lisensi ini mengizinkan setiap orang untuk menggubah ...kc.umn.ac.id/1960/1/halaman...

Team project ©2017 Dony Pratidana S. Hum | Bima Agus Setyawan S. IIP

Hak cipta dan penggunaan kembali:

Lisensi ini mengizinkan setiap orang untuk menggubah, memperbaiki, dan membuat ciptaan turunan bukan untuk kepentingan komersial, selama anda mencantumkan nama penulis dan melisensikan ciptaan turunan dengan syarat yang serupa dengan ciptaan asli.

Copyright and reuse:

This license lets you remix, tweak, and build upon work non-commercially, as long as you credit the origin creator and license it on your new creations under the identical terms.

EKSPERIMENTAL KREATIF MOTION COMIC “SEBUAH ARTI”

Ditulis sebagai salah satu syarat untuk memperoleh gelar Sarjana Seni (S.Sn)

Laporan Tugas Akhir

Nama : Wulan Agustias Iskandar NIM : 09120210073 Program Studi : Desain Komunikasi

Visual Fakultas : Seni dan Desain

UNIVERSITAS MULTIMEDIA NUSANTARA TANGERANG

2013

Eksperimental Kreatif Motion..., Wulan Agustias iskandar, FSD UMN, 2013

ii

HALAMAN PENGESAHAN TUGAS AKHIR

EKSPERIMENTAL KREATIF MOTION COMIC “SEBUAH ARTI”

Oleh

Nama : Wulan Agustias Iskandar

NIM : 09120210073

Program Studi : DKV

Fakultas : Seni & Desain

Tangerang, 16 Februari 2013

Pembimbing I

M.S. Gumelar, M.A.

Ketua Sidang

Muhammad Rizaldi, S.T., M.Ds.

Penguji

Drs. Edy Purwantoro, M.Ds.

Ketua Program Studi Desain Komunikasi Visual

Desi Dwi Kristanto, S.Ds., M.Ds.


iii

LEMBAR PERNYATAAN TIDAK MELAKUKAN PLAGIAT

DALAM PENYUSUNAN TUGAS AKHIR

Dengan ini saya menyatakan bahwa Tugas Akhir ini adalah karya ilmiah saya

sendiri, bukan plagiat dari karya ilmiah yang ditulis oleh orang lain ataupun

lembaga lain, dan semua karya ilmiah orang atau lembaga lain yang dirujuk dalam

Tugas Akhir ini telah disebutkan sumber kutipannya serta dicantumkan di Daftar

Pustaka.


Penulis


iv

KATA PENGANTAR

Segala syukur tak hentinya dipanjatkan kepada Allah SWT yang telah

memberikan rahmat dan kuasa-Nya, sehingga penulis dapat menyelesaikan Tugas

Akhir yang berjudul Eksperimental Kreatif Motion Comic “Sebuah Arti” dengan

baik dan tepat waktu.

Tugas Akhir ini dibuat sebagai salah satu syarat kelulusan untuk

memperoleh gelar strata satu di bidang seni (S.Sn) Universitas Multimedia

Nusantara. Penulis berharap Tugas Akhir ini kedepannya akan berguna, baik

untuk kalangan internal maupun eksternal Universitas Multimedia Nusantara.

Penulis juga berharap, dengan adanya motion comic “Sebuah Arti” ini,

para pembaca dan pemirsa dapat lebih memahami arti dari sebuah kehadiran

orang-orang terdekatnya, serta tidak menyia-nyiakan orang yang selalu ada di

sekelilingnya. Sehingga, pemirsa dapat lebih menyayangi dan menghargai

keberadaan orang-orang di sekelilingnya yang sangat mencintainya.

Penulis tidak lupa mengucapkan terima kasih yang sedalam-dalamnya

kepada semua pihak yang telah membantu selama pembuatan tugas akhir ini, baik

dalam bentuk bimbingan serta dukungan secara moril, khususnya kepada:

1. M.S. Gumelar, M.A. selaku dosen pembimbing,

2. Desi Dwi Kristanto, S.Ds., M.Ds., selaku Kepala Program Studi Desain

Komunikasi Visual,


v

3. Yusup Sigit Martyastiadi, S.T., M.Inf.Tech., atas bimbingannya dalam

penulisan akademis,

4. Kedua orang tua yang senantiasa memberikan dukungan, doa, dan kasih

sayang kepada penulis,

5. Ryan Yuda dan Intan Purnamasari, atas bantuannya dalam proses perekaman

dan pengisian suara,

6. Johan Winata, yang telah membantu mengisi suara Cakra dalam karya ini,

7. Anita Nurmala Surya, yang telah membantu mengisi suara Ibu dalam karya

ini,

8. Salman Rahmadi, yang telah membantu mengisi suara Aris dalam karya ini,

9. Mochamad Hardiansyah dan Beri Andrias, yang telah memberikan dukungan

moril dan semangat dalam mengerjakan tugas akhir,

10. Sahabat-sahabat tercinta, khususnya Nurul Meuthia, Melisa, Devi Novianti,

dan Cindy Leonita Widjaja, yang selama ini telah bersama-sama saling

mendukung dan mendorong untuk menyelesaikan proyek ini dari awal hingga

akhir,

11. Rekan-rekan seperjuangan mahasiswa DKV Animasi angkatan 2009

Universitas Multimedia Nusantara, yang juga bersama-sama menempuh tugas

akhir, penulis mengucapkan terima kasih atas masukan dan dukungan-

dukungan yang diberikan.

Tiada gading yang tak retak, penulis menyadari masih banyak ketidaksempurnaan

dalam laporan ini, karena kesempurnaan hanyalah milik Allah SWT. Oleh karena


vi

itulah penulis mengharapkan saran dan kritik, serta masukan yang membangun

dalam penyempurnaan laporan ini.


Penulis


vii

ABSTRAKSI

Komik saat ini tidak lagi hanya dijumpai di media massa seperti koran, ataupun

dalam bentuk buku. Dengan semakin berkembang pesatnya teknologi digital,

komik dapat dibuat dalam media apapun, serta bentuknya pun memungkinkan

menjadi lebih bervariasi. Komik juga tidak lagi berfungsi hanya sebagai

penghibur, melainkan dapat juga digunakan untuk keperluan lain, seperti halnya

penyampaian informasi dan juga pendidikan moral.

Langkah-langkah yang penulis lakukan dalam pembuatan karya ini,

diawali dengan perumusan ide cerita dan pembuatan konsep karakter serta

lingkungannya. Setelah konsep matang, penulis mulai melakukan drawing, yang

dilanjutkan dengan inking. Penulis lalu mengkomposisikan adegan dan latar

belakang menjadi satu kesatuan kombinasi di dalam frame.

Berdasarkan penemuan yang di dapatkan, visualisasi adegan dramatis

dapat diperoleh dengan berbagai cara. Perancangan layout yang baik, pemilihan

teknik pengambilan gambar, pemilihan warna, dan kombinasi antar elemen di

dalam satu panel ataupun antar panel harus diperhatikan.

Hasil karya tugas akhir ini diharapkan dapat menjadi suatu karya yang

tidak hanya dapat dinikmati karena menghibur, tetapi juga pemirsa dapat memetik

sebuah pesan moral yang terkandung di dalamnya.

Kata kunci: Komik, Motion, Graphic, Motion Graphic, Motion Comic, Drama


viii

ABSTRACT

Current comics are no longer just found in the mass media such as newspapers, or

in book form. With its rapidly growing digital technology, comic books can be

created in any medium, as well as its shape also allows it to be more varied.

Comics also ceased to function only as a performer, but can also be used for other

purposes, such as delivering information and also moral education.

The steps that the author did in making this work, beginning with the

formulation of story ideas and making the concept of the character as well as their

surroundings. After the concept matured, the author began conducting drawing,

which continued with the inking. The author then composing scenes and

backgrounds into a single entity in the combination frame.

Based on the discovery in dramatic scenes visualization to get, can be

obtained in many different ways. A good layout design, selection of shooting

technique, color selection, and the combination of an element in a panel or panels

must be observed.

The results of this final project work is expected to be a masterpiece which

not only can be enjoyed entertaining, but also because viewers can pluck a moral

messages contained therein.

Keywords: Comic, Motion, Graphic, Motion Graphic, Motion Comic, Drama


ix

DAFTAR ISI

Halaman Pengesahan Tugas Akhir ............................................................................... ii

Lembar Pernyataan Tidak Melakukan Plagiat ..............................................................iii

Kata Pengantar .............................................................................................................. iv

Abstraksi ...................................................................................................................... vii

Abstract ........................................................................................................................viii

Daftar Isi ....................................................................................................................... ix

Daftar Gambar..............................................................................................................xvi

Daftar Tabel .................................................................................................................xix

BAB I PENDAHULUAN............................................................................................ 1

1.1. Latar Belakang ..................................................................................................... 1

1.2. Rumusan Masalah ................................................................................................ 2

1.3. Batasan Masalah ................................................................................................... 2

1.4. Tujuan Tugas Akhir ............................................................................................. 2

1.5. Manfaat Tugas Akhir ........................................................................................... 3

1.) Bagi Pembaca ......................................................................................................... 3

2.) Bagi Penulis ............................................................................................................ 3

1.6. Sistematika Penulisan ........................................................................................... 3

BAB II TINJAUAN PUSTAKA................................................................................. 6

2.1. Pengertian Komik ................................................................................................. 6


x

2.2. Pilihan Cara Komunikasi yang Diperlukan dalam Komik.................................... 7

1.) Choice of Moment................................................................................................... 7

2.) Choice of Frame........ ............................................................................................. 7

3.) Choice of Image............ .......................................................................................... 7

4.) Choice of Word ....................................................................................................... 8

5.) Choice of Flow........................................................................................................ 8

2.3. Elemen-elemen Desain dalam Komik................................................................... 8

1.) Space....................................................................................................................... 8

2.) Image...... ................................................................................................................ 8

3.) Text......... ................................................................................................................ 9

4.) Point and Dot.......................................................................................................... 9

5.) Line......... ................................................................................................................ 9

6.) Shape....................................................................................................................... 9

7.) Form......... .............................................................................................................. 9

8.) Tone........ ............................................................................................................... 10

9.) Color....... ............................................................................................................... 10

a. Light Color....... ....................................................................................................... 10

b. Transparent Color................................................................................................... 10

c. Opaque Color........ .................................................................................................. 10

10.) Pattern....... .......................................................................................................... 14

11.) Texture......... ........................................................................................................ 14

12.) Unsur Suara........ ................................................................................................. 15

a. Voice........................................................................................................................ 15


xi

b. Sound....................................................................................................................... 15

c. Audio........ ............................................................................................................... 15

13.) Time....... .............................................................................................................. 15

2.4. Prinsip-prinsip Desain dalam Komik................................................................... 16

2.4.1. Emphasis (Penekanan) ...................................................................................... 16

2.4.2. Opposition ......................................................................................................... 16

1.) Contrast (Perbedaan Warna yang Mencolok)....... ................................................ 17

2.) Size (Ukuran)...... ................................................................................................... 17

3.) Isolation dan Position......... ................................................................................... 17

4.) Age dan Era...... ..................................................................................................... 17

5.) Sex.......................................................................................................................... 17

6.) Direction....... ......................................................................................................... 17

7.) Space...................................................................................................................... 18

8.) Great Scene............................................................................................................ 18

9.) Visual Effects....... .................................................................................................. 18

10.) Unique Appearance (Different in Appearance)................................................... 18

11.) Unique Personality and Expression........ ............................................................ 19

2.4.3. Composition ...................................................................................................... 19

1.) Balance - Unbalance....... ...................................................................................... 19

2.) Symmetrical - Asymmetrical...... ............................................................................ 19

3.) Alignment......... ...................................................................................................... 19

4.) Rythm, Varian, Dynamic........................................................................................ 20

5.) Overlapping.......... ................................................................................................. 20


xii

6.) Repetition....... ........................................................................................................ 20

7.) Harmony and Unity......... ...................................................................................... 20

2.5. Pengertian Motion Graphic dan Motion Comic ................................................... 20

2.6. Camera Angle, Camera Moves, Basic Shot Types............................................... 21

2.6.1. Camera Angle ................................................................................................... 21

1.) High - Angle........................................................................................................... 22

2.) Low - Angle............................................................................................................ 22

3.) Over The Shoulder......... ........................................................................................ 23

4.) Canted.................................................................................................................... 61

2.6.2. Camera Moves .................................................................................................. 24

1.) Pan.......... ............................................................................................................... 24

2.) Tilt.......................................................................................................................... 24

3.) Tracking Shot......................................................................................................... 25

4.) Roll......................................................................................................................... 25

5.) Dolly Shot.......... .................................................................................................... 25

6.) Handled Shot....... .................................................................................................. 25

7.) The Steady Cam......... ............................................................................................ 25

8.) Zooms..................................................................................................................... 26

2.6.3. Basic Shot Types ............................................................................................... 26

1.) Long Shot.......... ..................................................................................................... 26

2.) Full Shot................................................................................................................. 27

3.) Medium Shot......... ................................................................................................. 27

4.) Close-Up Shot......... ............................................................................................... 28


xiii

BAB III HASIL PENELITIAN ................................................................................ 29

3.1 Gambaran Umum Penelitian.................................................................................. 29

3.1.1. Sinopsis .............................................................................................................. 30

3.1.2. Posisi Penulis ..................................................................................................... 33

3.1.3. Peralatan............................................................................................................. 33

3.2. Tahapan Kerja ....................................................................................................... 34

3.2.1. Pra-Produksi....................................................................................................... 34

3.2.1.1. Pembuatan Konsep Karakter ................................................................ 34

1.) Cakra...................................................................................................................... 34

2.) Aris.......... .............................................................................................................. 37

3.) Ibu........... ............................................................................................................... 38

3.2.1.2. Pembuatan Konsep Latar...................................................................... 40

1.) Kamar Cakra.......... ................................................................................................ 40

2.) Kampus Cakra.......... ............................................................................................. 41

3.) Rumah Sakit........................................................................................................... 42

1.) Pemakaman............................................................................................................ 42

3.2.1.3. Soryboard ............................................................................................. 43

3.2.2. Produksi ............................................................................................................. 44

3.2.2.1. Drawing ................................................................................................ 44

3.2.2.2. Inking .................................................................................................... 47

3.2.2.3. Coloring................................................................................................ 47

3.2.2.4. Compositing dan Motion Effects........................................................... 50


xiv

3.2.3. Pasca-Produksi ................................................................................................... 50

3.2.3.1. Visual Effects ........................................................................................ 50

3.2.3.2. Sound Effects ........................................................................................ 50

3.2.3.3. Mastering.............................................................................................. 53

3.3. Temuan.................................................................................................................. 53

3.3.1. Framing dalam Film .......................................................................................... 53

3.3.1.1. Exposition ............................................................................................. 54

3.3.1.2. Rising Action......................................................................................... 55

3.3.1.3. Turning Point........................................................................................ 56

3.3.1.4. Falling Action ....................................................................................... 57

3.3.1.5. Conclusion ............................................................................................ 58

3.3.2. Studi Dramatisasi Adegan dalam Film .............................................................. 59

3.3.3. Studi Eksisting Beberapa Motion Comic ........................................................... 63

3.3.3.1. The Mona Lisa...................................................................................... 63

3.3.3.2. InFamous .............................................................................................. 65

3.3.3.3. The Lost Girl ........................................................................................ 67

BAB IV ANALISIS .................................................................................................... 69

4.1. Respon Estetik...................................................................................................... 69

BAB V PENUTUP...................................................................................................... 80

5.1. Kesimpulan .......................................................................................................... 80

5.1.1. Batasan-batasan Komik yang Tidak Dapat Dikonversi ke Motion................... 80


xv

1.) Pergerakan di Dalam Frame.......... ........................................................................ 80

2.) Pergerakan Antar Panel.......... ............................................................................... 80

3.) Tidak Dimasukkannya Balon Kata........... ............................................................. 81

5.1.1. Kesalahan pada Pembuatan Storyboard............................................................ 81

5.2. Saran..................................................................................................................... 81

DAFTAR PUSTAKA .................................................................................................. xx

LAMPIRAN A............................................................................................................ xxii

LAMPIRAN B ............................................................................................................xxiii

LAMPIRAN C ............................................................................................................xxiv


xvi

DAFTAR GAMBAR

Gambar 2.1. Contoh Pengaplikasian High-Angle Camera .......................................... 22

Gambar 2.2. Contoh Pengaplikasian Low-Angle Camera ........................................... 23

Gambar 2.3. Contoh Pengaplikasian Over The Shoulder ............................................ 23

Gambar 2.4. Contoh Pengaplikasian Canted ............................................................... 24

Gambar 2.5. Contoh Pengaplikasian Long Shot .......................................................... 26

Gambar 2.6. Contoh Pengaplikasian Full Shot ............................................................ 27

Gambar 2.7. Contoh Pengaplikasian Medium Shot...................................................... 28

Gambar 2.8. Contoh Pengaplikasian Close-Up Shot ................................................... 28

Gambar 3.1. Bagan Tahapan Kerja.............................................................................. 30

Gambar 3.2. Grafik Jalan Cerita .................................................................................. 32

Gambar 3.3. Karakter Cakra ........................................................................................ 35

Gambar 3.4. Karakter Aris........................................................................................... 37

Gambar 3.5. Karakter Ibu Dewi................................................................................... 39

Gambar 3.6. Konsep Kamar Cakra .............................................................................. 41

Gambar 3.7. Konsep Kampus Cakra............................................................................ 41

Gambar 3.8. Konsep Rumah Sakit............................................................................... 42

Gambar 3.9. Konsep Pemakaman ................................................................................ 43

Gambar 3.10. Contoh Storyboard ................................................................................ 43

Gambar 3.11. Salah Satu Drawing Tanpa Referensi ................................................... 45

Gambar 3.12. Salah Satu Drawing dengan Referensi.................................................. 46

Gambar 3.13. Beberapa Hasil Inking ........................................................................... 47

Gambar 3.14. Color Palette Cakra............................................................................... 48

Gambar 3.15. Color Palette Aris ................................................................................. 48


xvii

Gambar 3.16. Color Palette Ibu................................................................................... 48

Gambar 3.17. Proses Coloring ..................................................................................... 49

Gambar 3.18. Proses Coloring Background ................................................................ 49

Gambar 3.19. Contoh Pengaplikasian Adegan pada Exposition.................................. 54

Gambar 3.20. Contoh Pengaplikasian Adegan pada Exposition.................................. 55

Gambar 3.21. Contoh Pengaplikasian Adegan pada Rising Action ............................. 56

Gambar 3.22. Contoh Pengaplikasian Adegan pada Turning Point ............................ 57

Gambar 3.23. Contoh Pengaplikasian Adegan pada Falling Action............................ 58

Gambar 3.24. Contoh Pengaplikasian Adegan pada Conclusion................................. 58

Gambar 3.25. Contoh Visualisasi Adegan Dramatis pada Film Slumdog Millionaire .............................................................................................. 60

Gambar 3.26. Contoh Visualisasi Adegan Dramatis pada Film Slumdog Millionaire .............................................................................................. 61

Gambar 3.27. Contoh Visualisasi Adegan Dramatis pada Film Click......................... 62

Gambar 3.28. Contoh Visualisasi Adegan Dramatis pada Film I Am Legend............ 63

Gambar 3.29. Contoh Studi Eksisting pada Motion Comic The Mona Lisa................ 64



Gambar 3.32. Contoh Studi Eksisting pada Motion Comic InFamous ........................ 66



Gambar 3.35. Contoh Studi Eksisting pada Motion Comic The Lost Girl .................. 68

Gambar 3.36. Contoh Studi Eksisting pada Motion Comic The Lost Girl .................. 68

Gambar 4.1. Adegan Pengenalan Kondisi Kamar Cakra............................................. 70

Gambar 4.2. Adegan Pengenalan Tokoh Karakter Cakra............................................ 71

Gambar 4.3. Adegan Pengenalan Karakter Aris .......................................................... 72


xviii

Gambar 4.4. Adegan Semesta Berguncang.................................................................. 73

Gambar 4.5. Adegan Cakra Memarahi Adiknya.......................................................... 74

Gambar 4.6. Adegan Cakra Menerima Telepon .......................................................... 75

Gambar 4.7. Adegan Cakra Berlari di Lorong Rumah Sakit ....................................... 76

Gambar 4.8. Adegan Cakra Menangis ......................................................................... 77

Gambar 4.9. Adegan Cakra Menangis di Pusara Aris ................................................. 78

Gambar 4.10. Adegan Cakra Berpelukan dengan Aris................................................ 79


xix

DAFTAR TABEL

Tabel 2.1. Makna Warna Menurut Eko Nugroho ........................................................ 14

Tabel 3.1. Daftar Sound Effects................................................................................... 52


lisensi ini mengizinkan setiap orang untuk menggubah ...kc.umn.ac.id/1960/1/halaman...

Documents