the greatest love songs of the 70s

\rranged for piano, voice & guitar The Greatest LOVE SONGS

Of The 70s

The Greatest

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Order No. AM986799 ISBN 1-84609-708-8 This book © Copyright 2006 Wise Publications, a division of Music Sales Limited.

Unauthorised reproduction of any part of this publication by any means including photocopying is an infringement of copyright

Front cover photo courtesy of Jupiter Images. Back cover photos; Leo Sayer. - Pieter Mazel/LFI, Olivia Newton-John, Rod Stewart & Gladys Knight/LFI, David Soul - Brad Elterman/LFI.

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Ain't No Sunshine Bill Withers 4

Always On My Mind Elvis Presley 7

Baby, I Love Your Way Peter Frampton 10

Can't Give You Anything (But My Love) The Styiistics 16

Can't Smile Without You Barry Manilow 19

Don't Give Up On Us David Soul 24

The First Time Ever I Saw Your Face Roberta Flack 30

Hopelessly Devoted To You Olivia Newton-john 34

How Deep Is Your Love Bee Gees 39

I Don't Know How To Love Him Yvonne Elliman 42

I Don't Want To Talk About It Rod Stewart 46

If You Leave Me Now Chicago 86

Jealous Guy John Lennon 50

Love And Affection Joan Armatrading 52

Lovin' You Minnie Riperton 62

Midnight Train To Georgia Gladys Knight & The Pips 66

My Love Wings 70

She Charles Aznavour 73

So You Win Again Hot Chocolate 78

Sometimes When We Touch Dan Hill 93

Sorry Seems To Be The Hardest Word Elton John 98

Talking In Your Sleep Rebe McEntire 104

We've Only Just Begun The Carpenters 107

When I Need You Leo Sayer 114

Where Do I Begin (Theme from 'Love Story') Andy Williams 110

Wonderful Tonight Eric Clapton 124

Your Song Elton John 119

Ain't No Sunshine Words & Music by Bill Withers

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1. Ain't no sun - shine when she's gone. It's not warm_ when she's a-

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© Copyright 1971 Interior Music Incorporated, USA. Universal/MCA Music Limited.

All rights in Germany administered by Universal/MCA Music Publ. GmbH. All Rights Reserved. International Copyright Secured.

4

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Always On My Mind Words & Music by Mark James, Wayne Thompson & Johnny Christopher

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© Copyright 1971 (Renewed 1979) Sebanine Music Incorporated/Budde Songs Incorporated, USA. Screen Gems-EMI Music Limited (75%)/Chelsea Music Publishing Company Limited (25%).

All Rights Reserved. International Copyright Secured.

7

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Baby, I Love Your Way Words & Music by Peter Frampton

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) Copyright 1975 Nuages Artists Music Limited/Almo Music Corporation, USA. Rondor Music (London) Limited.

All rights in Germany administered by Rondor Musikverlag GmbH. All Rights Reserved. International Copyright Secured.

10

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>ir r j 7 mov - ing_ a - cross the page.

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Wan-na be with you night and day.. Guitar

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Wan-na tell you I love your way.. Wan-nabe with you night and day._

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Verse 2: Moon appears to shine and light the sky With the help of some fire-fly I wonder how they have the power to shine I can't see them under the pine But don't hesitate 'cos your love won't wait.

Ooh, baby I love your way etc.

Verse 3: I can see the sunset in your eyes Brown and grey and blue besides Clouds are stalking islands in the sun I wish I could buy one out of season But don't hesitate 'cos your love won't wait.

Ooh, baby I love your way etc.

15

Can't Give You Anything (But My Love) Words & Music by Hugo Peretti, Luigi Creatore & George David Weiss

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f p=F* 3? Ft © Copyright 1975 Music Sales Corporation, USA.

Campbell Connelly & Company Limited. All Rights Reserved. International Copyright Secured.

16

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18

Can't Smile Without You Words & Music by Chris Arnold, David Martin & Geoff Morrow

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© Copyright 1975 Dick James Music Limited. Universal/Dick James Music Limited.

All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.

19

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21

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Don't Give Up On Us Words & Music by Tony Macaulay

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© Copyright 1976 Macaulay Music Limited. Universal Music Publishing Limited.


24

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xxo A/C#

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D

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*£ It's writ-ten in the moon - light

T3 J n and paint-ed on

£ the

aS ^ J>J. j g . j > j ^ j i ' j . ^ j . j>

27

A/Ct Bm7

f 1 f Ti I I T • 1 I 4 I T I

E9sus4

XX

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stars. We can't change_ ours. Don't give

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just for a rain - y eve - ning

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4. J'J. J>U i i - j 28

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few. Don't give up on us, I know we can still come

i ^ ^ = ^ ^ 2 PE3 W

m ^ j. j>j. j"f B^ B^/A Gm

m k^z

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* ^ ^ £

through..

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* ICE

^ £ E £ B^m/F EWj 7

* 111

^

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XX

m m e Don't give up on us ba by. m S ^ J i J* J ^ = ^ E 4—£■

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29

The First Time Ever I Saw Your Face Slowly

c m

Words & Music by Ewan MacColl

Dm G7 C

m

iH m n n~± ^s

f=^ r r f f f B i

^ i y ^ ^ y r r r r vt

Dm xxo

G7

«4

* Dm xxo I

G7

ooo <► }

i

8 ^ The first_ time (Verses 2 & 3 see block lyrics)

3

m ^m

ev - er I

rr^r =±

r E

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x o o i f I » I I

• M l

# ^

Am X9 o

ffl ^ P

saw your face,_ I thought the sun_

s m ? t

m © Copyright 1962 & 1972 Stormking Music Incorporated, USA.

Harmony Music Limited. All Rights Reserved. International Copyright Secured.

30

Em o ooo

• m i l

F XX A

m Gsus4

xxoo G7

ooo 11

t i

and the moon_ and the stars.

# ^ ^

were the

^ = ^

m s

B^

m To Coda 4- < M M 1

31

o o m D.S. al Coda

w " # "

and the end of the skies.

j j J

4- CWa

i Bt

1 3=^

^ fTS till the end And last

P O ,J

c X O O

I Dm

t r fF

of time,_

^

my love._ The first time„

I r r r r iTu5 r r r r

E -^ *h J. J> J. W

32

C/G G7

I i I f I f T • M I I

^ ^ Z your face,_ ev - er I saw_

4^ * a

^ ^ * s^

c x oo

Bt C o o

I I 11 I • I I I • M i l

B^

m r^

^ r\

-o^

/C\ your face..

s /Oi

^ -^- a = f = L-T Lr r 1 F 7 U ^

O i

r ^

_QE E Q I > 0 -

Verse 2 The first time ever I kissed your mouth I felt the earth move in my hand, Like the trembling heart of a captive bird That was there at my command, my love, That was there at my command.

Verse 3 The first time ever I lay with you And felt your heart so close to mine, And I knew our joy would fill the earth And last till the end of time, my love. The first time ever I saw your face, Your face, your face, your face.

33

Hopelessly Devoted To You Words & Music by John Farrar

J. = 74 Dm

xxo

dht

A xo o

Dm xo

TTTT

A xo o

«n»nHj «hJ " ^ i l J J>J J1 ^ J 1 ^ F P f

gjii j.^m'j, J ^ J.^TTj. J ^

Dm Dm/E A/F A/G

i £± I m x o _ o

t I m *..* iJ «h J ^ inJ ^ J = ^ p ^

1. Guess

P s

^ ^

A xo o

dtst

c», m

ffl4ft D

xxo f If TI

m m 7 ,#■

± £ mine is not the first heart, bro - ken,_ my

-0 <r

B3jfc f Is^l^s^f3

© Copyright 1978 Ensign Music Corporation/Famous Music Corporation, USA. All Rights Reserved. International Copyright Secured.

34

Bm

±4

E7

o o oo T

■ 1 1

Amaj7 A«

£ w I'm eyes are not the first to_ cry..

tt ^ # #

» Iff ^

Aadd9 F#7

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ooo I F#7

ffl J JO J l ' i J 'J J> not the first to know

± £ there's just no get - ting ov

i ± er

«

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±± m If4fr

Bm E o oo

ffl ^=r N=^

±4 you..

% %^% i M = #

2. I

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» JT^'i J T J ' l J73 Pf5 A

xo o

1 C#m

*fi4f t D

mm zTz m m ±±

know head

I'm just a fool is say - ing "Fool,

who's_ for

will get

i n g — him."_

to My

* s * *-LT te j i J,_M 4 ■ j. j i p 35

±4

Bm

m E7 Amaj7

xo o A*

T T *

1 # s

^ - S ^

sit a - round-heart is say

and wait ing "Don't

for let

you. go."

±4 £ But

» ff^ ^add9 F#7 Em/G F#7

±4: ftf

' ' »

J J ' i Jl ' i i ' J J'i ba - by, can't you see

Hold on to the end, there's no - thing else

and that's what I in for me_ tend

*± ^ &

i to to

m£ Bm7

!B5 C#] m

M: m

B E7

N=f J>'J JLi JitJ 'J tJLi J'

±± do.. do..

I'm hope - less - ly de - vot - ed_ to

^ f frf $ m *

sm U^ll JT3U I72li i Dm Dm/E

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A/F A/G o o o o

A xo o

N.C.

3E J ' y y I J . you

r But

I now

te ^

i i

-?—y-

^ a

there's

^ »

te tt

36

Gm7

i i=£ no where to hide since you pushed my love a - side._

g g g =g g g g g g g g g g g

in Caug Fmaj7

M W

Fm_ out_ of my head,

IS * I i^f g g g g

^

Adim7

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ffl 4fr

£=^ |gK ^ g »

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p i s E hope - less - ly de - vo ted_ to you..

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37

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you._

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Dm xxo I

Dm/E Dm/F oo

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dfei m s *• * ^

you._ ^m r p 3. My

dUt £ F

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- vot ed_

g ^

Bh m Bhn/C X r - v X X

ffl ffl B^m/D^ B^m/E^

IjH j , J j to you..

^ f Ooh.

r\

J J»U J 38

How Deep Is Your Love Words & Music by Barry Gibb, Maurice Gibb & Robin Gibb

E^ E W J 7

*6fr

Ahnaj7

B 4 f r A ^

E^ Gm7 Fm7

1 tltftt3fr m c7

X O

Fm7 G7

OOP

a

^ m * m m eyes in the morn - ing sun._

I be - lieve in you.. I feel you touch.

You know the door_ me in the pour - ing rain_

to my ver - y

AtyB

SE ^m Gm7

*3fr

Cm7

'lisp3fr

P r p ip - * — # L -

And the mo You're the light.

ment that you wan - der far in my deep - est, dark

from me, I wan - na est hour; you're my

I J T > ^ ^ £ zk r=^r~ f—f

m m -0- -&-

© Copyright 1977 Gibb Brothers Music/Crompton Songs. BMG Music Publishing Limited (66.66%)/Warner/Chappell Music Limited (33.34%).


39

Fm7

m A^/B^ A^maj7

P5p4fr

H; J J—J I ^ I V

p^=p£ feel you in my arms a - gain.. sav - iour when I fall

And you come to And you may not

me on think I _

a sum -care_

& * * in§ r^f ±±^

^ -m m-

K a Gm7

"S7

Fm7

m mx t i + t i t I T I I *

ifTF r ^ mer for

_ ^ N breeze;_ you

keep me when you

warm_ know.

in your love,_ . down in - side_

then you that I

soft real

\> \> ~< iei % — *

s fc ■m a-

Gm7 A^/B^ f=ffffl3fr 1 M i( >( ...

(

-^~ f

(how deep is your love?)

s -1 y J> P^S

~n: * m r

iy iy

leave., do And it's me you need to show:_

i £ H ^ it f I rjf

a ft How deep

J^J J J j^n M is-^ E a f

E^maj7

*I ?6fr

Pi s f^^ k=fr is your love?_

£ How deep_

I K is your love?

40

A^maj7 A W E *4fr 13fr i

S * < i *—J $ p—^—p—p wm -p—P

I real - ly mean to learn. _ 'Cause we're liv - ing in a world of fools,_

s m E i tg

^

B^m/Db

k % b

Fm7

a p? «

AW XX

TTH3fr

^=r UJ If "Li P ^ ^

should let us be._ We be - long_ to you and me.

k=^ ^ % # a f s

E^ Gm7 A ^

m J3fr

S D&* to fade

How deep

^3 u; te a h h i N

-^ #- ^ ^

41

I Don't Know How To Love Him Words by Tim Rice

Music by Andrew Lloyd Webber

Slowly D G/D G G/D D G D G D

I don't know how to love him.

mp

iM^ 4 £ -4*7 -f—* Tg—5.

sg m ^ ^ ^ m Em/G D/A D/F# D

$ m ^m ~Z2.

What to do, how to move him? I've been changed yes real-ly changed in these

r* r LLT s k h

= t ~&

F#m7 Bm F#m7 Bm G D/F# Em D Em7/A

^ ^ ^ fc

past few days when I've seen my-self I seem like some-one else.

m i iî^t iîî ' ^t E IT » i j 4 "3"

© Copyright 1970 MCA Music Limited. Universal/MCA Music Limited.

All rights in Germany administered by Universal/MCA Music Publ. GmbH. All Rights Reserved. International Copyright Secured.

42

m D G D G D G D/A

122; w don't know how to take this, I don't see why he moves me. He's a

P i £ 53 #—5 * ^ *

SSI 1 ^

D/F# D F*W Bm fe *

man, he's just a man, and I've had so ma- ny_

i s

I j I j * jj^j L±S K

_L' 4 . =3 ~&

F*W Bm G D/F# Em D Em7/A A G D/F# Em D

^ 5 men be-fore in ve - ry ma - ny ways, he's just one more.

i i±i±* * ^F=t WE E tiL as ^ 1 ^ = E

F#7

s ^

s ^m Bm Bm/A G

fc ^ ^ — * ♦ L - * -

I Should I bring him down, should I scream and shout, should I speak of love let my feel-ings out?

fa:

mf

3S 11 * I

£

j j i a ^ r

5 & £ - * ^ — # ■

43

D/A C

ft tf^J J J J r D G

I ne - ver thought I'd

^ ^

come to this

D/F#

« d

what's it all a -

* F ^ i i 1m i=f

eS k

Em G/A A G/A A % D

J*: - O ^

■bout?_ Don't Yet

you think it's ra-ther fun - ny if he said he loved me

JF #

t=*=j ? * — * — * u. mp ^5

SB ^

3 3 1 Pf D/A D/F# D

tt, , r i m ^ F l ^ r C7 I should be in this po - si

I'd be lost I'd be fright tion. I'm the one ened. I could-n't cope,

who's al - ways been just could-n't cope.

so I'd

F V Bm F V Bm G D/F#Em D Em7/A To Coda -fy-

G D/F#Em7

^

no lov-er's fool, I'd back a - way,

calm, turn

P so cool, my head,

run - ning ev - 'ry show; I would-n't want to know;

he scares me he scares me

$m * a* j * r* eBi

"^~ ^

J i J '4 44

D G F#7

* F

m

m

so.

tis. Bm

wt i I i t i i b- ^m mm mf cresc.

f ^ Bm/A G D/A

~3~

i P ^ te f ^ f f=f=f P^____^0 P I I I * I

I ne - ver thought I'd

* t^^f F /

^J=f

» B fc= ^ m 3 3 ^

G D G

j ' l > J J> D/F# Em

D.S.alCod G/A A G/A A

come to this, what's it all a - bout?_

«

fc fc s lid S B rr -Wk,-&- L. UL PP 3 3 1

G D/F# Em7 D G D/F# Em7 D r\ r\ rs rs

±L

SO. I want him so, I love him r\ r\ r\ r\

so.

tfr\t if i?T!tl±f s /T\

TT I^T

45

I Don't Want To Talk About It Words & Music by Danny Whitten

J = 66 C#m7/F#

fc# I

u ffi m r*=3r**t

^M ^

B

*AP Ft l&

1. I can

4 * * * 4C4 8 5 ffl*

•*••# c V ffl

CV/F# oo m

lj ri 'i w^ m tell by your eyes_ (3. Instrumental)

that you've prob - 'ly been cry - ing for

ft ^—

Isrr fflffi

© Copyright 1971 Crazy Crow Music, USA. Chrysalis Music Limited.


46

LP

-0 0\r ^P m n * ^ ^i#-

* 1SP% :* * * - * :*# * *~* * * *p* :* rW W-

0J„ l [ £: :£ £: •:£ A MT^M. -M.

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m w

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m 11 ♦ 111 EH XX

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# # = = # ^ = ^ 2 Is J£-' p i r p : p p P~P:P * * £ * : * * * - * : * # * - # - # # £ £ - : £ £ ^ £

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a

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rf tresui ;tuop —X>js sq; in SIBJS 9in puy

iff J9-A9

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i m p a

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Pli m if I stay, won't you lis - ten_ H my

4& * fc* # #: * « * * )t*: * s s * * #

mm " r C-j- L P CV C*W/F#

i* i U"l *A

heart,. whoa,_ my_

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B B/D# B •"] I pi 1 i i * I

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IB ffl

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Us m * * * * » J * FXTT* W ^

dm7 C*m7/F#

* & I

ps ? : j s~z m stand all a - lone,_ will the sha-dow hide the col-ours of my

mm 48

B

fe# m m ^=f heart; blue for the tears, black for the night's fears. The m m 9 9 9^9 f=r=f^f I 9 9is9 9 % 9^t

s cV

I fci,

CV/F* oo

ffl i 7 i ^^ ^ * 3^ in the sky don't mean no - thing

^ * to you, they're a stars

B E/G# D.S. a/ Coda

xo o oo FTTH

mi

m^4 \s ff ft —

r - re

E=J

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l=d t=j

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A D.S.S. to fade

m —rf—+*-

heart,.

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whoa, my heart?

* *:* 4 *

'>:¥*i_r~iJ * : * mi ■ ^ = T *

49

Jealous Guy Words & Music by John Lennon

G OOP

C/E D D7

0 S—0 0—0 0—0

^

1. I was dream - ing of the past 2. I was feel - ing in - se - cure 3. (Whistle) etc. 4. I was trying to catch your eyes

^

fflE P m w ? uu u D7

±3

Em O OOP

Em6

p O P • • •

±=t i UJi-W M jnm^i

and my heart was beat - ing you might not love me a - ny

thought that you_ were trying to

fast more._ hide

I be - gan to lose_ con - trol, I was shiv - er - ing in -side, I was swal - low - ing my pain,

m feS m Bffi £ m r r r p^^ f m &

D X X P

Em P OOP c

X P P s m I be - gan_ to lose con - trol. I was shiv - er - ing in - side. I was swal - low-ing my pain.

mjn m ,. II: M 0 L 0 m e 5 P 3 P P ^

© Copyright 1971 Lenono Music. All Rights Reserved. International Copyright Secured.

50

G OOP

Dm/F C < o o I I 1 11 I I I t I I

Dsus4

xxo m G ooo

• > (

Dm/F oo

wm 0 0 £ # I did - n't mean to hurt you,. I'm sor - ry that

i M m * W wm

m J. J' r r r Em/D

m G OOP

G/Ftt Em P OOP

» , f br~i n i r >mj=i^ - o -

±s made you cry._ Oh no, I did-n't mean to hurt you.

feha £ * #—w w—w—P- W ■0 m

ffiE i r v - # *

1,2,3. C

* o.o

* I

4.

X P O

U f ' G ppp

g * =s # l

w# l

I'm just a jea - lous guy..

i I'm just a jea - lous guy.. Watch out,

S »

^ # w *

ffl^ S ^ a ^ f w

=£

c x, ,9 m

wm it 0 0

I'm just a jea - lous guy. Look out, babe,. I'm just a jea - lous guy._

o

PEJi S J n r\

- o -

51

Love And Affection Words & Music by Joan Armatrading

J = 88 cV7 F#i3 A6 B6addn

X O X X

Con pedale

^add9 Aadd9/Qtt nn

4fr

F#n t

1 11 1 1

1

cV7 A a d d 9

© Copyright 1976 Rondor Music (London) Limited. All rights in Germany administered by Rondor Musikverlag GmbH.


52

Aadd9/G# F*n Amaj7 y7

xo o

T j> J> J- 3 E ^ ^ I can smile but with a lov - er I could hold my head_

r J J J

B5

dfeft l l l t l T TTT N.C.

pE J I T ^ J back, I could real - ly laugh, real - ly laugh.

* & j j> * 5

@B ^ r r

Asus2 cW

* #

t j t

F#n

Of m n iLh r * PE^

Thank you,_ you took me u & f^i f tf*

I'** A v ^ %

Aadd9/G# Emaj7/G# Amaj7

j't* J * o

ffl s * > y S==* danc ing_ 'cross the floor, cheek to cheek..

M m ^ f 7 niJ J 1RF5 as

# 3 3 1 W

53

F#u

is* 1)

t #

A xo o

7 /-r:J JJJ 1 y n But with a lov - er I could real - ly move, real - ly move. I could real-ly dance,_

J j j 4 ^s

~ 0 ~

54

B^mai7

**£ Love, love, love, love,_ love. Love, love, love. Now I got alL

*jj-

^s ^m wm wZT^ "W^^U^

55

E o oo

m 1 Asus2

S

# the friends that L want. (Lov - er ooh hoo.)

I may need more, but I shall just stick to those

TOf s S3

Asus2

With friends I still feel so in - se - cure..

M & P i Wr £ ^

56

B/D# A/E

ife Lit - tie darl- ing, I be-lieve you can help me a lot.

* & 1 Wl ± P

Just take my hand and lead me where you will.

No con - ver - sa - tion, no wave good - night.

rae E

o oo

iA i Asus2

xo oo

ffl s fr

u Just make love,_

(Lov - er ooh hoo.) oh,_ with af - fee - tion.

%

mm s

57

Asus2

xo oo

* A t f

E o oo

t"tt 7 h

iA Sing me a - no - ther love song but this time with a lit - tie de - di - ca - tion. Sing it,

^m w^ ■^L s€k

Asus2

xo oo

M 1H1

E o oo

sing it. (Sing it, sing it.) You know that's what I like.

Asus2

xo oo Em/G

u. i ooo

• • »

m %

A (Lov - er ooh ooh.) Once more with the feel - ing. Oh, give me love,_

t j *

mfe a m ~3f

F»7 Fmaj7

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I I m I M

1

1

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& 33 m^m S±3: m 4_ give_ me love, give me love Love._

* & *m W^W^^w, a • j ^ ^B

w T ^ J3v i ^

s

58

B/E A/E

* * * £ 5T*

Pj i p=

^ ^

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ite Asus2

x o o o

ffl ^—*\ k IB f f

;P1 Make love,

(Lov - er ooh hoo.)

a J J ^

oh,_

» sfe J J i ^

59

p§ E

3 OO ~T . r» -N -

Asus2

t±L E

Jrf with af - fee - tion. Sing me a - no - ther love song but this

BE

fr £ E

iA o

E OO

* LT-*-

Asus2

XO OO

time with a lit - tie de - di - ca - tion. Sing it, sing it. (Sing it, sing it.)

iA

Me EE3

o h

E oo

F J n Asus2

iA !»•

^ You know that's what I like. (Lov - er ooh hoo.)

m ^m s E

y ^ ^&

E o oo

2.

Hg B

# 1 g £ ^ J1 J, With af - fee - tion. m Once more with the feel - ing.

^m s s ^■"Sk.

60

Asus2 E o oo

m hk I*

*h Ooh, ooh. With a lit - tie de - di - ca - tion.

m& w " ^

Asus2

<c ) oo Y * ' '

E o oo

iA m (Lov - er ooh hoo.) Once more with the feel - ing.

—tr—~

« £ i S

J5. Asus2

xo oo

M* 1 o

E oo

• 1 ••

? Ooh, ooh. You know that's what I like. m

w £

Asus2

61

Lovin' You Words & Music by

Minnie Riperton & Richard Rudolph

C#m7 C#m7 Bm7 Amaj7

xxc 3 i M J t I t l 4"*

141T1

Dmaj7

xxo • ♦<

dfefc

cV

PP

Bm7

m Amaj C#m7

# #

Lov in you is eas - y 'cause you're beau - ti - ful. Mak - in' love with you is

Bm7

mi T i l t i • i i

dbt

Amaj7 Dmaj7 C#m7

^ ' (r r all I wan - na do. Lov in you is

±± j *=d ^ r tr

^s ^ ^ = p 5 Copyright 1972 & 1975 Dickiebird Music And Publishing Company, USA.

Campbell Connelly & Company Limited. All Rights Reserved. International Copyright Secured.

62

Bm7

X X m Amaj7 Dmaj7

I C#m7

X /-V X Bm7 Amaj7

4fr I l | t

i • i

* £ sS J * * i = £ # : * w l P # j # y

more than just_ a dream come true, 'cause ev 'ry - thing that I do_ is out of lovin' you.

^n^ s * s «l^«l

T *f # # r' ' r te^

r 3 ^ =S

^

Dmaj7

C*/ xxo

±4 £

cV X_/-s_X

B m 7

< >

S Amaj7

1

La la la la la, la la la la la, la la la la la la la la la- la.

dbt 0 0 0L i J J J J J J J J

teg r

r J

J o CWa -0-Amaj7 Bm7

o x x

63

Bm7 D/E G#m/A Amaj7 Bm7

X X X X XO O XO O X X m T T i l m ffl C#m7

s 4fr

Bm7 C V 7 D X X X /"^ X X X O

ffl ffl4fr H ffl' sfes £ # #

col -ours that you bring. Stay with m e _ while we grow old, and we will live each day in spring- time,

Dmaj7

• •

Art

Bm7

m E

Amaj7 Dmaj7

i tCJ

C#m7

X /-N X ♦ * | 4fr T i l t T T

^ * s f * # 0 ~ p — — p ~

and ev - ry day of my life 'causelov 'causelov

in you in' you

has made my life so beau - ti - ful, is eas - y 'cause you'rebeau - ti - ful,

M 9 n ^m E ^

IS

^ ^ 0 0 r

Batf r r r

^ = E f

Bm7

i M

Amaj7

i Dmaj7

1 n '4

cW

^ P filled with lov in you. Lov in you,

64

Bm7 Amaj7

m y7

xo o Dmaj7

f-ftff] <>*<

±4 ¥= ^ g ^ ^ ^ 7 ^ * #

see your soul come shin - in' through. And ev - ry time that we, oo, I'm

Bm7

m M

j 7

xo o Amaj

I Dmaj7

i ^m

cW Bm7

i \\J 7 , J>

D.S. al Coda Amaj7

i 0 \ 0 P V # s

more in love_ with you. And ev-'ry time that we, oo, I'm more in love_ with you.

M ^n * H k T J S As Pf r? # # r^T ^S ^ t

■0- Corfa Dmaj7

x x o

< H l i

cV Bm7 Amaj7

1 4fr s m Repeat and fade

0 0 0~m -0—0- 0 # # ^ g

La la la la la, la la la la la, la la la la la la la la la_ la,

0 0 i f^nm. f

65

Midnight Train To Georgia Words & Music by Jim Weatherly

J. 88 Dt

I X X Gfc/Bt A i

m 1 i i i » x I I ■

kk

m&m ■H n - m n-j J f

y^LiJ .n g 0l ,., g

A /C * m

Gt/Bt x x m

AHi

ST s Fm

!s* s 1. Mm_ L. A.

h\\f np-mp~> ^p (Verse 2 see block lyric)

■r-Gc

WL J j m r UU G ^ A sus4 *-J^m fr4xx -

Z» W

Fm G ^ X X

A> A 7 fr4 gTTTmh fr*i

k* i = ^

proved- too much for the man. (Too much for the man, he could-n't

© Copyright 1971 Bibo Music Publishing Incorporated, USA. Universal Music Publishing Limited.


66

Fm G # E 9 AHl X X

m

^ / ] . i ? h i * ^ ^ i make it.) So he's leav-ing a life, mm, he's come to know. Ooh.-

kk 3 ^ t± rr *

3 n r uu f^P Fm G ^ A sus4

fr4 X X _ . X X 1 * 1 1 1 1 tr^ i i i i ai

kk ?=k BW a £ JT"31- n ^ j ^ "P 9

(He said he's go-in') He said he's go-in' back- to find, (go - in' back— to find)

i kk F i ^

P •44 • T V m ' " i' i. J. E^U

D^ Fm

Fffffl Fffffl

^ P L m -

f r 4^ Fm

i * tt

ff f % m—„«

The world he left— be - hind-Ooh- what's. left of his world.

t * %

^ ^ J- J in /3 r IT f=k

C-/BI- Et9 AUi

W 8

4^? r ) ^ n j JJTSJI SP 3=5 £ not— so long- a - go- He's

!sfc -9-ir -9 Br

9 T J J i

y ^ i . J- ^J J. j> I j

67

Fm7 Etm7 fr6xr ~

A^9 D^ fr5 T f T

Fm7

IB h>i n js .n th-AJT]

leav - in' (leav-in') on—that mid - night train-to Geor - gia. (Ixavin'on that mid-night train.-)

*

l'i k g e: a ^ ^

ipn p s i l l I 5 :W> s ^ fr6

E^m7 A^7 fr4

D Fm7 B m n T f T m m E^9

X X Q

is* ^ £ s^s 0=E

(go-in' back— to find) to a sim-pler

$

k* Yes, said he's go-in'back

:a£: E *

3 8p£ J nn i l l 6 ^ m- 0 d' I • ^ - ^

At" X X

Fm7

M> _ mm

place and time. Oh yes he is. And I ' l l — be with him (I know you will _ (When-ev-erhe takes that ride- guesswho'sgonnaberightby_his side.-)

k* ^g ^ u 3g=

ffi 9~9

m i i f Et m 7 A^9 B m B m7 E 9

fr6 fr5 m m

r- T—m ^ ^ * " — * " T . m M m—m—w.—~m—m w m~. ' m~* ■—mm.r

i

' i c_r r C-J—r r r-ry p r •> to Geor - gia. Hey = * _) o n — that mid - night train to Geor - gia.

^M 4—& (Leav-in on the mid - night train— to Geor-gia, woo woo!)

£ ^ ¥

m ■\K r p ^ ^ m u J3/ra 68

G^maj7

fr*r AHl \h

m X X

kk ±=fc * fJJ ' J^rJ " ~~

A^/C

i

=iiJ " T J - t r ? p r I'd rath-er live in his world,-

TO"» l> l»8= ^

than live with-out him in mine.-(live in his world - ) (Her _ world

i ^

world is

^

^ J- J J. J> 5 # ¥

Ft/B1,

is Am

iS fet HMx * J n I W ;

Fm7/C GW ^n x x n

^

r * ^ r vp'f^ ■ P - ^ (P—W

his in mine.-

his and hers— a-lone.) (Her world is his, his and hers— a-lone)

P P # = ^ TP-

Hey!

r=^f * K J- JU j) s

«^ 0-

D^ Fm7/C c m n M

G ^ x x

AUl

m Repeat to fade

fei * r f F P LT

Oh love, ^ gon - na board the mid - night train to go. (Oh love, gon-na board the mid-night train to go)

i kt =zg: ^ s fcte

J- J> J. £ s EES Verse 2: He kept dreamin' that someday he'd be the star (A superstar, but he didn't get far) But he sure found out the hard way That dreams don't always come true So he turned all his hopes And he even sold his old car Bought a one-way ticket back to the life he once knew.

He's leavin' etc.

69

My Love Words & Music by

Paul McCartney & Linda McCartney

Slowly # Bhmaj7

m IS m^m

^ £ ^

r\

1. And when I go a - way_ 2. And when the cup-board's bare_ 3. Don't ev - er ask me why_

I know my heart can stay with my I'll still find some-thing there_ with my I nev - er say good bye to my

J E * J. 3 E * * l^ii te # ^ # IXH T TV TT

ss r\

Am7

m D9

¥^4fr

Gm7

?W3fr

^M^ ^m *^ ^*

love. love. love.

It's un - der- stood, It's un - der- stood, It's un - der- stood,

it's in the hands_ of my love-it's ev -'ry - where_ with my love.. it's ev -'ry - where- with my love..

\llvv V 4. n - ^ •rn And

r t t f ■ ^

Am7

ffl5fr

m B^maj7 Dm/B

rTTT T 14

Fm

m e

My love

* *

does it

^

good. Wo wo wo - wo,

J. wo - wo

F fc

© Copyright 1973 McCartney Music Limited. MPL Communications Limited.


70

Gm7

To Coda

-6^-

wo - wo.

i

m ' r r P My love does it good..

h—J

rr m

£

^ *H *

^ - K- f

» ^

r 7=^r—r 12. F

» I M * #

Gm7 a W

F Faug/A

^ 1 ^ - E r T LU'P

Wo - wo, I love._ Oh, wo, my love._ On-ly

=j. P5E i H,U £ J^^T^ s ^ * = * ? r F r t ^

r

B^ C7 Faug/A Gm7

ffl l§

w • I 11 t t 111 1 I H i w C7

IT j^m ^ i E

my love holds the oth - er key_ to me. Oh, wo,_ my love._ Oh,_

111 r J . ^ ^ N p-r ? r f r f r

ra ^

F+/A B^

m C7

'tTtTt3fr

Dm/B

K B ffl3fr

P r n 1 t M

^ £ E3 my love._

J- J ^

*F

On - ly my love does it good to me..

*#p r* P Wo - wo

te ^ h 1 n<

71

f I f t

Gm7

T I TTTT3fr to E -GH- r r ?

wo - wo, wo - wo wo - wo.

J- J~l My love does it good

J J>—-j J ^ & P f i

r—r-f—r H

^ Corfa D.S.«/ Corfa m

p ^

Gm7

Wo - wo,_

^ = ^

I rnf

C7 Faug/A TTT?3fr IK?3fr

BE 1 1

1 H ( 1

Gm 7 /#

SB

&E= #^ ^ £ P I love._ Oh, wo,_ my love.. On-ly my love does it good to_

hj-> J n i j~n ^ r r M

C#//a voce

mm Faug/A B^ C13

I \ m • •• 2fr 1 ^ =

*

me.

j. Wo - wo wo - wo wo wo_

i E ^ E ^

wo. / ^ o

&

a tempo s ^ ^ 1 r r "r r

s ^

-&-

72

She

J = 66 D^ D^/F

\ m

Words by Herbert Kretzmer Music by Charles Aznavour G^sus2 G^ A^sus4 A^7 D^

" g m H4*ir* m pm r ^0

1. She may be the face I can't for-

Edim

w

G^

m u, b> 0 as ^ — ^

get,_ a trace of plea - sure or re - gret, may be my trea-sure or the

D^ Bl>7 Eb: m m I m M s ^ = ^

price. I have to pay. She_ may be the song that sum - mer

K£ S I F * d * T K as

^

© Copyright 1974 Standard Music Limited. All Rights Reserved. International Copyright Secured.

73

Adim

HH

sings,.

m

may be the chill that au - tumn brings, may be a hun - dred diff - 'rent

G^ M ~ | 1 ^

A^sus4

i»4fr

Ab? D!> G^

m HP H ♦TTT"M 11 i • i 44T

things with - in the mea - sure of a day.

G!>/AI> A ^

B 4 f r

Edim

f^ppf 2. She may be the beau - ty or the beast, may be the fa - mine or the

(Verse 3 instr., Verse 4 see block lyric)

4

74

Gt

m Bb7

m f^Fp

feast,_ may turn each day in - to a hea - ven or hell.

Sfe £ ^ J J J J n f P^P ^s as

^

E\>-m a j^i

Adim ffl

She_ may be the mir - ror of my dreams a smile re - fleet - ed in

D^

m E^/G

T I I T I T

To Coda

A^7sus4

ft ■4fr

Ab7

ft 4fr

stream, she may not be what she may seem, in - side her

75

A xo o

±± 7m rj r ¥ * L

1

^ She who al - ways seems so hap - py in a crowd, whose eyes can be so pri - vate and so

iV rmprm t t s * *> 0 * J -j—J f r^r

« m

D xxo

M s=i

c» m

^

proud, no - one's al - lowed to see them

« f

when they

f

w

*r ^

cry.

^T 5 TF"

76

F#: m B C»

ft riii 111II >•• dbt

* ^ S ig fett W * J * d b^=

She may be the love that can - not hope to last, may come to me from sha - dows of the

U i r - r - r i m i l i n i i i i J—i i i l l iHJu % m j. j j j j

f } J J if i J J fc 4SS ^ ^ ^#> J #L # ^ # ^

« ^ £ ^ 1 W £

E^ £l>7 »3fr i

Ab7

SHB4fr

E S D.S. a/ Corfa

» ^ F ^ J * * = F ^

past_ that I'll re - mem - ber till the day I die.

P n J J . i ^ ^ ^ * f T r

s s ss # #

■0- CWa G1, D^/F

§§ ±s

E W

» }6fr

Dt

m r\ a j

She, she.

± *

she,_

i ^ ^ j F ^ -o^

w w-* *

CT~

^S O l

rlA J- J #

Verse 4 She may be the reason I survive The why and wherefore I'm alive The one I'll care for through the rough and ready years. Me, I'll take her laughter and her tears And make them all my souvenirs For where she goes I've got to be. The meaning of my life is she, she, she.

77

So You Win Again Words & Music by Russ Ballard

J =108 A

x o o A/B Bm

X p X

If**' t P i i i * t*T

E7

o o o p m m 2 i =s

m m-

m& II"! J Tj>* - J SE J 7 Jl i J a p^#f

xo o F#m7 A/B Bm

g O X

p 1 • I t 1

I'11 ihp[xr- i 7 w iyrHP E7

Do do do do, do do do do, do do do do.

s m m f

^ ^ #L ^ _ — S ^ = g fT

E7

T T f

A XO O

±i jp^ C#7

s i * 1£=

^ ^

1. Just to ad-mit one mis - take_ (Verse 2 see block lyric)

jV i h F #

it can be hard to take..

te S

9B«* 11 J yn } m te © Copyright 1977 Russell Ballard Limited. Sony/ATV Music Publishing (UK) Limited.


78

F*m7

f t ? ? • MM

*A ^

m S^B X T

I know we've made them falL but on - ly fools_ come

*M m m ?

' > ¥ I y h t fi^E ^ ^ 3 ■ ^

Bm7

a * j t

E7

m A

x o o

J , r TJ r u r back for more., Be - ing the fool I am_

±± 3 ^ ^ ^ ^

^s J 'J 7 i n J E^EEE PP

C«?

ffl u r * 7 ^ ? * it v , B £ I fig-ured in all your plans dar - ling. Your per-fumed let - ters

ji te i| te ^

W S EJ f? T=tF?

79

F#m7

m Bm7

X m

ny day

E7

o o

' oo ' 1 1

4±

E/A A xo o

E/FS oo m m

g ^ P^E So you win a - gain,_ you win a - gain._

±± p a

« j 7 i n J t=E

A/B Bm7

T I ] • I • I i

dbt

D xxo

I B

E11 E/A <c ■ )

1 oo

A xo o i

^ £=^H* # 0- i U CJ LLT P LXJ r - F Here I stand a - gain_

±± £ £

the lo - ser._ And just for fun_ you

m ^

K ;> * j p^$ EEg3; &

80

E/F# F#m7

m A/B Bm7

111»i

F#7

m At

u^JJt r P^B took my love and run,_ but love had just be - gun I can't re - fuse her_ and

At M

8 *

« P 3 3 ^ PE

Em/B Bm X OOP X w m

At

Dsus2/4 D x x o o o x x o

I I f I f •n i i i i • i

D/A A XOO XO i m m

# — ^ # 0 ~w t ? f now I know_ that I'm the fooL who won your love to

!¥.] n i= § i i id = 10= tJ J J 1 1 K t J J J- J H^= J • \

1 1 I I I 1

-0- -0- -0-^s&-

i r*i T J JLP

1 a a3a -0- -0- -0-^s&-

J J J* J J 1 ~

F#7

4W • I T I

F#m/B Bm7

X X H 1 At 3=S

E o oo

l i t

J J v JT. \ U U_ lose it all, when you've come back

At ^ ^ 1 < ^

you win a - gain._

te ^ -0 0- m

81

E/A

a A

xo o E/F*

ffi m A/B Bm7

X O X

> » • • • fffp

: " n u j L_p_^J^ P^ Do do do, do do do do, do do do do.

jbt

» fc=E I J I ^ 7 ^ f ^

rr E7

2. E7

o o o o B

X m M h\ r j'p j # ^ =

^

2. And I'm not When will my heart-ache end?

0 ,„,n r , sM j iu> J t* m

'II"*I J ? J'*^R PPPs fPP?

D#7

11 • TTT

« *fe J r m s

Will my whole life de - pend_ on fad - ing

M m s m ^ ■ xg>

n\J ^ j ^ ^ s s 82

*

G#m

sr W4fr

53 »LT '-■ me - mo - ries?_

S ^

|gffi4fr

You took the game_ this time with ease._

m m^ m #3

^s E3 & ^ ^

F»7

TTT9 I I ♦ I ♦ I I I m

B G#m7

B 4 f r

CJ LLJ #—0—0 Wm ± So you win a - gain,_ you win a - gain..

u n i a PP * s

m&, } i n ■> h *

B/C# 4fr It

M

E o oo

ffl F#n

It F*/B B

4fr I 1-H-H ffl » [J^LLTr ly P LLTf - p # — ^ * I

Here I stand a - gain_ the lo - ser.. And just for fun_ you

Us w

to n ¥± J> i n ^ ^

m s -#* * -

83

F#/G# G*m7

f[m>4fr B/Ctt

IS41 cV G#7

n ^ 0 0

took my love and run, but love had just be - gun— I can't re-fuse her and

F#m/C# C#m

1 Esus2/4 E

o oo o oo m m w r r_rr

E/B B X OO X

T+m btox:

£ P ^

now I know that I'm the fool who won your love to

*

fe# 13 m A * $ ~ » ■# -w^^-zr

wm0 sm m ^

G#7 C#7sus4 C V f I f If f.

m Wf' I F#

ffl

you win a - gain._

84

F#/B X I U-f4>4 m

B x m

F*/G*

ii G W a '4fr

m ii:-^r r u* P Do do do do, do do do do,

i*5 ^Z

S Pi 7 h * £

B/C# I ♦ ♦♦♦ 1. M

C»: m' ♦ Itlt4fr m E

I F#/B X I Hi -h l m

B

ffl ■0 0- -0 0-L^L^JJ £ do do do do. Do do do do,

¥»„ d: J ^3 ^ P ^ f t v j> i n 0 f J J I ^m t

Fl*/G#

m G#m7

4fr

B/Ct* I ♦ ♦ ♦ ♦ !■ m

C#m7

It ►4fr

'■!,iT P LLf" BI Repeat to fade

1 * — ^

£ do do do do, do do do do.

fcfci ¥$ ^ £

M l E=£ J , * i n }i n # ^

Verse 2 And I'm not proud to say I let love slip away Now I'm the one who's crying I'm a fool, there's no denying When will my heartache end? Will my whole life depend on fading memories? You took the game this time with ease.

So you win again etc.

85

If You Leave Me Now Words & Music by Peter Cetera

Original key: B major

J = 100 G/C C G/C

x o o x oo x g o X oo

u ii

c x o o

fflffl

G/C C x oo x o o

C G/C C G/C C x o o x 99 x o o x 99 x 9 0

♦ T

fe i m

tt=^ Ul f E ?r~t 3 S * 3^2

a ^ ^ iJ M N ■*■ ♦ ♦ i U ? ♦ ^

Cmaj7

< 1 < 1

c 1

X 30 Am7

x o o

TTT»

m m

If you leave me now_ you'll take a - way the big - gest part_

i ± ^ ^ ^ f -m #L f ^

m ^W3 t t wtSL'

^

of me,

-J04-no, ba - by, please don't go..

A I7-A 1-7 rrn,—J> r-7n re%—zr~ m P f e

m m^m j. ii'i i ^ ^

© Copyright 1976 BMG Songs Incorporated/Big Elk Music, USA. BMG Music Publishing Limited (90%)/Fairwood Music Limited (10%).


86

-i — girl, just want you to stay._

& ■ RH n rz l

* t ^M m J> } i J>

^ ^

87

B^m/F

^

F

i Am7

3

£ m^^m ^

that's hard to find,_ how could we let_

m * = * ^ «3f

ffi ^ S

1 1

G ooo

1 4

Bm7 E o oo

* i r r

* f fr~:-fr i=! it slip a - way?

9 * iC;t

m * = * r*

^ ^

E S f tt r

fc # "3?

E^/F B^m/F

ffl i * J< £ E £ fe§ £

We've come too far_ to leave- it alL be - hind,_

i * S m

m ^

¥*■ m*

=f3T -&-

88

F m Am7

x o o I F

m G ooo

• » t

0 0 T- F^-^f1 F" -frTjfr m how could we end_ it alL this way?_

] \ y J> ^3 * 4c* t=t

m ~zi

Em 111 ♦

Am :o ( m

m » ^ ^ # m mi ^

7o Cmfa 4"

e When to - mor - row comes_ and we both_ re - gret the

;pfc i=^ ^ ^ = ^ m m- r

^ i i'J l^f Dm

xxo

±3

i §= things we said to day._

r s ^ s W$. E

Cmaj7

X OOP

Am7 Em Em7

tf

i jqj. s

^ *bi& o

I I I

ooo 1

■J3-J-FF^ f ^ P^

m W mmmmmm 89

m J i i

o o G C

O ' m ooo

• i

D.S. al Coda

t s r m ^ ^ ^

Dm

Coda | | g

^

Fm(maj7) m i

things we said to day._

1$ J. J "3 J J J J

If you

^ s ^

Cmaj

1 i7

OOP Am7

X O O m E

Em7

n s

leave me now you'll take a - way the big - gest part_ of me,-

90

^

Am x o o

D xxo,

G ooo

0

» < o o m

TTiT tf pg^ ^

ooh_ no, ba - by, please. don't go..

A Ilr4 n JTT2—-J) m & P e

=$=£ s i i'iJ i' ^ ^

Am7

11 f 11

D xxo

— 3 • 4 f i l l

C G/C C G/C C G/C C x o o x oo x o o x 99 x o o x oo x o o

* M * w I f

iffi

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92

Sometimes When We Touch

Slowly, in 2 D

Words by Dan Hill Music by Barry Mann

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ask me if mance and all times I un

I love you, its strat - e - gy der - stand you,

and I choke on leaves me bat - tling

and I know how

my— r e - ply with- my pride.— hard-you've tried

*a .HN n tnp -tnf -tnp

^ ^ ^ ^ ? ^

5 Copyright 1977 Mann And Weil Songs Incorporated, USA/McCauley MusicAVelbeck Music Corporation, USA. Sony/ATV Music Publishing (UK) Limited.


93

A F#m Bm

i i jii j n.i n ^ 1— ™x ^m I'd rath - er hurt you hon - est - ly_ But through the in - se - cu - r i - ty_ I've watched while love com-mands . you,—

than mis -some and I've

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a lie. sur — vives. you by.

And who am I Ifm just an - oth At times I think.

to judge-e r writ -

we ' re drift-

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see the real trapped with - in

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97

Sony Seems To Be The Hardest Word

Words & Music by Elton John & Bernie Taupin

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© Copyright 1976 Big Pig Music Limited. Universal Music Publishing Limited.


98

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What do I do to make you want me?

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Sor - ry_ seems to be_ the hard - est word.-

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Talking In Your Sleep Words & Music by Roger Cook & Bobby Wood

1. Three o'clock in the morn-ing and it looks like it's— gon-na be a-noth - er 2 .3 . Ba - by I'm be-ing fool - ish 'cos I have-n't heard you mention an-y-bo - dy's

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© Copyright 1977 Chriswood Music & Colgems-EMI Music Incorporated, USA. The International Music Network Limited (50%)/Screen Gems-EMI Music Limited (50%).


104

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close your eyes I've heard it said that dream-ers nev-er lie

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y^ i f » - • 0- i you used to. love me

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talk - in' in your_ sleep with lov -in' on.

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106

We've Only Just Begun Words by Paul Williams Music by Roger Nichols

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prom - l - ses, a kiss for luck— and we're on our way.-

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© Copyright 1970 Irving Music Incorporated, USA. Rondor Music (London) Limited.

All rights in Germany administered by Rondor Musikverlag GmbH. All Rights Reserved. International Copyright Secured.

107

12,3. B^sus4 E^maj7 A^maj7 E^maj7 A^maj7 Bt

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Before the rising sun we fly So many roads to choose We start out walking and learn to run.

And when the evening comes we smile So much of life ahead We'll find a place where there's room to grow

4* And when the evening comes we smile So much of life ahead We'll find a place where there's room to grow

109

Where Do I Begin (Theme from 'Love Story')

Words by Carl Sigman Music by Francis Lai

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f Where do I be - gin. With her first hel - lo_

to tell the sto - ry of how she gave a mean-ing to this

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i m great a love can be, emp - ty world of mine.

the sweet love sto - ry There'd nev - er be an

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W old - er than the sea,

love, an - oth - er time; the sim - pie truth a she came in - to my

bout the life and

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© Copyright 1970 Windswept Music (London) Limited (50%)/Famous Music Publishing Limited (50%). All Rights Reserved. International Copyright Secured.

110

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Where do I start? love she brings to me?_ made the liv - ing fine..

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songs, with wild i - mag - in - ings. She fills my soul. with so much

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111

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lone - ly3 I reach for her hand,. 3

it's al - ways there.

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hours _ in a day?_ I have no an - swers now, but this much I can say:

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113

When I Need You Words & Music by Albert Hammond & Carole Bayer Sager

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need you, I just close my eyes and I'm with you and

© Copyright 1977 Albert Hammond Enterprises Incorporated/Begonia Melodies Incorporated/Stranger Music Incorporated, USA. Warner/Chappell Music Limited (40%)/Windswept Music (London) Limited (35%)/Sony/ATV Music Publishing (UK) Limited. (25%).


114

F/A B^m? A m fHj G /Bl> At'/C X X X X

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all that I so want to give you, it's only a heart-beat a - way When I

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need love, I hold out my hands and I touch love, I nev- er knew there was so

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keep - ing me warm night and day.

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iffc Miles and miles of emp - ty space

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115

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smile,-bear,—

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t j hi J J * fl J ] ? fl « J know I won't be tra-vel-ling know I won't be tra-vel-ling

for ev - er, a life - time,

it's cold out, but hold out and it's cold out, but hold out and

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just close my eyes and I'm with you, and all that I s o — want to

116

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it's on - ly a heart-beat a - way.

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give you ba-by,

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nev- er knew, oh nev - er knew- there was so much love,

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F ■ # # # # * you, all that I so want to give it's only a heart-beat a - way. When I

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118

Your Song Words & Music by Elton John & Bemie Taupin

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© Copyright 1969 Dick James Music Limited. Universal/Dick James Music Limited.


119

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Don't_ have much mo I know it's not much,_

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I'd buy My gift

big house where_ is my song, yeah;_

we both could

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m^ this one's_ for you..

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120

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I hope you don't mind, I hope you don't mind.

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that I put down in words how won - der - ful life is now

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you're_ in the world..

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words how won - der ful life is_ while

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you're_ in the world., Guitar

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Verse 4: So excuse me forgetting, but these things I do; You see I've forgotten if they're green or they're blue. Anyway, the thing is, what I really mean; Yours are the sweetest eyes I've ever seen.

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YEN OF THE GREATEST LOVE SONGS OF THE 1 9 7 0 S SPECIALLY SELECTED AND ARRANGED FOR PIANO. VOICE 8 GUITAR.

Ain't No Sunshine

Always On My Mind

Baby, I Love Your W a y

Can't Give You Anything (But My Love)

Can't Smile Wi thout You

Don't Give Up On Us

The First T ime Ever I Saw Your Face

Hopelessly Devoted To You

How Deep Is Your Love

I Don't Know How To Love H i m

I Don't W a n t To Talk About I t

If You Leave Me Now

Jealous Guy

Love And Affection

Lovin' You

Midnight Train To Georgia

My Love

She

So You W i n Again

Sometimes W h e n W e Touch

Sorry Seems To Be The Hardest Word

Talking In Your Sleep Rebe McEntire

We 've Only Just Begun

W h e n I Need You

W h e r e Do I Begin (Theme from *Love Story') Andy Will iams

Wonderful Tonight

Your Song

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