piano songs
DESCRIPTION
ClassicsTRANSCRIPT
MATERI
MATAKULIAH PIM III PIANO
Olex :
F.Xlvgnur Drnn K., S.Po, M.A.
JURUSAN PENDIDII(AN SENI MUSIKFAKULTAS BAHASA DAN SENI
UNI\/ERSTTAS NEG ERI YOGYAKARTA
20tl
Fingering, Phrasing, An n otations byG.BAONAMICI
Etude VI.
>---.. E s* t z I
r;?=-=
r-
Allcgro .@
&*..-
8------------------
'!, { tr!
* ta. * .Ia.
*:i'<l:
I ;.-g 4-5lp{
x.
ben tenuto il lasso--.--;--f1' )++) Jr
;ii
r
Scales in both hands
. DUVERNOY,Op.120 No.1Alleglro vil'aee
'd '-rl u 'd r-r''
serrrt re cresc.
Allegretto. J.rzo.
15.
121.$
I
2sta
7
3I
'!a. *
$
IilEII\tr STUDIE
Leise und sehr egal zu spielen
ar
R.Schumann OP.68-No'14'
(Ped. simile')
117
t*
Little Prelude No. B in F Major
Johann Sebastian Bach1 685-1 750
lAtlegrol
12. Bour6ezhffifFtllt
A study in contrasts of touch and independence of each hand.
vivace , fi0fit1bffi94{t'+'ffiiLLffrA
#,R
{t
ra)l.(
Little Prelude No . 2 in C Major
Johann Sebastian Bach1685-1 750
Moderato
a.)
No.SinFmaion
Vivace (J = e6 - 1oo )
dnf
{=--{r+:lE
54.lI
:#.
iq"
5. Minlret4:"bf't'tllt
A study in phrasing and in balance-of tonehae&ahg'zffiEAndante sostenuto t ".
+#ffiA+tiilE Q = r82)t+ffiAt;fitfl ( .t. s. BA0H
rT-...-1
\rl\-_-
+ tgj
r_
SONATINAOp.36,No.3
i{r.i
!s
^42
t*Itq
* In some editions this C is not tied to.the prcvious p.
I
r 2 L2
,f,/1-: i %;:tl-d--.
taIJ
2
ffiii:.ri
€G
SONATINA.0p.36,No.4
.:i
-.1 .t
!!. 2I {
t' r\1 *_i--.''
4.'
rtEI
I
2(\9
4a.i*T
:s
Da Capoal jiiu
;e
14
SONATINAOp.55, No.z
Allegretto
Fricdrich Kuhlau
645{st 2 2l I
n"t.& itf*
3s
,t-2 i 1^^ 3---\
I
l
)
I
)
)
I
lt'
:.q
27
4.----:\l tt r}=-1r-
n16 t l- I
.--------1-!
L-.-'---: t
k
e8
I 1:
r z3 r2ztzF. t
$r
Minuet with YartationsThe rnelody mrusr be simply stated, tone clear and beautiful. Gently taper the tone
co weak bcae at slur endings. Variation r should be in sirniler tempo, smoorh quietmelwJy singing above softer quavers, ornaments lightly played. Var. z brighter in tempoand tone, first note of e,' ,, lriplet group to sing out above decorative notes; L. H. ac-cenrs marked without bu:,',':nE. Var. 3 brilliant,but still sweet in tone: notice that L.H. partakes of the melocl: : ,'mpo indications are approximatb for (a) Theme and Var.r; (b) Yar. z; (c) Var. .r
Moderato semPti<',
ARNErTro-1778
--- -/-I
=D*
OJ++2 ,
actesc.
?e-If
++dtm.
*
"!f *.
BUNDAGipt. Melly Goeslaw
Re-Aransemen: Billy Bun, ST
$th- J
.{r^
2a-t{
a
I-(
Igtb' - -'
\ :.i
The SuanCanrille'Saint-Saens
(rs:s - rgztl
,7-' rE==-A:-- '
l--l
r
\
lailo I
t'1---t
d temlro
_ -r I
&fariage Xl'sgnourry+FgffifreMusic bv Paul de SBNNEvILLE and otivier ToussAINT
:!:dltt)+fi'f'filt!*.n;;1;1y*S6.fr!1:/i1rf.rf:i 1;4+lt'tIity)ill4irjt"n.t9rft l: . ilf;|Sts. {gd,t{f1:1Jri* :.t(r f. (', n , r,r,i4r,,
-aC
E).
Gm
ft. €D.' S.
trGm
iD)
Gm
,6. s.
Scoaa Gm
t$-
8t'a ---------
A).
Cm7m
Cm7
\-
20.
",1 I,