/Dick James Music Limited.
All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
19
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20
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21
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Don't Give Up On Us Words & Music by Tony Macaulay
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1. Don't give up on us ba (2.) up on us ba (3.) up on us ba
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© Copyright 1976 Macaulay Music Limited. Universal Music Publishing Limited.
All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
24
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27
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f 1 f Ti I I T • 1 I 4 I T I
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stars. We can't change_ ours. Don't give
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just for a rain - y eve - ning
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29
The First Time Ever I Saw Your Face Slowly
c m
Words & Music by Ewan MacColl
Dm G7 C
m
iH m n n~± ^s
f=^ r r f f f B i
^ i y ^ ^ y r r r r vt
Dm xxo
G7
«4
* Dm xxo I
G7
ooo <► }
i
8 ^ The first_ time (Verses 2 & 3 see block lyrics)
3
m ^m
ev - er I
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x o o i f I » I I
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saw your face,_ I thought the sun_
s m ? t
m © Copyright 1962 & 1972 Stormking Music Incorporated, USA.
Harmony Music Limited. All Rights Reserved. International Copyright Secured.
30
Em o ooo
• m i l
F XX A
m Gsus4
xxoo G7
ooo 11
t i
and the moon_ and the stars.
# ^ ^
were the
^ = ^
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B^
m To Coda 4- < M M 1
31
o o m D.S. al Coda
w " # "
and the end of the skies.
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4- CWa
i Bt
1 3=^
^ fTS till the end And last
P O ,J
c X O O
I Dm
t r fF
of time,_
^
my love._ The first time„
I r r r r iTu5 r r r r
E -^ *h J. J> J. W
32
C/G G7
I i I f I f T • M I I
^ ^ Z your face,_ ev - er I saw_
4^ * a
^ ^ * s^
c x oo
Bt C o o
I I 11 I • I I I • M i l
B^
m r^
^ r\
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/C\ your face..
s /Oi
^ -^- a = f = L-T Lr r 1 F 7 U ^
O i
r ^
_QE E Q I > 0 -
Verse 2 The first time ever I kissed your mouth I felt the earth move in my hand, Like the trembling heart of a captive bird That was there at my command, my love, That was there at my command.
Verse 3 The first time ever I lay with you And felt your heart so close to mine, And I knew our joy would fill the earth And last till the end of time, my love. The first time ever I saw your face, Your face, your face, your face.
33
Hopelessly Devoted To You Words & Music by John Farrar
J. = 74 Dm
xxo
dht
A xo o
Dm xo
TTTT
A xo o
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1. Guess
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A xo o
dtst
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ffl4ft D
xxo f If TI
m m 7 ,#■
± £ mine is not the first heart, bro - ken,_ my
-0 <r
B3jfc f Is^l^s^f3
© Copyright 1978 Ensign Music Corporation/Famous Music Corporation, USA. All Rights Reserved. International Copyright Secured.
34
Bm
±4
E7
o o oo T
■ 1 1
Amaj7 A«
£ w I'm eyes are not the first to_ cry..
tt ^ # #
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ffl J JO J l ' i J 'J J> not the first to know
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Bm E o oo
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1 C#m
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know head
I'm just a fool is say - ing "Fool,
who's_ for
will get
i n g — him."_
to My
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sit a - round-heart is say
and wait ing "Don't
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you. go."
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and that's what I in for me_ tend
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i to to
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I'm hope - less - ly de - vot - ed_ to
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there's
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36
Gm7
i i=£ no where to hide since you pushed my love a - side._
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Fm_ out_ of my head,
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p i s E hope - less - ly de - vo ted_ to you..
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37
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you._
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IjH j , J j to you..
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J J»U J 38
How Deep Is Your Love Words & Music by Barry Gibb, Maurice Gibb & Robin Gibb
E^ E W J 7
*6fr
Ahnaj7
B 4 f r A ^
E^ Gm7 Fm7
1 tltftt3fr m c7
X O
Fm7 G7
OOP
a
^ m * m m eyes in the morn - ing sun._
I be - lieve in you.. I feel you touch.
You know the door_ me in the pour - ing rain_
to my ver - y
AtyB
SE ^m Gm7
*3fr
Cm7
'lisp3fr
P r p ip - * — # L -
And the mo You're the light.
ment that you wan - der far in my deep - est, dark
from me, I wan - na est hour; you're my
I J T > ^ ^ £ zk r=^r~ f—f
m m -0- -&-
© Copyright 1977 Gibb Brothers Music/Crompton Songs. BMG Music Publishing Limited (66.66%)/Warner/Chappell Music Limited (33.34%).
All Rights Reserved. International Copyright Secured.
39
Fm7
m A^/B^ A^maj7
P5p4fr
H; J J—J I ^ I V
p^=p£ feel you in my arms a - gain.. sav - iour when I fall
And you come to And you may not
me on think I _
a sum -care_
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K a Gm7
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m mx t i + t i t I T I I *
ifTF r ^ mer for
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keep me when you
warm_ know.
in your love,_ . down in - side_
then you that I
soft real
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Gm7 A^/B^ f=ffffl3fr 1 M i( >( ...
(
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(how deep is your love?)
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leave., do And it's me you need to show:_
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I K is your love?
40
A^maj7 A W E *4fr 13fr i
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I real - ly mean to learn. _ 'Cause we're liv - ing in a world of fools,_
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should let us be._ We be - long_ to you and me.
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S D&* to fade
How deep
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41
I Don't Know How To Love Him Words by Tim Rice
Music by Andrew Lloyd Webber
Slowly D G/D G G/D D G D G D
I don't know how to love him.
mp
iM^ 4 £ -4*7 -f—* Tg—5.
sg m ^ ^ ^ m Em/G D/A D/F# D
$ m ^m ~Z2.
What to do, how to move him? I've been changed yes real-ly changed in these
r* r LLT s k h
= t ~&
F#m7 Bm F#m7 Bm G D/F# Em D Em7/A
^ ^ ^ fc
past few days when I've seen my-self I seem like some-one else.
m i i^i^t i^i^i ' ^t E IT » i j 4 "3"
© Copyright 1970 MCA Music Limited. Universal/MCA Music Limited.
All rights in Germany administered by Universal/MCA Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
42
m D G D G D G D/A
122; w don't know how to take this, I don't see why he moves me. He's a
P i £ 53 #—5 * ^ *
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man, he's just a man, and I've had so ma- ny_
i s
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F*W Bm G D/F# Em D Em7/A A G D/F# Em D
^ 5 men be-fore in ve - ry ma - ny ways, he's just one more.
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s ^
s ^m Bm Bm/A G
fc ^ ^ — * ♦ L - * -
I Should I bring him down, should I scream and shout, should I speak of love let my feel-ings out?
fa:
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5 & £ - * ^ — # ■
43
D/A C
ft tf^J J J J r D G
I ne - ver thought I'd
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come to this
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what's it all a -
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■bout?_ Don't Yet
you think it's ra-ther fun - ny if he said he loved me
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tt, , r i m ^ F l ^ r C7 I should be in this po - si
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who's al - ways been just could-n't cope.
so I'd
F V Bm F V Bm G D/F#Em D Em7/A To Coda -fy-
G D/F#Em7
^
no lov-er's fool, I'd back a - way,
calm, turn
P so cool, my head,
run - ning ev - 'ry show; I would-n't want to know;
he scares me he scares me
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so.
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come to this, what's it all a - bout?_
«
fc fc s lid S B rr -Wk,-&- L. UL PP 3 3 1
G D/F# Em7 D G D/F# Em7 D r\ r\ rs rs
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SO. I want him so, I love him r\ r\ r\ r\
so.
tfr\t if i?T!tl±f s /T\
TT I^T
45
I Don't Want To Talk About It Words & Music by Danny Whitten
J = 66 C#m7/F#
fc# I
u ffi m r*=3r**t
^M ^
B
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1. I can
4 * * * 4C4 8 5 ffl*
•*••# c V ffl
CV/F# oo m
lj ri 'i w^ m tell by your eyes_ (3. Instrumental)
that you've prob - 'ly been cry - ing for
ft ^—
Isrr fflffi
© Copyright 1971 Crazy Crow Music, USA. Chrysalis Music Limited.
All Rights Reserved. International Copyright Secured.
46
LP
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* 1SP% :* * * - * :*# * *~* * * *p* :* rW W-
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heart,. whoa,_ my_
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ps ? : j s~z m stand all a - lone,_ will the sha-dow hide the col-ours of my
mm 48
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fe# m m ^=f heart; blue for the tears, black for the night's fears. The m m 9 9 9^9 f=r=f^f I 9 9is9 9 % 9^t
s cV
I fci,
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ffl i 7 i ^^ ^ * 3^ in the sky don't mean no - thing
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mi
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m —rf—+*-
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whoa, my heart?
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49
Jealous Guy Words & Music by John Lennon
G OOP
C/E D D7
0 S—0 0—0 0—0
^
1. I was dream - ing of the past 2. I was feel - ing in - se - cure 3. (Whistle) etc. 4. I was trying to catch your eyes
^
fflE P m w ? uu u D7
±3
Em O OOP
Em6
p O P • • •
±=t i UJi-W M jnm^i
and my heart was beat - ing you might not love me a - ny
thought that you_ were trying to
fast more._ hide
I be - gan to lose_ con - trol, I was shiv - er - ing in -side, I was swal - low - ing my pain,
m feS m Bffi £ m r r r p^^ f m &
D X X P
Em P OOP c
X P P s m I be - gan_ to lose con - trol. I was shiv - er - ing in - side. I was swal - low-ing my pain.
mjn m ,. II: M 0 L 0 m e 5 P 3 P P ^
© Copyright 1971 Lenono Music. All Rights Reserved. International Copyright Secured.
50
G OOP
Dm/F C < o o I I 1 11 I I I t I I
Dsus4
xxo m G ooo
• > (
Dm/F oo
wm 0 0 £ # I did - n't mean to hurt you,. I'm sor - ry that
i M m * W wm
m J. J' r r r Em/D
m G OOP
G/Ftt Em P OOP
» , f br~i n i r >mj=i^ - o -
±s made you cry._ Oh no, I did-n't mean to hurt you.
feha £ * #—w w—w—P- W ■0 m
ffiE i r v - # *
1,2,3. C
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4.
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I'm just a jea - lous guy..
i I'm just a jea - lous guy.. Watch out,
S »
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ffl^ S ^ a ^ f w
=£
c x, ,9 m
wm it 0 0
I'm just a jea - lous guy. Look out, babe,. I'm just a jea - lous guy._
o
PEJi S J n r\
- o -
51
Love And Affection Words & Music by Joan Armatrading
J = 88 cV7 F#i3 A6 B6addn
X O X X
Con pedale
^add9 Aadd9/Qtt nn
4fr
F#n t
1 11 1 1
1
cV7 A a d d 9
© Copyright 1976 Rondor Music (London) Limited. All rights in Germany administered by Rondor Musikverlag GmbH.
All Rights Reserved. International Copyright Secured.
52
Aadd9/G# F*n Amaj7 y7
xo o
T j> J> J- 3 E ^ ^ I can smile but with a lov - er I could hold my head_
r J J J
B5
dfeft l l l t l T TTT N.C.
pE J I T ^ J back, I could real - ly laugh, real - ly laugh.
* & j j> * 5
@B ^ r r
Asus2 cW
* #
t j t
F#n
Of m n iLh r * PE^
Thank you,_ you took me u & f^i f tf*
I'** A v ^ %
Aadd9/G# Emaj7/G# Amaj7
j't* J * o
ffl s * > y S==* danc ing_ 'cross the floor, cheek to cheek..
M m ^ f 7 niJ J 1RF5 as
# 3 3 1 W
53
F#u
is* 1)
t #
A xo o
7 /-r:J JJJ 1 y n But with a lov - er I could real - ly move, real - ly move. I could real-ly dance,_
J j j 4 ^s
~ 0 ~
54
B^mai7
**£ Love, love, love, love,_ love. Love, love, love. Now I got alL
*jj-
^s ^m wm wZT^ "W^^U^
55
E o oo
m 1 Asus2
S
# the friends that L want. (Lov - er ooh hoo.)
I may need more, but I shall just stick to those
TOf s S3
Asus2
With friends I still feel so in - se - cure..
M & P i Wr £ ^
56
B/D# A/E
ife Lit - tie darl- ing, I be-lieve you can help me a lot.
* & 1 Wl ± P
Just take my hand and lead me where you will.
No con - ver - sa - tion, no wave good - night.
rae E
o oo
iA i Asus2
xo oo
ffl s fr
u Just make love,_
(Lov - er ooh hoo.) oh,_ with af - fee - tion.
%
mm s
57
Asus2
xo oo
* A t f
E o oo
t"tt 7 h
iA Sing me a - no - ther love song but this time with a lit - tie de - di - ca - tion. Sing it,
^m w^ ■^L s€k
Asus2
xo oo
M 1H1
E o oo
sing it. (Sing it, sing it.) You know that's what I like.
Asus2
xo oo Em/G
u. i ooo
• • »
m %
A (Lov - er ooh ooh.) Once more with the feel - ing. Oh, give me love,_
t j *
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& 33 m^m S±3: m 4_ give_ me love, give me love Love._
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58
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* * * £ 5T*
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x o o o
ffl ^—*\ k IB f f
;P1 Make love,
(Lov - er ooh hoo.)
a J J ^
oh,_
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59
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BE
fr £ E
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time with a lit - tie de - di - ca - tion. Sing it, sing it. (Sing it, sing it.)
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o h
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^ You know that's what I like. (Lov - er ooh hoo.)
m ^m s E
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2.
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# 1 g £ ^ J1 J, With af - fee - tion. m Once more with the feel - ing.
^m s s ^■"Sk.
60
Asus2 E o oo
m hk I*
*h Ooh, ooh. With a lit - tie de - di - ca - tion.
m& w " ^
Asus2
<c ) oo Y * ' '
E o oo
iA m (Lov - er ooh hoo.) Once more with the feel - ing.
—tr—~
« £ i S
J5. Asus2
xo oo
M* 1 o
E oo
• 1 ••
? Ooh, ooh. You know that's what I like. m
w £
Asus2
61
Lovin' You Words & Music by
Minnie Riperton & Richard Rudolph
C#m7 C#m7 Bm7 Amaj7
xxc 3 i M J t I t l 4"*
141T1
Dmaj7
xxo • ♦<
dfefc
cV
PP
Bm7
m Amaj C#m7
# #
Lov in you is eas - y 'cause you're beau - ti - ful. Mak - in' love with you is
Bm7
mi T i l t i • i i
dbt
Amaj7 Dmaj7 C#m7
^ ' (r r all I wan - na do. Lov in you is
±± j *=d ^ r tr
^s ^ ^ = p 5 Copyright 1972 & 1975 Dickiebird Music And Publishing Company, USA.
Campbell Connelly & Company Limited. All Rights Reserved. International Copyright Secured.
62
Bm7
X X m Amaj7 Dmaj7
I C#m7
X /-V X Bm7 Amaj7
4fr I l | t
i • i
* £ sS J * * i = £ # : * w l P # j # y
more than just_ a dream come true, 'cause ev 'ry - thing that I do_ is out of lov- in' you.
^n^ s * s «l^«l
T *f # # r' ' r te^
r 3 ^ =S
^
Dmaj7
C*/ xxo
±4 £
cV X_/-s_X
B m 7
< >
S Amaj7
1
La la la la la, la la la la la, la la la la la la la la la- la.
dbt 0 0 0L i J J J J J J J J
teg r
r J
J o CWa -0-Amaj7 Bm7
o x x
63
Bm7 D/E G#m/A Amaj7 Bm7
X X X X XO O XO O X X m T T i l m ffl C#m7
s 4fr
Bm7 C V 7 D X X X /"^ X X X O
ffl ffl4fr H ffl' sfes £ # #
col -ours that you bring. Stay with m e _ while we grow old, and we will live each day in spring- time,
Dmaj7
• •
Art
Bm7
m E
Amaj7 Dmaj7
i tCJ
C#m7
X /-N X ♦ * | 4fr T i l t T T
^ * s f * # 0 ~ p — — p ~
and ev - ry day of my life 'causelov 'causelov
in you in' you
has made my life so beau - ti - ful, is eas - y 'cause you'rebeau - ti - ful,
M 9 n ^m E ^
IS
^ ^ 0 0 r
Batf r r r
^ = E f
Bm7
i M
Amaj7
i Dmaj7
1 n '4
cW
^ P filled with lov in you. Lov in you,
64
Bm7 Amaj7
m y7
xo o Dmaj7
f-ftff] <>*<
±4 ¥= ^ g ^ ^ ^ 7 ^ * #
see your soul come shin - in' through. And ev - ry time that we, oo, I'm
Bm7
m M
j 7
xo o Amaj
I Dmaj7
i ^m
cW Bm7
i \\J 7 , J>
D.S. al Coda Amaj7
i 0 \ 0 P V # s
more in love_ with you. And ev-'ry time that we, oo, I'm more in love_ with you.
M ^n * H k T J S As Pf r? # # r^T ^S ^ t
■0- Corfa Dmaj7
x x o
< H l i
cV Bm7 Amaj7
1 4fr s m Repeat and fade
0 0 0~m -0—0- 0 # # ^ g
La la la la la, la la la la la, la la la la la la la la la_ la,
0 0 i f^nm. f
65
Midnight Train To Georgia Words & Music by Jim Weatherly
J. 88 Dt
I X X Gfc/Bt A i
m 1 i i i » x I I ■
kk
m&m ■H n - m n-j J f
y^LiJ .n g 0l ,., g
A /C * m
Gt/Bt x x m
AHi
ST s Fm
!s* s 1. Mm_ L. A.
h\\f np-mp~> ^p (Verse 2 see block lyric)
■r-Gc
WL J j m r UU G ^ A sus4 *-J^m fr4xx -
Z» W
Fm G ^ X X
A> A 7 fr4 gTTTmh fr*i
k* i = ^
proved- too much for the man. (Too much for the man, he could-n't
© Copyright 1971 Bibo Music Publishing Incorporated, USA. Universal Music Publishing Limited.
All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
66
Fm G # E 9 AHl X X
m
^ / ] . i ? h i * ^ ^ i make it.) So he's leav-ing a life, mm, he's come to know. Ooh.-
kk 3 ^ t± rr *
3 n r uu f^P Fm G ^ A sus4
fr4 X X _ . X X 1 * 1 1 1 1 tr^ i i i i ai
kk ?=k BW a £ JT"31- n ^ j ^ "P 9
(He said he's go-in') He said he's go-in' back- to find, (go - in' back— to find)
i kk F i ^
P •44 • T V m ' " i' i. J. E^U
D^ Fm
Fffffl Fffffl
^ P L m -
f r 4^ Fm
i * tt
ff f % m—„«
The world he left— be - hind-Ooh- what's. left of his world.
t * %
^ ^ J- J in /3 r IT f=k
C-/BI- Et9 AUi
W 8
4^? r ) ^ n j JJTSJI SP 3=5 £ not— so long- a - go- He's
!sfc -9-ir -9 Br
9 T J J i
y ^ i . J- ^J J. j> I j
67
Fm7 Etm7 fr6xr ~
A^9 D^ fr5 T f T
Fm7
IB h>i n js .n th-AJT]
leav - in' (leav-in') on—that mid - night train-to Geor - gia. (Ixavin'on that mid-night train.-)
*
l'i k g e: a ^ ^
ipn p s i l l I 5 :W> s ^ fr6
E^m7 A^7 fr4
D Fm7 B m n T f T m m E^9
X X Q
is* ^ £ s^s 0=E
(go-in' back— to find) to a sim-pler
$
k* Yes, said he's go-in'back
:a£: E *
3 8p£ J nn i l l 6 ^ m- 0 d' I • ^ - ^
At" X X
Fm7
M> _ mm
place and time. Oh yes he is. And I ' l l — be with him (I know you will _ (When-ev-erhe takes that ride- guesswho'sgonnaberightby_his side.-)
k* ^g ^ u 3g=
ffi 9~9
m i i f Et m 7 A^9 B m B m7 E 9
fr6 fr5 m m
r- T—m ^ ^ * " — * " T . m M m—m—w.—~m—m w m~. ' m~* ■—mm.r
i
' i c_r r C-J—r r r-ry p r •> to Geor - gia. Hey = * _) o n — that mid - night train to Geor - gia.
^M 4—& (Leav-in on the mid - night train— to Geor-gia, woo woo!)
£ ^ ¥
m ■\K r p ^ ^ m u J3/ra 68
G^maj7
fr*r AHl \h
m X X
kk ±=fc * fJJ ' J^rJ " ~~
A^/C
i
=iiJ " T J - t r ? p r I'd rath-er live in his world,-
TO"» l> l»8= ^
than live with-out him in mine.-(live in his world - ) (Her _ world
i ^
world is
^
^ J- J J. J> 5 # ¥
Ft/B1,
is Am
iS fet HMx * J n I W ;
Fm7/C GW ^n x x n
^
r * ^ r vp'f^ ■ P - ^ (P—W
his in mine.-
his and hers— a-lone.) (Her world is his, his and hers— a-lone)
P P # = ^ TP-
Hey!
r=^f * K J- JU j) s
«^ 0-
D^ Fm7/C c m n M
G ^ x x
AUl
m Repeat to fade
fei * r f F P LT
Oh love, ^ gon - na board the mid - night train to go. (Oh love, gon-na board the mid-night train to go)
i kt =zg: ^ s fcte
J- J> J. £ s EES Verse 2: He kept dreamin' that someday he'd be the star (A superstar, but he didn't get far) But he sure found out the hard way That dreams don't always come true So he turned all his hopes And he even sold his old car Bought a one-way ticket back to the life he once knew.
He's leavin' etc.
69
My Love Words & Music by
Paul McCartney & Linda McCartney
Slowly # Bhmaj7
m IS m^m
^ £ ^
r\
1. And when I go a - way_ 2. And when the cup-board's bare_ 3. Don't ev - er ask me why_
I know my heart can stay with my I'll still find some-thing there_ with my I nev - er say good bye to my
J E * J. 3 E * * l^ii te # ^ # IXH T TV TT
ss r\
Am7
m D9
¥^4fr
Gm7
?W3fr
^M^ ^m *^ ^*
love. love. love.
It's un - der- stood, It's un - der- stood, It's un - der- stood,
it's in the hands_ of my love-it's ev -'ry - where_ with my love.. it's ev -'ry - where- with my love..
\llvv V 4. n - ^ •rn And
r t t f ■ ^
Am7
ffl5fr
m B^maj7 Dm/B
rTTT T 14
Fm
m e
My love
* *
does it
^
good. Wo wo wo - wo,
J. wo - wo
F fc
© Copyright 1973 McCartney Music Limited. MPL Communications Limited.
All Rights Reserved. International Copyright Secured.
70
Gm7
To Coda
-6^-
wo - wo.
i
m ' r r P My love does it good..
h—J
rr m
£
^ *H *
^ - K- f
» ^
r 7=^r—r 12. F
» I M * #
Gm7 a W
F Faug/A
^ 1 ^ - E r T LU'P
Wo - wo, I love._ Oh, wo, my love._ On-ly
=j. P5E i H,U £ J^^T^ s ^ * = * ? r F r t ^
r
B^ C7 Faug/A Gm7
ffl l§
w • I 11 t t 111 1 I H i w C7
IT j^m ^ i E
my love holds the oth - er key_ to me. Oh, wo,_ my love._ Oh,_
111 r J . ^ ^ N p-r ? r f r f r
ra ^
F+/A B^
m C7
'tTtTt3fr
Dm/B
K B ffl3fr
P r n 1 t M
^ £ E3 my love._
J- J ^
*F
On - ly my love does it good to me..
*#p r* P Wo - wo
te ^ h 1 n<
71
f I f t
Gm7
T I TTTT3fr to E -GH- r r ?
wo - wo, wo - wo wo - wo.
J- J~l My love does it good
J J>—-j J ^ & P f i
r—r-f—r H
^ Corfa D.S.«/ Corfa m
p ^
Gm7
Wo - wo,_
^ = ^
I rnf
C7 Faug/A TTT?3fr IK?3fr
BE 1 1
1 H ( 1
Gm 7 /#
SB
&E= #^ ^ £ P I love._ Oh, wo,_ my love.. On-ly my love does it good to_
hj-> J n i j~n ^ r r M
C#//a voce
mm Faug/A B^ C13
I \ m • •• 2fr 1 ^ =
*
me.
j. Wo - wo wo - wo wo wo_
i E ^ E ^
wo. / ^ o
&
a tempo s ^ ^ 1 r r "r r
s ^
-&-
72
She
J = 66 D^ D^/F
\ m
Words by Herbert Kretzmer Music by Charles Aznavour G^sus2 G^ A^sus4 A^7 D^
" g m H4*ir* m pm r ^0
1. She may be the face I can't for-
Edim
w
G^
m u, b> 0 as ^ — ^
get,_ a trace of plea - sure or re - gret, may be my trea-sure or the
D^ Bl>7 Eb: m m I m M s ^ = ^
price. I have to pay. She_ may be the song that sum - mer
K£ S I F * d * T K as
^
© Copyright 1974 Standard Music Limited. All Rights Reserved. International Copyright Secured.
73
Adim
HH
sings,.
m
may be the chill that au - tumn brings, may be a hun - dred diff - 'rent
G^ M ~ | 1 ^
A^sus4
i»4fr
Ab? D!> G^
m HP H ♦TTT"M 11 i • i 44T
things with - in the mea - sure of a day.
G!>/AI> A ^
B 4 f r
Edim
f^ppf 2. She may be the beau - ty or the beast, may be the fa - mine or the
(Verse 3 instr., Verse 4 see block lyric)
4
74
Gt
m Bb7
m f^Fp
feast,_ may turn each day in - to a hea - ven or hell.
Sfe £ ^ J J J J n f P^P ^s as
^
E\>-m a j^i
Adim ffl
She_ may be the mir - ror of my dreams a smile re - fleet - ed in
D^
m E^/G
T I I T I T
To Coda
A^7sus4
ft ■4fr
Ab7
ft 4fr
stream, she may not be what she may seem, in - side her
75
A xo o
±± 7m rj r ¥ * L
1
^ She who al - ways seems so hap - py in a crowd, whose eyes can be so pri - vate and so
iV rmprm t t s * *> 0 * J -j—J f r^r
« m
D xxo
M s=i
c» m
^
proud, no - one's al - lowed to see them
« f
when they
f
w
*r ^
cry.
^T 5 TF"
76
F#: m B C»
ft riii 111II >•• dbt
* ^ S ig fett W * J * d b^=
She may be the love that can - not hope to last, may come to me from sha - dows of the
U i r - r - r i m i l i n i i i i J—i i i l l iHJu % m j. j j j j
f } J J if i J J fc 4SS ^ ^ ^#> J #L # ^ # ^
« ^ £ ^ 1 W £
E^ £l>7 »3fr i
Ab7
SHB4fr
E S D.S. a/ Corfa
» ^ F ^ J * * = F ^
past_ that I'll re - mem - ber till the day I die.
P n J J . i ^ ^ ^ * f T r
s s ss # #
■0- CWa G1, D^/F
§§ ±s
E W
» }6fr
Dt
m r\ a j
She, she.
± *
she,_
i ^ ^ j F ^ -o^
w w-* *
CT~
^S O l
rlA J- J #
Verse 4 She may be the reason I survive The why and wherefore I'm alive The one I'll care for through the rough and ready years. Me, I'll take her laughter and her tears And make them all my souvenirs For where she goes I've got to be. The meaning of my life is she, she, she.
77
So You Win Again Words & Music by Russ Ballard
J =108 A
x o o A/B Bm
X p X
If**' t P i i i * t*T
E7
o o o p m m 2 i =s
m m-
m& II"! J Tj>* - J SE J 7 Jl i J a p^#f
xo o F#m7 A/B Bm
g O X
p 1 • I t 1
I'11 ihp[xr- i 7 w iyrHP E7
Do do do do, do do do do, do do do do.
s m m f
^ ^ #L ^ _ — S ^ = g fT
E7
T T f
A XO O
±i jp^ C#7
s i * 1£=
^ ^
1. Just to ad-mit one mis - take_ (Verse 2 see block lyric)
jV i h F #
it can be hard to take..
te S
9B«* 11 J yn } m te © Copyright 1977 Russell Ballard Limited. Sony/ATV Music Publishing (UK) Limited.
All Rights Reserved. International Copyright Secured.
78
F*m7
f t ? ? • MM
*A ^
m S^B X T
I know we've made them falL but on - ly fools_ come
*M m m ?
' > ¥ I y h t fi^E ^ ^ 3 ■ ^
Bm7
a * j t
E7
m A
x o o
J , r TJ r u r back for more., Be - ing the fool I am_
±± 3 ^ ^ ^ ^
^s J 'J 7 i n J E^EEE PP
C«?
ffl u r * 7 ^ ? * it v , B £ I fig-ured in all your plans dar - ling. Your per-fumed let - ters
ji te i| te ^
W S EJ f? T=tF?
79
F#m7
m Bm7
X m
ny day
E7
o o
' oo ' 1 1
4±
E/A A xo o
E/FS oo m m
g ^ P^E So you win a - gain,_ you win a - gain._
±± p a
« j 7 i n J t=E
A/B Bm7
T I ] • I • I i
dbt
D xxo
I B
E11 E/A <c ■ )
1 oo
A xo o i
^ £=^H* # 0- i U CJ LLT P LXJ r - F Here I stand a - gain_
±± £ £
the lo - ser._ And just for fun_ you
m ^
K ;> * j p^$ EEg3; &
80
E/F# F#m7
m A/B Bm7
111»i
F#7
m At
u^JJt r P^B took my love and run,_ but love had just be - gun I can't re - fuse her_ and
At M
8 *
« P 3 3 ^ PE
Em/B Bm X OOP X w m
At
Dsus2/4 D x x o o o x x o
I I f I f •n i i i i • i
D/A A XOO XO i m m
# — ^ # 0 ~w t ? f now I know_ that I'm the fooL who won your love to
!¥.] n i= § i i id = 10= tJ J J 1 1 K t J J J- J H^= J • \
1 1 I I I 1
-0- -0- -0-^s&-
i r*i T J JLP
1 a a3a -0- -0- -0-^s&-
J J J* J J 1 ~
F#7
4W • I T I
F#m/B Bm7
X X H 1 At 3=S
E o oo
l i t
J J v JT. \ U U_ lose it all, when you've come back
At ^ ^ 1 < ^
you win a - gain._
te ^ -0 0- m
81
E/A
a A
xo o E/F*
ffi m A/B Bm7
X O X
> » • • • fffp
: " n u j L_p_^J^ P^ Do do do, do do do do, do do do do.
jbt
» fc=E I J I ^ 7 ^ f ^
rr E7
2. E7
o o o o B
X m M h\ r j'p j # ^ =
^
2. And I'm not When will my heart-ache end?
0 ,„,n r , sM j iu> J t* m
'II"*I J ? J'*^R PPPs fPP?
D#7
11 • TTT
« *fe J r m s
Will my whole life de - pend_ on fad - ing
M m s m ^ ■ xg>
n\J ^ j ^ ^ s s 82
*
G#m
sr W4fr
53 »LT '-■ me - mo - ries?_
S ^
|gffi4fr
You took the game_ this time with ease._
m m^ m #3
^s E3 & ^ ^
F»7
TTT9 I I ♦ I ♦ I I I m
B G#m7
B 4 f r
CJ LLJ #—0—0 Wm ± So you win a - gain,_ you win a - gain..
u n i a PP * s
m&, } i n ■> h *
B/C# 4fr It
M
E o oo
ffl F#n
It F*/B B
4fr I 1-H-H ffl » [J^LLTr ly P LLTf - p # — ^ * I
Here I stand a - gain_ the lo - ser.. And just for fun_ you
Us w
to n ¥± J> i n ^ ^
m s -#* * -
83
F#/G# G*m7
f[m>4fr B/Ctt
IS41 cV G#7
n ^ 0 0
took my love and run, but love had just be - gun— I can't re-fuse her and
F#m/C# C#m
1 Esus2/4 E
o oo o oo m m w r r_rr
E/B B X OO X
T+m btox:
£ P ^
now I know that I'm the fool who won your love to
*
fe# 13 m A * $ ~ » ■# -w^^-zr
wm0 sm m ^
G#7 C#7sus4 C V f I f If f.
m Wf' I F#
ffl
you win a - gain._
84
F#/B X I U-f4>4 m
B x m
F*/G*
ii G W a '4fr
m ii:-^r r u* P Do do do do, do do do do,
i*5 ^Z
S Pi 7 h * £
B/C# I ♦ ♦♦♦ 1. M
C»: m' ♦ Itlt4fr m E
I F#/B X I Hi -h l m
B
ffl ■0 0- -0 0-L^L^JJ £ do do do do. Do do do do,
¥»„ d: J ^3 ^ P ^ f t v j> i n 0 f J J I ^m t
Fl*/G#
m G#m7
4fr
B/Ct* I ♦ ♦ ♦ ♦ !■ m
C#m7
It ►4fr
'■!,iT P LLf" BI Repeat to fade
1 * — ^
£ do do do do, do do do do.
fcfci ¥$ ^ £
M l E=£ J , * i n }i n # ^
Verse 2 And I'm not proud to say I let love slip away Now I'm the one who's crying I'm a fool, there's no denying When will my heartache end? Will my whole life depend on fading memories? You took the game this time with ease.
So you win again etc.
85
If You Leave Me Now Words & Music by Peter Cetera
Original key: B major
J = 100 G/C C G/C
x o o x oo x g o X oo
u ii
c x o o
fflffl
G/C C x oo x o o
C G/C C G/C C x o o x 99 x o o x 99 x 9 0
♦ T
fe i m
tt=^ Ul f E ?r~t 3 S * 3^2
a ^ ^ iJ M N ■*■ ♦ ♦ i U ? ♦ ^
Cmaj7
< 1 < 1
c 1
X 30 Am7
x o o
TTT»
m m
If you leave me now_ you'll take a - way the big - gest part_
i ± ^ ^ ^ f -m #L f ^
m ^W3 t t wtSL'
^
of me,
-J04-no, ba - by, please don't go..
A I7-A 1-7 rrn,—J> r-7n re%—zr~ m P f e
m m^m j. ii'i i ^ ^
© Copyright 1976 BMG Songs Incorporated/Big Elk Music, USA. BMG Music Publishing Limited (90%)/Fairwood Music Limited (10%).
All Rights Reserved. International Copyright Secured.
86
-i — girl, just want you to stay._
& ■ RH n rz l
* t ^M m J> } i J>
^ ^
87
B^m/F
^
F
i Am7
3
£ m^^m ^
that's hard to find,_ how could we let_
m * = * ^ «3f
ffi ^ S
1 1
G ooo
1 4
Bm7 E o oo
* i r r
* f fr~:-fr i=! it slip a - way?
9 * iC;t
m * = * r*
^ ^
E S f tt r
fc # "3?
E^/F B^m/F
ffl i * J< £ E £ fe§ £
We've come too far_ to leave- it alL be - hind,_
i * S m
m ^
¥*■ m*
=f3T -&-
88
F m Am7
x o o I F
m G ooo
• » t
0 0 T- F^-^f1 F" -frTjfr m how could we end_ it alL this way?_
] \ y J> ^3 * 4c* t=t
m ~zi
Em 111 ♦
Am :o ( m
m » ^ ^ # m mi ^
7o Cmfa 4"
e When to - mor - row comes_ and we both_ re - gret the
;pfc i=^ ^ ^ = ^ m m- r
^ i i'J l^f Dm
xxo
±3
i §= things we said to day._
r s ^ s W$. E
Cmaj7
X OOP
Am7 Em Em7
tf
i jqj. s
^ *bi& o
I I I
ooo 1
■J3-J-FF^ f ^ P^
m W mmmmmm 89
m J i i
o o G C
O ' m ooo
• i
D.S. al Coda
t s r m ^ ^ ^
Dm
Coda | | g
^
Fm(maj7) m i
things we said to day._
1$ J. J "3 J J J J
If you
^ s ^
Cmaj
1 i7
OOP Am7
X O O m E
Em7
n s
leave me now you'll take a - way the big - gest part_ of me,-
90
^
Am x o o
D xxo,
G ooo
0
» < o o m
TTiT tf pg^ ^
ooh_ no, ba - by, please. don't go..
A Ilr4 n JTT2—-J) m & P e
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92
Sometimes When We Touch
Slowly, in 2 D
Words by Dan Hill Music by Barry Mann
D7 G/D
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ask me if mance and all times I un
I love you, its strat - e - gy der - stand you,
and I choke on leaves me bat - tling
and I know how
my— r e - ply with- my pride.— hard-you've tried
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^ ^ ^ ^ ? ^
5 Copyright 1977 Mann And Weil Songs Incorporated, USA/McCauley MusicAVelbeck Music Corporation, USA. Sony/ATV Music Publishing (UK) Limited.
All Rights Reserved. International Copyright Secured.
93
A F#m Bm
i i jii j n.i n ^ 1— ™x ^m I'd rath - er hurt you hon - est - ly_ But through the in - se - cu - r i - ty_ I've watched while love com-mands . you,—
than mis -some and I've
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watched love pass .
a lie. sur — vives. you by.
And who am I Ifm just an - oth At times I think.
to judge-e r writ -
we ' re drift-
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on what you say or still trapped with - in my still search - ing for a
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see the real trapped with - in
pas - sion flares my a
you._ youth gain..
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some - times when we touch, the hon-es- ty ! S— too— much And I
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till we
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times I'd like to break you and drive. you to your knees . _
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97
Sony Seems To Be The Hardest Word
Words & Music by Elton John & Bernie Taupin
*
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me?_ What have I got - ta do_ to make_ you care?_
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© Copyright 1976 Big Pig Music Limited. Universal Music Publishing Limited.
All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
98
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t^F^ ? j: f f r r P"—r» .r, r/ [ rJ i L / r ^ What do I do when light-ning strikes me,_
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What do I do to make you want me?
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Sor - ry_ seems to be_ the hard - est word.-
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What do I do when light - ning strikes me?
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Talking In Your Sleep Words & Music by Roger Cook & Bobby Wood
1. Three o'clock in the morn-ing and it looks like it's— gon-na be a-noth - er 2 .3 . Ba - by I'm be-ing fool - ish 'cos I have-n't heard you mention an-y-bo - dy's
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© Copyright 1977 Chriswood Music & Colgems-EMI Music Incorporated, USA. The International Music Network Limited (50%)/Screen Gems-EMI Music Limited (50%).
All Rights Reserved. International Copyright Secured.
104
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close your eyes I've heard it said that dream-ers nev-er lie
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You've been talk - in' in your sleep sleep - in' in your.
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105
I N
y^ i f » - • 0- i you used to. love me
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talk - in' in your_ sleep with lov -in' on.
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your mind.
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106
We've Only Just Begun Words by Paul Williams Music by Roger Nichols
Slowly
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gun- to live,- white lace and
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prom - l - ses, a kiss for luck— and we're on our way.-
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© Copyright 1970 Irving Music Incorporated, USA. Rondor Music (London) Limited.
All rights in Germany administered by Rondor Musikverlag GmbH. All Rights Reserved. International Copyright Secured.
107
12,3. B^sus4 E^maj7 A^maj7 E^maj7 A^maj7 Bt
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work- ing to - geth - er day to day, to - geth- er
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Before the rising sun we fly So many roads to choose We start out walking and learn to run.
And when the evening comes we smile So much of life ahead We'll find a place where there's room to grow
4* And when the evening comes we smile So much of life ahead We'll find a place where there's room to grow
109
Where Do I Begin (Theme from 'Love Story')
Words by Carl Sigman Music by Francis Lai
Slowly Gm FJfdim/G
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f Where do I be - gin. With her first hel - lo_
to tell the sto - ry of how she gave a mean-ing to this
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i m great a love can be, emp - ty world of mine.
the sweet love sto - ry There'd nev - er be an
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W old - er than the sea,
love, an - oth - er time; the sim - pie truth a she came in - to my
bout the life and
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© Copyright 1970 Windswept Music (London) Limited (50%)/Famous Music Publishing Limited (50%). All Rights Reserved. International Copyright Secured.
110
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Where do I start? love she brings to me?_ made the liv - ing fine..
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She fills my heart.
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songs, with wild i - mag - in - ings. She fills my soul. with so much
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lone - ly3 I reach for her hand,. 3
it's al - ways there.
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Can love be measured by the How long does it last?.
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hours _ in a day?_ I have no an - swers now, but this much I can say:
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113
When I Need You Words & Music by Albert Hammond & Carole Bayer Sager
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need you, I just close my eyes and I'm with you and
© Copyright 1977 Albert Hammond Enterprises Incorporated/Begonia Melodies Incorporated/Stranger Music Incorporated, USA. Warner/Chappell Music Limited (40%)/Windswept Music (London) Limited (35%)/Sony/ATV Music Publishing (UK) Limited. (25%).
All Rights Reserved. International Copyright Secured.
114
F/A B^m? A m fHj G /Bl> At'/C X X X X
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all that I so want to give you, it's on- ly a heart-beat a - way When I
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need love, I hold out my hands and I touch love, I nev- er knew there was so
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keep - ing me warm night and day.
± * much love,
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115
i*
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smile,-bear,—
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oh, oh,
but you but you
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t j hi J J * fl J ] ? fl « J know I won't be tra-vel-ling know I won't be tra-vel-ling
for ev - er, a life - time,
it's cold out, but hold out and it's cold out, but hold out and
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just close my eyes and I'm with you, and all that I s o — want to
116
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it's on - ly a heart-beat a - way.
^
give you ba-by,
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nev- er knew, oh nev - er knew- there was so much love,
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F ■ # # # # * you, all that I so want to give it's on- ly a heart-beat a - way. When I
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118
Your Song Words & Music by Elton John & Bemie Taupin
te J = 64
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s «L_# 1. It's a lit-tie bit fun- ny,_ 2. If I was a sculp - tor,_ (Verses 3 &4 see block lyrics)
this feel - ing in - side.. but then a-gain no,_ or a
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man_ I'm not one of those_ who_ can
who makes pot - ions in the ea- si - ly hide._
tra-vel-ling show..
# 0 # :
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© Copyright 1969 Dick James Music Limited. Universal/Dick James Music Limited.
All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
119
ti> m
G/B Y O O O m
Cm
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S^ 31 fes *==g a ^ # # # A=?
Don't_ have much mo I know it's not much,_
ney,_ but,_ but it's the best_
boy, if I did,_ I can do._
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I'd buy My gift
big house where_ is my song, yeah;_
we both could
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live.
m^ this one's_ for you..
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120
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I hope you don't mind, I hope you don't mind.
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that I put down in words how won - der - ful life is now
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you're_ in the world..
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Verse 5: I sat on the roof and kicked off the moss. Well, a few of the verses, well, they've got me quite cross, But the sun's been quite kind while I wrote this song; It's for the people like you that keep it turned on.
Verse 4: So excuse me forgetting, but these things I do; You see I've forgotten if they're green or they're blue. Anyway, the thing is, what I really mean; Yours are the sweetest eyes I've ever seen.
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YEN OF THE GREATEST LOVE SONGS OF THE 1 9 7 0 S SPECIALLY SELECTED AND ARRANGED FOR PIANO. VOICE 8 GUITAR.
Ain't No Sunshine
Always On My Mind
Baby, I Love Your W a y
Can't Give You Anything (But My Love)
Can't Smile Wi thout You
Don't Give Up On Us
The First T ime Ever I Saw Your Face
Hopelessly Devoted To You
How Deep Is Your Love
I Don't Know How To Love H i m
I Don't W a n t To Talk About I t
If You Leave Me Now
Jealous Guy
Love And Affection
Lovin' You
Midnight Train To Georgia
My Love
She
So You W i n Again
Sometimes W h e n W e Touch
Sorry Seems To Be The Hardest Word
Talking In Your Sleep Rebe McEntire
We 've Only Just Begun
W h e n I Need You
W h e r e Do I Begin (Theme from *Love Story') Andy Will iams
Wonderful Tonight
Your Song
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