sosiologi musik

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Croatian Musicological Society is collaborating with JSTOR to digitize, preserve and extend access to International Review of the Aesthetics and Sociology of Music. http://www.jstor.org The Sociology of Music: A Supplement Source: International Review of the Aesthetics and Sociology of Music, Vol. 9, No. 1 (Jun., 1978), pp. 131-146 Published by: Croatian Musicological Society Stable URL: http://www.jstor.org/stable/836533 Accessed: 25-12-2015 17:13 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. This content downloaded from 202.43.95.117 on Fri, 25 Dec 2015 17:13:18 UTC All use subject to JSTOR Terms and Conditions

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Page 1: Sosiologi Musik

Croatian Musicological Society is collaborating with JSTOR to digitize, preserve and extend access to International Review of the Aesthetics and Sociology of Music.

http://www.jstor.org

The Sociology of Music: A Supplement Source: International Review of the Aesthetics and Sociology of Music, Vol. 9, No. 1 (Jun., 1978),

pp. 131-146Published by: Croatian Musicological SocietyStable URL: http://www.jstor.org/stable/836533Accessed: 25-12-2015 17:13 UTC

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp

JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected].

This content downloaded from 202.43.95.117 on Fri, 25 Dec 2015 17:13:18 UTCAll use subject to JSTOR Terms and Conditions

Page 2: Sosiologi Musik

BIBLIOGRAPHY

SOCIOLOGY OF MUSIC - A SUPPLEMENT

1. GENERAL PROBLEMS

GOTSHALD, D. W., Art and the Social Order, University of Chicago Press, Chicago 1947.

JAY, Martin, ,)The Institut fiir Sozialforschung and the Origin of Critical So- ciology,( The Human Factor, 8/2, pp. 6-18.

NEWTON, E., >>Art as Communication,a The British Journal of Aesthetics, London 1961, 1/2, pp. 71-85.

2. SOCIOLOGY OF ART

BARTOS, Milan, Hudba a mald spole6enskd skupiny in Sbornik dokumentd ze semindre o vyzkumu osobnosti vysokogkolskdho studenta. dil 2, Pe- dagogick'a fakulta University Palackeho, Olomouc 1967.

BAXANDALL, Michael, Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style, Clarendon Press, 1972, pp. VIII+165.

CORVISIER, Andre, Arts et societes dans l'Europe du XVIIIe siecle, P. U. F., Paris 1978, pp. 248.

DEINHARD, Hanna, Meaning and Expression. Toward a Sociology of Art, Beacon Press, Boston 1970, pp. 120.

GRANA, Cesar, Fact and Symbol: Essays in the Sociology of Art and Litera- ture, Oxford University Press, New York 1971, pp. XII+212.

MARTIN, Frank, >)Le rl6e de l'art dans la Socid6t d'aujourd'hui<, Schweize- rische Musikzeitung, 1976, 5, pp. 329-344.

MARTIN, F. David, ?The Sociological Imperative of Stylistic Development,< The Bucknell Review, Lewisburg (Penn.) 1963, XI/4, pp. 54-80.

OSBORNE, Harold, >,Primitive Art and Society,(( The British Journal of Aesthetics, 1974, 14/4, pp. 290-306.

PAREYSON, Luigi, oPersonalita e socialiti dell'arte,? Rivista di Estetica, Torino 1959, IV/2, pp. 197-218.

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132 INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC

3. APPROACHES TO THE SOCIOLOGY OF MUSIC. FUNDAMENTAL WORKS

ADORNO, Theodor W., Introduction to the Sociology of Music, Seabury Press, New York 1976.

- ,Sociologie de la musique<<, Musique en jeu, Seuil, 1971, 2, pp. 5-14.

ETZKORN, K. Peter, ,>Glazba, dru?tvena struktura i sociologija,? Zvuk, Sara- jevo 1974, 2, pp. 41-47.

- )On Music, Social Structure and Sociology(, International Review of the Aesthetics and Sociology of Music, 1974, V/1, pp. 43-51.

MARKOVAC, Pavao, >>Muzika i dru?tvo,<" Zvuk, 1967, 72, pp. 1-6.

PORENA, Boris, Musica/Societa, Einaudi, Torino 1975, pp. 223.

REICH, Willi, )Musik und Gesellschaft heute,x Melos, 1971, XXXVIII/11, pp. 476-478.

RUMMENHOLLER P., Einfiihrung in die Musiksoziologie, Heinrichshofen, Wilhelmshaven 1978, pp. 280.

SUPICIC, Ivo, >>Pristup,<( Zvuk, 1974, 2, pp. 9-19.

4. SUBJECT, PROBLEMS AND METHODS

DAHLHAUS, Carl, ))MuziCko umjetni6ko djelo kao predmet sociologije,a Zvuk, 1974, 2, pp. 19-30.

FUKAC, Jiri, K predmetu hudebni sociologie jako muzikologicke discipliny. in Otdzky hudebni sociologie, Osv6tov uistav, rozmn., Prague 1967, pp. 16-29.

- Methodologische Verhiltnisse musiksoziologischer Forschung zur Mu- sikgeschichte, in Sbornik praci filosoficke fakulty brnenske university roe. 15, fada hudebnmv6dnd H 1, Bno (Universita J. E. PurkynB-filo sofick, fakulta), 1966, pp. 135-142.

KARBUSICKY, Vladimir, Empirie v hudebni sociologii, in Otdzky hudebni sociologie, Osv6tovy uistav, rozmn., 1967, pp. 57-101.

- Metodika empiricko-sociologickych vyzkumit v oblasti umnfi, in Otdzky hudebni sociologie, Osv.tov9 ustav, rozmn., Prague 1967, pp. 161-229.

- Teoretickd pfedpoklady empiricko-sociologickeho vyzkumu hudbyc, Hu- debni vgda, 1965, 2, pp. 372-418.

LASKE, Otto E., )>Verification and Sociological Interpretation,(< International Review of the Aesthetics and Sociology of Music, 1977, VIII/2, pp. 211-237.

5. THEORETICAL BASES

BLAUKOPF, Kurt, PPostscript: Towards a New Type of Research,a New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 231-235.

KARBUSICK?, Vladimir, Empirische Musiksoziologie: Erscheinungsformen, Theorie und Philosophie des Bezugs ,,Musik-Gesellschaftc, Breitkopf und Hartel, Wiesbaden 1975, pp. 490.

MARKOVAC, Pavao, )Muzika i dru9tvo,, Zvuk, 1967, 72, pp. 1-6.

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BIBLIOGRAPHY 133

MOKRY, Ladislav, Koncepcia hudobnej sociologie, in Otdzky hudebni socio- logie, OsvtovVy ustav, rozmn., Prague 1967, pp. 1-16.

* * *, Otdzky hudebni sociologie. Sbornik pfispgvkt z hudebne sociologickeho semindre Svazu ceskoslovenskych skladatelu, 6.-8. dubna 1966, Osv6- tovy ustav, rozmn., Prague 1967, pp. 310.

6. SOCIOLOGY OF MUSIC AND RELATED DISCIPLINES

CERNY, Miroslav K., O vztazich mezi hudebni historiografii a hudebni socio- logii, in Otdzky hudebni sociologie, Osvetovy ustav, rozmn., Prague 1967, pp. 37-48.

NATTIEZ, Jean-Jacques, ,O odnosima sociologije i semiologije muzike,, Zvuk, 1974, 2, pp. 54-65.

- Sur les relations entre sociologie et s6miologie musicalesa, Interna- tional Review of the Aesthetics and Sociology of Music, 1974, V/l, pp. 61-77.

PORENA, Boris, >Musica/societa: una questione semiologica?,, Proceedings of the 1st International Congress on Semiotics of Music, Beograd 17-27 Oct. 1973, Centro di iniziativa culturale, Pesaro 1975, pp. 173-183.

SUPICIC, Ivo, >Muzikologija i estetika,< Zvuk, 1969, 95, pp. 197-206.

ZENKL, Ludek, Hudebni sociologie a hudebne pedagogickd praxe, in Otdzky hudebni sociologie, Osvvtovy ustav, rozmn., Prague 1967, pp. 112-121.

7. HISTORIOGRAPHY OF THE SOCIOLOGY OF MUSIC

FUKAC, Jiri: Soziologische Gesichtspunkte der musikwissenschaftlichen Me- thode Vladimir Helferts, in Sbornik praci filosoficke fakulty brnenskd university, roc. 18, rada hudebn6v6dna H 4, Universita J. E. Purkyn6, Brno 1969, pp. 67-76.

HARDING, J. W., Jean-Marie Guyau (1854-1888). Aesthetician and Sociolo- gist, Librairie Droz, Geneva 1973, pp. 135.

HASELAUER, Elisabeth, Musiksoziologische Studie nach Emile Durkheim, Fragmente als Beitraige zur Musiksoziologie, Doblinger, Vienna 1977, pp. 56.

MARK, Desmond, ,John H. Mueller und sein Beitrag zur Musiksoziologie,? International Review of the Aesthetics and Sociology of Music, 1976, VII/2, pp. 185-203.

REININGHAUS, F. Cristoph, J. H. TRABER, MMusik als Ware - Musik als Wahre. Zum politischen Hintergrund des musiksoziologischen Ansatzes von T. W. Adorno,? Zeitschrift fir Musiktheorie, 1973, IV/i, pp. 7-14.

SERAVEZZA, Antonio, Musica, filosofia e societa in Th. W. Adorno, Dedalo, Bari 1976, pp. 255.

SILBERMANN, Alphons, >Max Webers musikalischer Exkurs,< Kolner Zeit- schrift fiir Soziologie und Sozialpsychologie, 1963, No 7, pp. 448-469.

VYSLOUZIL, Jiri, K tradicim naseho hudebne sociologickeho bdddni, in Otdz- ky hudbeni sociologie, OsvEtovy uistav, rozmn., Prague 1967, pp. 101-112.

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134 INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC

WARD, Benjamin F., ,,The Muted Strain: Adorno's Approach to a Sociology of Music,? Journal of the Indian Musicological Society, March 1977, 8/1, pp. 22-45.

8. SOCIAL HISTORY OF MUSIC

CHAILLEY, Jacques, 40000 Years of Music: Man in Search of Music, Da Capo Press, Reprint of the 1964 edition, New York 1975, pp. XIV-229.

CVETKO, Dragotin, ,>SocioloSki i nacionalni uvjeti promjena u poloiaju glazbe Juznih Slavena u XIX stoljecu,< Zvuk, 1974, 2, pp. 102-110.

FINSCHER, Ludwig, Studien zur Geschichte des Streichquartetts, Birenrei- ter Verlag, Kassel 1974, pp. 301.

GOL?A, Antoine, La Musique, de la nuit des temps aux aurores nouvelles, Leduc, Paris 1977, 2 sv., pp. 954.

GULKE, Peter, M6nche, Burger, Minnesanger: Musik in der Gesellschaft des europdischen Mittelalters, Bohlau, Vienna 1975, pp. 283.

JUNGHEINRICH, Hans-Klaus, Luca LOMBARDI, eds., Musik im Obergang. Von der biirgerlichen zur sozialistischen Musikkultur, Damnitz Verlag, Munich 1977, pp. 182.

KNEPLER, Georg, Musikgeschichte des XIX Jahrhunderts, Band II: Oster- reich-Deutschland, Henschelverlag, Berlin 1961.

LEIBOWITZ, Rene, L'Histoire de l'opera, Buchet-Chastel, Paris 1957, pp. 445.

LESURE, Francois, Musique et musiciens francais du XVIc siecle, Minkoff Reprint, Geneva 1976, pp. 283.

LISSA, Zofia, ,Povijesna glazbena svijest i njena uloga u savremenoj mu- zickoj kulturi,, Zvuk, 1973, 4, pp. 375-388.

MACKERNESS, Eric David, A Social History of English Music, Greenwood Press, Westport (Conn.) 1976, c1964; Reprint, London: Routledge and K. Paul, Issued in series Studies in social history.

POUGIN, Arthur, L'Opdra-Comique pendant la Revolution de 1788 a 1801, Minkoff Reprint, Geneva 1973, pp. 337.

RAYNOR, Henry, Music and Society since 1815, Schocken Books, New York 1976, pp. VIII+213.

9. SOCIAL PSYCHOLOGY OF MUSIC

FARNSWORTH, Paul R., Sozialpsychologie der Musik, Enke, Stuttgart 1976, pp. 217.

* * *,Musikopleven og musiformidling: studier i musikkens psykology, socio- logi og paedagogik, Akademisk forlag, Copenhagen 1975, pp. 236.

10. MUSICAL INSTITUTIONS

BASSO, Alberto, II teatro della citta dal 1788 al 1936, ,>Storia del Teatro Regio di Torino<, vol. II, Cassa di Risparmio, Torino 1976, pp. 856.

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BIBLIOGRAPHY 135

BOUQUET, Marie-Therese, II teatro di corte dalle origini al 1788, >Storia del Teatro Regio di Torino<, vol. I, Cassa di Risparmio, Torino 1976, pp. 561.

PIERRE, Constant, Histoire du concert spirituel, 1725-1790, Publications de la Societe francaise de musicologie, ser. 3, Heugel et Cie., Paris 1975, pp. 372.

SELTZER, George, comp., The Professional Symphony Orchestra in the United States, Scarecrow Press, Metuchen (N. J.) 1975, pp. 486.

SHANET, Howard, Philharmonic: A History of New York's Orchestra, Doubleday and Co., Garden City (N. Y.) 1975, pp. 788.

11. MUSIC AND ECONOMICS

HIRSCH, P. Morris, The Structure of the Popular Music Industry: The Fil- tering Process by which Records are Preselected for Public Consump- tion, Institute for Social Research, The University of Michigan, Ann Arbor 1969, 1973, pp. 72.

KAVOLIS, V., ?Economic Correlates of Artistic Creativity,<< American Jour- nal of Sociology, Chicago 1964, 70, N? 3, pp. 332-341.

RINGER, Alexander L., vMuzicki ukus i industrijski sindrom<, Zvuk, 1974, 2, pp. 110-123.

REININGHAUS, F. Christoph, J. H. TRABER, >Musik als Ware - Musik als Wahre. Zum politischen Hintergrund des musiksoziologischen Ansatzes von T. W. Adorno,< Zeitschrift fir Musiktheorie, 1973, IV/1, pp. 7-14.

ROTH, Ernst, Musik als Kunst und Ware. Betrachtungen und Begegnungen eines Musikverlegers, Atlantis, Zurich 1966.

12. MUSIC AND TECHNIQUE

BRt}N, Herbert, >Technology and the Composer,<< in Music and Technology, Stockholm Meeting June 8-12, 1970, organized by UNESCO, La Revue musicale, Paris 1971, pp. 181-192.

CIAMAGA, Gustav, >The Training of the Computer in the Use of New Techno- logical Means,c in Music and Technology, Stockholm Meeting June 8-12, 1970, organized by UNESCO, La Revue musicale, Paris 1971, pp. 143-150.

HIRSCH, P. Morris, The Structure of the Popular Music Industry: The Fil- tering Process by which Records are Preselected for Public Consump- tion, Institute for Social Research, The University of Michigan, Ann Arbor 1969, 1973, pp. 72.

KAEGI, Werner, >Music and Technology in the Europe of 1970,< in Music and Technology, Stockholm Meeting June 8-12, 1970, organized by UNESCO, La Revue musicale, Paris 1971, pp. 11-31.

KOENIG, Gottfried, >The Use of Computer Programmes in Creating Music,< Music and Technology, Stockholm Meeting June 8-12, 1970, organized by UNESCO, La Revue musicale, Paris 1971, pp. 93-115.

RINGER, Alexander L., )>Muzicki ukus i industrijski sindrom,, Zvuk, 1974, 2, pp. 110-123.

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136 INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC

SCHAEFFER, Pierre, >Music and Computers,<( Music and Technology, Stock- holm Meeting June 8-12, 1970, organized by UNESCO, La Revue mu- sicale, Paris 1971, pp. 57-92.

SHIBATA, Minao, )>Music and Technology in Japan,(( in Music and Techno- logy, Stockholm Meeting June 8-12, 1970, organized by UNESCO, La Revue musicale, Paris 1971, pp. 173-179.

SZLIFIRSKI, Krzysztof, >New Technology and the Training of Composers in Experimental Music<, in Music and Technology, Stockholm Meeting June 8-12, 1970, organized by UNESCO, La Revue musicale, Paris 1971, pp. 151-156.

13. MUSIC AND THE MASS MEDIA

BLAUKOPF, Kurt, Massenmedium Schallplatte, Breitkopf & Hartel, Wies- baden 1977, pp. 92.

BACHMANN, Claus-Henning, ))Rundfunk, neue Musik, Publikum; Fragen und Versiumnisse,< Schweizerische Musikzeitung, 1977, 5, pp. 253-260.

BAIRD, Jo Ann, Using Media in the Music Program, Center for Applied Re- search in Education, New York 1975.

NIEMANN, Konrad, >Mass Media - New Ways of Approach to Music and New Patterns of Musical Behaviour,, New Patterns of Musical Beha- viour, Universal Edition, Vienna 1974, pp. 44-54.

SUPICIC, Ivo, >Glazba i masovni mediji - neki osnovni problemi,v Zvuk, 1977, 3, pp. 10-16.

* * *,Technik, Wirtschaft und Asthetik der Schallplatte (Symposion auf der )>hifi '68 Diisseldorf<), G. Braun, Karlsruhe 1970, pp. 61.

TEINER, Manfred, >The Influence of the Mass Media on Children between the Age of Six and Eight,< New Patterns of Musical Behaviour, Univer- sal Edition, Vienna 1974, pp. 192-201.

WANGERMEE, Robert, >>La Radio, la musique et les moralistes de la culture,< in Publics et techniques de la diffusion collective, Editions de l'Institut de Sociologie, Universite Libre de Bruxelles, Bruxelles 1971, pp. 435-464.

- Rundfunkmusik gegen die Kulturmoralisten verteidigt: Versuch zur kiinstlerischen Kommunikation, G. Braun, Karlsruhe c1975, pp. 40.

14. MUSICAL PRINTING AND PUBLISHING

SCHAEFER, Hartmut, Die Notendrucker und Musikverleger in Frankfurt am Main von 1630 bis 1720: eine bibliographisch-drucktechnische Unter- suchung, Birenreiter, Kassel-Basel-Tours-London 1975, pp. 711.

WEINMANN, Alexander, Der Alt-Wiener Musikverlag im Spiegel der >>Wiener Zeitung<<, Hans Schneider, Tutzing 1976, pp. 71.

15. MUSIC AND POLITICS

BLOK, Aleksandar, >Umetnost i revolucija,<< Zvuk, 1958, 15-16, pp. 211-215.

BRINKMANN, Reinhold, >>Asthetische und politische Kriterien der Komposi- tionskritik,, 26. internationale Ferienkurse fiir Neue Musik, Schott, Mainz 1973, pp. 28-41.

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CAMUS, Raoul F., Military Music of the American Revolution, University of North Carolina Press, Chapel Hill (N. C.) 1976, pp. 218.

DONAKOWSKI, Conrad L., A Muse for the Masses. Ritual and Music in an Age of Democratic Revolution, 1770-1870, The University of Chicago Press, Chicago and London c1972, 1977, pp. 435.

HENZE, Hans Werner, Musik und Politik: Schriften und Gespriche 1955-1975, Deutscher Taschenbuch Verlag, Munich 1976, pp. 273.

JUNGHEINRICH, Hans-Klaus, Luca LOMBARDI, eds., Musik im Ubergang. Von der biirgerlichen zur sozialistischen Musikkultur, Damnitz Verlag, Munich 1977, pp. 182.

LAWRENCE, Vera Brodsky, Music for Patriots, Politicians and Presidents: Harmonies and Discords of the First Hundred Years, Macmillan, New York 1975, pp. 480.

KNEIF, Tibor, Politische Musik?, Doblinger, Vienna 1977, pp. 60.

LISSA, Zofia, oMuzika i revolucija,? Zvuk, 1974, 2, pp. 94-102.

LOMBARDI, Luca, >Reflexions sur le theme 'Musique et politique'<, Schwei- zerische Musikzeitung, 1978, 118/1, pp. 15-20.

MALMROS, Anna-Lise, ,>Organisational Set-up and Politico-cultural Aspects of Beat in Copenhagen,, New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 114-119.

' * *, )Musique et politique,? Musique en jeu, Seuil, 1971, 3, pp. 85-117.

16. MUSIC AND IDEOLOGIES

BECK, Hermann, ,Das Konzil von Trient und die Probleme der Kirchenmu- sik,? Kirchenmusikalische Jahrbuch, 1964, 48.

IMAI, Michio, >Shina-tetsugaku ni okeru kayoto ongaku (Folk music, folk songs, and music in general, as conceived in Chinese philosophy),a Nip- pon T6oy Ongaku Ronk6, Ongaku-no-tomosha, Tokyo 1969, pp. 497-516.

LETELIER, Alfonso, ))La musica y el cristianismo," Rivista musical chilena, Santiago de Chile 1961, XV/77, pp. 15-23.

LOVEJOY, Arthur O., On the Discrimination of Romanticism, in Essays in the History of Ideas, The John Hopkins Press, Baltimore 1948.

NOWAK, Adolf, >Wagners Parsifal und die Idee der Kunstreligion,< in Ri- chard Wagner - Werk und Wirkung, Bosse, Regensburg 1971, pp. 161-174.

ORDZONIKIDZE, Givi, >Zur Dialektik der Idee des Kampfes in Beethovens Musik,, Beethoven-Kongref3 1970, Berlin 1971, pp. 365-371.

17. MUSIC AND SCIENCE

LICHT, Sidney, Music in Medicine, New England Conservatory of Music, Boston 1946.

NAZAJKINSKIJ, Evgenij, comp., >Muzikalnoe iskustvo i nauka,? Muzyka, Moscow 1973, pp. 215.

BIBLIOGRAPHY 137

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138 INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC

18. MUSIC AND ARTS

BELZ, Carl, >Relationships between the Popular and Fine Arts. Recent De- velopments,<c New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 84-91.

BOULEZ, Pierre, >>Zvuk i rijec,? Zvuk, 1972, 124-125, pp. 104-109.

FISCHER, Pieter, Music in Paintings of the Low Countries in the 16th and 17th Centuries, Sweets and Zeitlinger, Amsterdam 1975, pp. 108.

MARTI, Kurt, K. LUTHI, K. von FISCHER, Moderne Literatur, Malerei und Musik, Flamberg, Zurich-Stuttgart 1963.

19. MUSIC AND EDUCATION

CAMPEANU, Pavel, )>The Implications of Light Music for a Group of Appren- tices in Bucarest,< New Patterns of Musical Behaviour, Universal Edi- tion, Vienna 1974, pp. 103-108.

CIPRA, Milo, ,Analiza u muzickoj nastavi - neobavezne primjedbe,? Zvuk, 1974, 2, pp. 70-77.

HOFFER, Charles R., ,>Youth, Music Education and the New Sound Environ- ment,(( New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 167-178.

* * *,Music Education for Tomorrow's Society; Selected topics, A. Motycka, ed., GAMT Music Press, Jamestown (R. I.) 1976, pp. 83.

* * *,Musikopleven og musiformidling: studier i musikkens psykologi, socio- logi og paedagogik, Akademisk forlag, Copenhagen 1975, pp. 236.

PAYNTER, John, )>Music Education and the Emotional Needs of Young People. Towards a New Type of Research in Great Britain,a New Pat- terns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 159-167.

ROMAN, Zoltan, >Higher Music Education in Canada(, New Patterns of Mu- sical Behaviour, Universal Edition, Vienna 1974, pp. 178-183.

SOKHOR, Arnold N., >Young People's Leisure Time and its Use for Musical- Aesthetic Education,( New Patterns of Musical Behaviour, Universal Edition, Vicnna 1974, pp. 219-226.

20. SOCIAL STATUS AND ROLE OF MUSICIANS

* * *,L'artiste dans la societe' contemporaine, Conference internationale des artistes, Venise 22-28 septembre 1952, UNESCO, Paris 1954.

BETZ, Albrecht, Hanns Eisler. Musik einer Zeit, die sich eben bildet, Munich 1976, pp. 252.

BLUM, Stephen, >Ives's Position in Social and Musical History<(, The Musical Quarterly, 1977, LXIII/4, pp. 459-482.

BRESGEN, Cesar, Der Kiinstler, stellvertretend fir die Gesellschaft, Doblin- ger, Vienna 1977, pp. 56.

GIZYCKI, Renate von, Haku Mele - Der Poet in Polynesien; ein sozial-an- thropologischer Beitrag zur Rolle des Kiinstlers, Arbeiten a. d. Institut f. Volkerkunde der Universitit zu Gbttingen, Munich 1971, vol. 6.

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BIBLIOGRAPHY

LESURE, Francois, Musique et musiciens franoais du XVIe siecle, Minkoff Reprint, Geneva 1976, pp. 283.

MASSIP, Catherine, La Vie des musiciens de Paris au temps de Mazarin, 1643-1661: essai d'etude sociale, Picard, Paris 1976, pp. 186.

NEUNZIG, Hans Adolf, Brahms: der Komponist des deutschen Biirgertums: eine Biographie, Analthea, Vienna-Munich 1976, pp. 253.

TICK, Judith, >Musician and Mecene: Some Observations on Patronage in Late 18th-Century France,( International Review of the Aesthetics and Sociology of Music, 1973, IV/2, pp. 245-257.

WETZEL, Richard D., Frontier Musicians on the Connoquenessing, Wabash and Ohio: A History of the Music and Musicians of George Rapp's Harmony Society (1805-1906), Ohio University Press, Athens (Ohio) 1976, pp. 294.

21. MUSIC, SOCIAL LIFE AND CULTURE

CVETKO, Dragotin, >>Socioloski i nacionalni uvjeti promjena u polofaju glaz- be Juznih Slavena u XIX stoljecu,<< Zvuk, 1974, 2, pp. 102-110.

DARBELLAY, Etienne, >La Musique a la cour de Maximilien I (1459-1519),c Schweizerische Musikzeitung, 1978, 118/1, pp. 1-10.

DAVID, Haus T., >)The Cultural Functions of Musica, Journal of the History of Ideas, Lancaster-New York 1951, Vol. 12, NO 3, pp. 423-439.

DONAKOWSKI, Conrad L., A Muse for the Masses. Ritual and Music in an Age of Democratic Revolution, 1770-1870, The University of Chicago Press, Chicago and London 1972, 1977, pp. 435.

DUSE, Ugo, Musica e cultura, Marsilis Edition, Padova 1967, pp. 157.

FALTIN, Peter, )>Die Bedeutung von Musik als Ergebnis sozio-kultureller Prozesse<, Die Musikforschung, 1973, XXVI/4, pp. 435-445.

FINELL, Judith Greengerg, comp., The Contemporary Music Performance Directory: A Listing of American Performing Ensembles, Sponsoring Organizations, Performing Facilities, Concert Series, and Festivals of europdischen Mittelalters, Koehler und Amelang, Leipzig 1975, pp. 283.

GROSSO DESTRERI, Luigi del, Europdisches Hit-Panorama, G. Braun, Karls- ruhe 1972, pp. 51.

GULKE, Peter, Monche, Burger, Minnesiinger: Musik in der Gesellschaft des europiiischen Mittelalters, Koehler und Amelang, Leipzig 1975, pp. 283.

HAMM, Charles E., Bruno NETTL, Ronald BYRNSIDE, Contemporary Music and Music Cultures, Prentice-Hall, Englewood Cliffs (N. J.) 1975, pp. 270.

LEWIS, George H., JTaste Cultures and Culture Classes in Mass Society,c International Review of the Aesthetics and Sociology of Music, 1977, VIII/1, pp. 39-49.

LISSA, Zofia, )>Povijesna glazbena svijest i njena uloga u savremenoj muzi- ckoj kulturi,< Zvuk, 1973, 4, pp. 375-388.

MALMROS, Anna-Lise, >>Organisational Set-up and Politico-Cultural Aspects of Beat in Copenhagen,, New Patterns of Musical Behaviour, Univer- sal Edition, Vienna 1974, pp. 114-119.

139

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RAUHE, Hermann, Popularitdt in der Musik, G. Braun, Karlsruhe 1974, pp. 63.

SALMEN, Walter, Haus- und Kammermusik: Privates Musizieren im gesell- schaftlichen Wandel zwischen 1600 und 1900 (Musikgeschichte in Bil- dern IV/3), VEB Deutscher Verlag fiir Musik, Leipzig 1969, pp. 203.

- Musikleben im 16. Jahrhundert (Musikgeschichte in Bildern III/9), VEB Deutscher Verlag fur Musik, Leipzig 1976, pp. 214.

- Hofische Kultur im Hoch- und Spdtmittelalter, in Musikgeschichte Osterreichs, Bd. I, Rudolf Flotzinger and Gernot Gruber, eds., Verlag Styria, Graz-Vienna-Cologne 1977, pp. 117-142.

SEEGER, Charles, M>Music and Culture,( Proceedings of the Music Teachers National Association, 35th series, 1941, pp. 112-122.

STEFANI, Gino, Musica e religione nell'Italia barocca, Flacovio, Palermo 1975, pp. 261.

SUPPAN, Wolfgang, Birgerliches und bduerliches Musizieren in Mittelalter und friiher Neuzeit, in Musikgeschichte Osterreichs, Bd. I, Rudolf Flo- tzinger and Gernot Gruber, eds., Verlag Styria, Graz-Vienna-Cologne 1977, pp. 143-172.

THOVERON, Gabriel, >>Leisure Time Behaviour and Cultural Attitude of Youth. Subjects of an International Research Project,<( New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 226-231.

WEBER, William, Music and the Middle Class. The Social Structure of Con- cert Life in London, Paris and Vienna, Croom Helm, London 1975, pp. 172.

- ?Mass Culture and the Reshaping of European Musical Taste, 1770- -1870,? International Review of the Aesthetics and Sociology of Mu- sic, 1977, VIII/1, pp. 5-23.

WEGNER, Max, Das Musikleben der Griechen, W. Gruyter und Co., Berlin 1949, pp. 232 + 32.

YOUNG, Percy M., The Concert Tradition from the Middle Ages to the 20th Century, Roy Publishers, New York-London 1965, pp. 278.

23. MUSICAL AMATEURISM

BERTHIER, Nicole, ),L'amateur de musique. Une approche sociologique,? International Review of the Aesthetics and Sociology of Music, 1977, VIII/1, pp. 23-39.

BLUM, Klaus, Musikfreunde und Musici: Musikleben in Bremen seit der Aufkldrung, Hans Schneider, Tutzing 1975, pp. 685.

DAHLHAUS, Carl, DDer Dilettant und der Banause in der Musikgeschichte?, Archiv fir Musikwissenschaft, 1968, XXV/3, pp. 157-172.

GOSTUSKI, Dragutin, ,Profesionalac i amaterizam,<< Zvuk, 1975, 3, pp. 17-21. LEPPERT, Richard D., Arcadia at Versailles. Noble Amateur Musicians and

Their Musettes and Hurdy-gurdies at the French Court (c. 1660-1789). A Visual Study, Swets & Zeitlinger B. V., Amsterdam and Lisse 1978, pp. 137.

MENOL, Robert W. S., Reflections of a Music Lover, Neville Spearman, Lon- don 1971, pp. 306.

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BIBLIOGRAPHY

24. MUSICAL STYLES

BROWN, Howard Mayer, Music in the Renaissance, Prentice Hall, Englewood Cliffs (N. J.) 1976, pp. 384.

FUBINI, Enrico, >Implicazioni sociologiche nella creazione e nella fruizione della musica d'avanguardia,, International Review of the Aesthetics and Sociology of Music, 1974, V/l, pp. 169-181.

- ,SocioloSke implikacije u stvaranju i potro?nji avangardne glazbe,, Zvuk, 1974, 2, pp. 133-143.

GARFIAS, Robert, Music of a Thousand Autumns: The T6gaku Style of Japanese Court Music, University of California Press, Berkeley and Los Angeles 1975, pp. 322.

PECMAN, Rudolf, >)Niveau gendral de la controverse du baroque musical et du classicisme,, Sbornik Praci filosofickd fakulty Brnenskg Uni- versity, Rada hudebnevedna VII, 1972, pp. 63-96.

PERELMAN, Ch., L. OLBRECHTS-TYTECA, )Classicisme et romantisme dans l'argumentation?, Revue Internationale de Philosophie, Bruxelles 1958, 43, vol. 1, pp. 47-57.

25. MUSICAL GENRES

BLACKIE, John Stuart, Scottish Song: Its Wealth, Wisdom, and Social Significance, AMS Press, New York 1976.

BROOK, Barry S., >Koncertantna simfonija - njezini glazbeni i socioloAki temelji,< Zvuk, 1974, 2, pp. 81-94.

- )The Symphonie Concertante: Its Musical and Sooiological Basest In- ternational Review of the Aesthetics and Sociology of Music, 1975, VI/1, pp. 9-28.

- La Symphonie francaise dans la seconde moitie du XVIJIe siecle, In- stitut de Musicologie de 1' Universit6 de Paris, Paris 1962, 3 vols.

FINSCHER, Ludwig, Studien zur Geschichte des Streichquartetts, Baren- reiter Verlag, Kassel 1974, pp. 301.

FUHR, Werner, Proletarische Musik in Deutschland 1928-1933, Kiimmerle, Goppingen 1977, pp. 296.

HARADA, Hiroshi, ?The Sacred and the Profane in Music,( Ongaku gaku, 1974, XX/4, pp. 228-239.

KNAUS, Herwig, Musiksprache und Werkstruktur in Robert Schumanns ,)Liederkreis<, E. Katzbichler, Miinchen 1974, pp. 105.

* * *,Musikalische Formen in historischen Reihen, Chr. Viewig, Berlin- -Lichterfelde,

NOSKE, Frits, )'Art Music' and 'Trivial Music': Anatomy of a False Argu- ment,, International Review of the Aesthetics and Sociology of Mu- sic, 1973, IV/2, pp. 287-293.

PIERSIG, Johannes, Beitrdge zu einer Rechtssoziologie der Kirchenmusik, Bosse, Regensburg 1972, pp. 198.

POUGIN, Arthur, L'Opdra-Comique pendant la Rdvolution de 1788 d 1801, Minkoff Reprint, Geneva 1973, pp. 337.

141

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* * *,Singing Soldiers: A History of the Civil War in Song, Paul Glass and Louis C. Singer, eds., Da Capo, New York, Paperback ed., 1975, pp. 300.

STROH, Wolfgang Martin, Zur Soziologie der elektronischen Musik, Amadeus Verlag, Zurich 1975, pp. 200.

26. SOCIAL CONDITIONING OF MUSICIANS

BLUM, Stephen, )Ives's Position in Social and Musical History,<e The Musical Quarterly, 1977, LXIII/4, pp. 459-482.

BRESGEN, Cesar, Der Kiinstler, stellvertretend fir die Gesellschaft, Doblin- ger, Vienna 1977, pp. 56.

HOFFMANN, Wilrich, Komponist und Technik. Die Bedeutung naturwissen- schaftlicher Forschung fir die Musik, G. Braun, Karlsruhe 1975, pp. 61.

NEUNZIG, Hans Adolf, Brahms: der Komponist des deutschen Biirgertums; eine Biographie, Amalthea, Vienna 1976, pp. 253.

27. RECEPTION OF MUSIC. LISTENING

* * *, Composer, Performer, Public: A Study in Communication, IMC, 1970, pp. 212.

FEDERHOFER, Hellmut, >)Zur Rezeption Neuer Musik,, International Review of the Aesthetics and Sociology of Music, 1972, III/1, pp. 5-34.

HAASE, Rudolf, Uber das disponierte Gehir, Fragmente als Beitrage zur Musiksoziologie, 4, Vienna 1977, pp. 52.

MEYER, Leonard B., >On Rehearing Music,, JAMS, Richmond, Philadelphia 1961, XIV/2, pp. 257-267.

PHILIPPOT, Michael P., ,,Observations on Sound Volume and Music Listening,c New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 54-60.

28. MUSICAL TASTE

ARVIDSON, Peter, ))On Interest, Activity and Taste in Music,c New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 142-159.

LEWIS, George H., >Taste Cultures and Culture Classes in Mass Society,c International Review of the Aesthetics and Sociology of Music, 1977, VIII/1, pp. 39-49.

MUELLER, John H., Fragen des musikalischen Geschmacks; eine musikso- ziologische Studie, Westdeutscher Verlag, Cologne 1963.

: * *, ,Na putah issledovania muzykalnih vkusov,, Sovetskaja muzyka, 1973, 1, pp. 59-69.

PAVLOV, Evgeni, ))Musical Interests of 5th to 8th-Graders in Pleven,. New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 135 140.

SIMEK, Milan, ))Musical Interests of the Czech Youth in the Light of Re- search Findings,, New Patterns of Musical Behaviour, Universal Edi- tion, Vienna 1974, pp. 140-142.

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BIBLIOGRAPHY 143

WEBER, William, )Mass Culture and the Reshaping of European Musical Taste, 1770-1870, International Review of the Aesthetics and Socio- logy of Music, 1977, VIII/1, pp. 5-23.

29. MUSICAL PUBLIC

ADORNO, Theodor W., >Musique nouvelle, interpretation, public,< Musique en jeu, Seuil, 1971, 3, pp. 21-29.

BACHMANN, Claus-Henning, >Rundfunk, neue Musik, Publikum: Fragen und Versaumnisse,, Schweizerische Musikzeitung, 1977, 5, pp. 253-260.

BERNSTEIN, Leonard, ),Kompozitor i publika,,, Zvuk, 1975, 3, pp. 12-17.

DURGNAT, Raymond, >Art and Audience,<< The British Journal of Aesthetics, 1970, X/l, pp. 11-25.

GEORGESCU, Corneliu Dan, >>Aspectul estetic si 'de consum' al muzicii in societatea contemporana (The Aesthetic Aspect and the Performance of Music in Contemporary Society),(( Muzica, 1974, XXIV/4, pp. 5-7.

GIULIANI, Elizabeth, >Le public de l'Opdra de Paris de 1750 a 1760. Mesure et definition,<< International Review of the Aesthetics and Sociology of Music, 1977, VIII/2, pp. 159-183.

HRDY, Ladislav, >,Kolik Prazanfi nav.tevuje koncerty um6lecke hudby?,c Hudebni rozhledy, 1973, 26/7, pp. 330-334.

- ,The Problems of Evaluating Leisure Actavities,, Society and Leisure, European Centre for Leisure and Education, Prague 1969, 1.

KOTEK, Josef, >>Hudbeni publikum - iluze a realite,<< Hudebni rozhledy, 1966, 19/5, pp. 129-133; 19/7, pp. 195-198.

MAROTHY, Janos, Music and the Bourgeois, Music and the Proletarian, Akademiai Kiado, Budapest 1974, pp. 588.

RAUHE, Hermann, Popularitdt in der Musik, G. Braun, Karlsruhe 1974, pp. 63.

SUPICIC, Ivo, >Muzika danas i masovna publika u Jugoslaviji,a Zvuk, 1968, 87-88, pp. 415-420.

- >>Suvremeni slugalac i moderna muzika,<< Zvuk, 1956, 6, pp. 230-235.

WEBER, William, Music and the Middle Class. The Social Structure of Con- cert Life in London, Paris and Vienna, Croom Helm, London 1975, pp. 172.

30. SOCIAL FUNCTIONS OF MUSIC

BLAUKOPF, Kurt, Werktreue und Bearbeitung. Zur Soziologie der Integri- tit des musikalischen Kunstwerks, G. Braun, Karlsruhe 1968, pp. 44.

BLOK, Aleksandar, ,Umetnost i revolucija,(< Zvuk, 1958, 15-16, pp. 211-215. CAMUS, Raoul F., Military Music of the American Revolution, University of

North Carolina Press, Chapel Hill (N. C.) 1976, pp. 218. DONAKOWSKI, Conrad L., A Muse for the Masses. Ritual and Music in an

Age of Democratic Revolution, 1770-1870, The University of Chicago Press, Chicago and London 1972, 1977, pp. 435.

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KARBUSICKY, Vladimir, Musikwerk und Gesellschaft, Vienna 1977, pp. 52.

LISSA, Zofia, ,)Muzika i revolucija,< Zvuk, 1974, 2, pp. 94-102.

MAROTHY, Janos, Music and the Bourgeois, Music and the Proletarian, Aka- demiai Kiado, Budapest 1974, pp. 588.

TRAORE, Bakary. The Black African Theatre and its Social Functions, Ibadan University Press, 1972, pp. XVII+130.

31. TRADITION AND INNOVATION

LUTOLF, Max, ?Zur Rolle der Antike in der musikalischen Tradition der franzosischen Epoque classique,< Fischer Festschrift, Katzbichler, Mu- nich 1973, pp. 145-164.

32. ACCULTURATION IN MUSIC

BEZIC, Jerko, ?Akulturacija kao mogucnost daljeg zivljenja folklorne glaz- bea, Zvuk, 1974, 2, pp. 149-155.

PETROVIC, Radmila, >)Narodna muzika istocne Jugoslavije - proces akultu- turacije,, Zvuk, 1974, 2, pp. 155-161.

TRAN VAN KHf, >L' acculturation dans les traditions musicales de 1'Asie,? International Review of the Aesthetics and Sociology of Music, 1974, V/I, pp. 181-191.

- Akulturacija u muzi6kim tradicijama Azije,< Zvuk, 1974, 2, pp. 143-149.

33. MUSICAL SUB-CULTURES

BEAUD, Paul, ))Muzika masa, manjina i perifernih grupa,? Zvuk, 1974, 2, pp. 123-133.

COLLAER, Paul, ed., Music of the Americas: An Illustrated Music Ethnology of the Eskimo and American Indian Peoples, Curzon Press, London 1973, pp. 207.

DIESEN, Rolf, Arne HOLEN, R. Margarete SELVIK, ,Muzicka kultura u jed- nom seoskom predjelu Norvegke,? Zvuk, 1974, 2, pp. 161-163.

URBANSKI, Janusz, ))Sweet Beat and Other Forms of Youth Music in Po- land,, New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 80-84.

VITANYI, Ivan, >>The Musical and Social Influence of Beat Music in Hunga- ry,< New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 69-80.

WILLIS, Paul, )Youth Groups in Birmingham and Their Specific Relation to Pop Music<, New Patterns of Musical Behaviour, Universal Edition, Viemna 1974, pp. 108-114.

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34. POP AND YOUTH MUSIC

ALEKSEEV, Eduard Y., Grigory I. GOLOVINSKY, >From the Experience of the Moscow Youth Music Club,<( New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 91-103.

BLAUKOPF, Kurt, >New Patterns of Musical Behaviour of the Young Gene- ration in Industrial Societies((, New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 13-33.

GEERTS, Claude, >The Share of Music in the Time Budget of Young Peo- ple in Belgium,< New Patterns of Musical Behaviour, Universal Edit- ion, Vienna 1974, pp. 201-205.

HOFFER, Charles R., ,,Youth, Music Education and the New Sound Envi- ronment,o New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 167-178.

HRDY, Ladislav, ),Mladi lide a koncerty?, Opus musicum, 1974, 6/8, pp. 257-263.

HUFFMAN, James R., ,Jesus Christ Superstar - Popular Art and Unpopular Criticism<, Journal of Popular Culture, 1972, VI/2, pp. 259-269.

MAURER, Walter, >Music of Contrasts. Report on the Contests of Austrian Beat Groups,< New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 129-135.

NUMMINEN, Mauri A., )An Inside View of Pop Music in Finland,( New Pat- terns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 60-69.

PAYNTER, John, >Music Education and the Emotional Needs of Young Peo- ple. Towards a New Type of Research in Great Britain,< New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 159-167.

PEARSAL, Ronald, Popular Music of the Twenties, Rowman and Littlefield, Totowa (N. J.) 1976. pp. 176.

RODNITZKY, Jerome L., Minstrels of the Dawn: The Folk-Protest Singer as a Cultural Hero, Nelson-Hall, Chicago 1976, pp. 192.

SIMEK, Milan, >,Musical Interests of the Czech Youth in the Light of Research Findingse, New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 140-142.

THOVERON, Gabriel, )>Leisure Time Behaviour and Cultural Attitude of Youth. Subjects of an International Research Project,<< New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 226-231.

URBANSKI, Janusz, >>Sweet Beat and Other Forms of Youth Music in Poland New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 80-84.

VALKMAN, Otto, ,Some Methodological Aspects of Preferences in Pop Music, New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 33-44.

VITANYI, Ivan, )>The Musical and Social Influence of Beat Music in Hun- gary,( New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 69-80.

WILLIS, Paul, >Youth Groups in Birmingham and their Specific Relation to Pop Music,< New Patterns of Musical Behaviour, Universal Edition, 1974, pp. 108-114.

145

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35. FOLK MUSIC

IMAI, Michio, ,Shina-tetsugaku ni okeru kayoto ongaku (Folk Music, Folk Songs, and Music in General, as Conceived in Chinese Philosophy),q Nippon T6y6 Ongaku Ronk6, Ongaku-no-tomosha, Tokyo 1969, pp. 497

516.

KRADER, Barbara, >Filozofija narodne i tradicionalne muzike u SAD,? Zvuk, 1968, 87-88, pp. 468-476.

NETTL, Bruno, Folk and Traditional Music of the Western Continents, Prent- ice-Hall, Englewood Cliffs (N. J.) 1973, pp. 258.

- Folk Music in the United States: An Introduction, Wayne State Univer- sity Press, Detroit 1976, pp. 187.

36. JAZZ MUSIC

GOFFIN, Robert, Jazz, from the Congo to the Metropolitan, Da Capo Press, New York 1975, pp. 254.

38. MISCELLANEA

BONTINCK, Irmgard, Kritik der etablierten Kultur, Universal-Edition, Vienna 1977, pp. 47.

BORRIS, Siegfried, Grundlagen einer musikalischen Umweltkunde, Verlag Moseler, Wolfenbuttel 1975, pp. 95.

CVETKO, Dragotin, >>Savremene metode stilske analize u muzici,< Zvuk, 1973, 2, pp. 121-125.

DELIfGE, Celestin, ?Tehnike retrospektivizma,< Zvuk, 1974, 2, pp. 30-41.

ELSTE, Martin, Verzeichnis dettschsprachiger Musiksoziologie 1848-1973. Teil A: Hauptband, Systematische Bibliographie und Register. Teil B: Anhang, KWIC-Index, Verlag der Musikalienhandlung Karl Dieter Wag- ner, Hamburg 1975, pp. 268+147.

ERISMANN, Guy, ,Interpretacija francuske polifone muzike iz doba rene- sanse sa posebnim osvrtom na odnose poezije i muzike u to vrijeme,? Zvuk, 1970,104-105, pp. 159-165.

KIRCHMEYER, Helmut, Situationsgeschichte der Musikkritik und des mu- sikalischen Pressewesens in Deutschland. Das zeitgenossiche Wagner- -Bild, II Teil, Dokumente 1842-1845, Bosse, Regensburg 1967.

KOHN, Hellmut, >Hans Sachs und die 'insgeheim gesellschaftliche' Phantas- magorie. Zur Kritik einer Idee von Th. W. Adorno,<< in Richard Wagner - Werk und Wirkung, Bosse, Regensburg 1971, pp. 147-160.

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