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i

LAPORAN TUGAS AKHIR

PROSES EDITING MUSIC VIDEO

”THOUSAND CANDLES LIGHTED”

Diajukan untuk memperoleh gelar Sarjana Seni (S.Sn)

Nama : Veronica

NIM : 09120210008

Program Studi : Desain Komunikasi Visual

Fakultas : Seni & Desain

UNIVERSITAS MULTIMEDIA NUSANTARA

TANGERANG

2013

Proses Editing..., Veronica, FSD UMN, 2014

ii

LEMBAR PERNYATAAN TIDAK MELAKUKAN PLAGIAT

Dengan ini saya:

Nama : Veronica

NIM : 09120210008


Fakultas : Seni dan Desain

Universitas Multimedia Nusantara

Judul Laporan :

Proses Editing Music Video ”THOUSAND CANDLES LIGHTED”

dengan ini menyatakan bahwa, laporan dan karya tugas akhir ini adalah asli dan

belum pernah diajukan untuk mendapatkan gelar sarjana, baik di Universitas

Multimedia Nusantara maupun di perguruan tinggi lainnya.

Karya tulis ini bukan saduran/terjemahan, murni gagasan, rumusan dan

pelaksanan penelitian/implementasi saya sendiri, tanpa bantuan pihak lain, kecuali

arahan pembimbing akademik dan nara sumber.

Demikian surat Pernyataan Originalitas ini saya buat dengan sebenarnya,

apabila di kemudian hari terdapat penyimpangan serta ketidakbenaran dalam

pernyataan ini, maka saya bersedia menerima sanksi akademik berupa pencabutan

gelar (S.Sn.) yang telah diperoleh, serta sanksi lainnya sesuai dengan norma yang

berlaku di Universitas Multimedia Nusantara.

Tangerang, 21 Februari 2014

Veronica


iii

HALAMAN PENGESAHAN LAPORAN TUGAS AKHIR

PROSES EDITING MUSIC VIDEO ”THOUSAND

CANDLES LIGHTED”

Oleh:

Nama : Veronica

NIM : 09120210008

Fakultas : Seni dan Desain


Tangerang, 21 Februsri 2014

Pembimbing I Pembimbing II

Ina Listyani Riyanto, S.Pd., M.A. Annita,S.Pd.,MFA

Penguji Ketua Sidang

Yusup Sigit Martyastiadi, S.T., M.Inf.Tech. Desi Dwi Kristanto, M. Ds.

Kepala Program Studi

Desi Dwi Kristanto, M. Ds.


iv

KATA PENGANTAR

Pada proses pasca produksi, peran editor menjadi tonggak utama untuk mengemas

music video. Proses mengemas ini menjadi suatu hal yang menarik, bagaimana

seorang editor memilah-milah materi, menyusun, hingga membuatnya manjadi

kesatuan yang cantik hingga layak diberikan ke penonton.

Laporan Tugas Akhir ini menguraikan proses editing seorang editor, yaitu

penulis sendiri. Penulis menemukan beberapa kendala dalam proses editingnya,

sehingga penulis melakukan beberapa upaya penyelamatan, guna mengemas dan

mempercantik sequence. Penulis menguraikan langkah-langkah yang dijalaninya

tersebut dalam laporan ini. Semoga petunjuk tersebut dapat bermanfaat bagi

mahasiswa lain cinematography yang mengalami kendala seperti penulis.

Proses penulisan Laporan Tugas Akhir ini melibatkan banyak pihak dalam

penyusunan hingga penyelesainnya, maka dari itu penulis mendedikasikan

halaman ini untuk orang-orang tersebut, antara lain:

1. Desi Dwi Kristanto, M.Ds. selaku Kepala Program Studi Desain

Komunikasi Visual Universitas Multimedia Nusantara.

2. Kemal Hassan, S.T. selaku pembimbing pertama Tugas Akhir, yang telah

banyak memberikan masukan akan konten dari music video “Thousand

Candles Lighted” itu sendiri, hingga membantu dalam penyusunan

penulisan laporan Tugas Akhir music video ini dari awal hingga akhir.


v

3. Ari Dina, S.Sos selaku pembimbing dua Tugas Akhir, yang telah banyak

meluangkan waktunya untuk memberikan masukan secara teknis maupun

konsep mengenai konten dalam music video ”Thousand Candles Lighted”.

4. Ina Listyani Riyanto, S.Pd., M.A., selaku dosen Universitas Multimedia

Nunsantara yang telah membantu dan memberikan saran dalam proses

pitching.

5. Aprianto Tirta Raharja, yang telah banyak membantu dalam proses

produksi music video, menjadi sutradara, dan memberi masukan dalam

penulisan Laporan Tugas Akhir.

6. Alfin Gunawan, Mikha Harly, dan Melisa yang telah banyak meluangkan

waktu, membantu dalam proses pra-produksi hingga pasca produksi.

7. Kedua orang tua dan keluarga penulis, yang telah memberikan dukungan

kepada penulis dalam bentuk doa mau pun motivasi kepada penulis.

8. Kepada teman-teman penulis yang telah membantu dalam melaksanakan

proses pembuatan Tugas Akhir, hingga melakukan penulisan laporan.

9. Kepada seluruh cast & crew, yang telah bekerja sama untuk mewujudkan

music video “Thousand Candles Lighted”.

10. Bagi pihak-pihak yang telah mendukung, memotivasi, dan mendoakan

penulis dalam produksi music video hingga penulisan laporan.

Tangerang, 21 Februari 2014

Veronica


vi

ABSTRAKSI

Tahapan produksi terdiri dari (1)pra produksi, (2)produksi, (3)pasca produksi. Editing merupakan proses yang paling akhir, yaitu pasca produksi. Peran editor termasuk penting, karena editor mengemban tugas untuk mengemas video dengan apik, agar sesuai dengan konsep yang telah dipikirkan matang dengan sutradara sejak pra produksi, serta menyampaikan kejelasan serta pemaknaan narasi, dan mampu membuat keterlibatan secara emosional penonton sehingga bisa dinikmati bagi penontonnya. Dalam penulisan laporan Tugas Akhir yang berjudul “Proses Editing Music Video Thousand Candles Lighted” penulis akan mengulas langkah-langkah yang dilalui editor dalam melakukan penyusunan sequence music video. Dalam music video ini, penulis berperan langsung sebagai editor. Lagu yang dimainkan dengan versi akustik, hanya menggunakan gitar dan bass ini dibuat dengan tipikal music video narrative clip. Penulis melakukan editing by rhythm, oleh karena itu variasi tempo musik yang mengalun atau cepat mempengaruhi penulis memperlakukan footage dalam melakukan cutting. Lagu menjadi acuan dalam mengedit, maka editor perlu memperhatikan timing setiap cutting dengan irama musik tersebut. Lagu berduarsi 3:51 ini melalui proses color correcting dan color grading, guna mempercantik visual music video, sehingga nyaman di mata penonton dan mampu menarik perhatian.

Kata kunci: Music video, narrative clip, editing by rhythm, cuttting, timing, color correcting, color grading.


vii

ABSTRACT

Production stage consists of (1) pre production, (2) production, (3) post production. Editing is the process most recently, the post production. The important role of editor, as editor of the task to package video, to realization the concept that has been considered with director since pre- production , and deliver narrative clarity to audience, and make the audience emotionally involved on music video. In writing the final exam "Music Video Editing Process Thousand Candles Lighted" I'm going to review editing process in making compilation music video sequences. The author is editor of music video. Narrative clip is in this music video. The author apply editing by rhythm in this music video, tempo variation of the music affects editing cutting. The song became a reference in editing process, it is necessary to note the timing of each cutting the rhythm of the music for image. The song lasted 3:51 with the process of color correcting and color grading, to make this video more beautiful, so it can make the audience interested.

Keyword: Music video, narrative clip, editing by rhythm, cuttting, timing, color correcting, color grading.


viii

DAFTAR ISI

LEMBAR PENGESAHAN TUGAS AKHIR................................................... iii

KATA PENGANTAR......................................................................................... iv

ABSTRAKSI........................................................................................................ vi

ABSTRACT..........................................................................................................vii

DAFTAR ISI......................................................................................................viii

DAFTAR GAMBAR......................................................................................... . xii

DAFATAR BAGAN.......................................................................................... xvii

DAFTAR TABEL.....................................................................................xviii

BAB I PENDAHULUAN...................................................................................... 1

1.1. Latar Belakang........................................................................................... 1

1.2. Rumusan Masalah...................................................................................... 2

1.3. Batasan Masalah........................................................................................ 2

1.4. Tujuan Tugas Akhir................................................................................... 2

1.5. Manfaat Tugas Akhir................................................................................. 2

BAB II TINJAUAN PUSTAKA........................................................................... 3

2.1. Editing........................................................................................................3

2.2. Tahapan Produksi Film.............................................................................. 4

2.3. Pasca Produksi.......................................................................................... 4

2.4. Prinsip Editing........................................................................................... 7

2.5. Goals of Editing......................................................................................... 9

2.6. Teori Editing........................................................................................... 10

2.7. Color Correcting dan Color Grading..................................................... 12


ix

2.8. Musik....................................................................................................... 15

2.9. Lirik......................................................................................................... 16

2.10. Music Video............................................................................................ 17

BAB III METODOLOGI PENELITIAN......................................................... 22

3.1. Gambaran Umum.................................................................................... 22

3.1.1. Metodologi Penelitian.................................................................... 22

3.1.2. Sinopsis.......................................................................................... 22

3.1.3. Posisi Penulis................................................................................. 23

3.1.4. Peralatan......................................................................................... 24

3.2. Tahapan Kerja..........................................................................................24

3.3. Acuan.......................................................................................................29

3.3.1. Color Grading................................................................................ 29

3.3.2. Split Screen.................................................................................... 30

BAB IV ANALISIS............................................................................................ 31

4.1. Pendahuluan.............................................................................................31

4.2. Intro......................................................................................................... 33

4.2.1. Slow Paced..................................................................................... 34

4.2.2. Superimposition..............................................................................35

4.2.3. Pemilihan Shot................................................................................37

4.2.4. Masking.......................................................................................... 40

4.3. Bait 1....................................................................................................... 54

4.3.1. Slow Paced..................................................................................... 55

4.3.2. Pemilihan Footage......................................................................... 55


x

4.4. Instrument Link....................................................................................... 57

4.4.1. Fast Paced......................................................................................57

4.4.2. Fast Motion....................................................................................58


4.5. Bait 2....................................................................................................... 60

4.5.1. Slow Paced..................................................................................... 60


4.6. Instrument Link....................................................................................... 62

4.6.1. Slow Paced..................................................................................... 62


4.7. Refrain..................................................................................................... 63

4.7.1. Slow Paced..................................................................................... 63


4.7.3. Jump Cut........................................................................................ 66

4.8. Instrument Link dan Chorus................................................................... 67

4.8.1. Fast Paced..................................................................................... 67

4.8.2. Speed Ramping.............................................................................. 67


4.9. Bridge...................................................................................................... 72

4.9.1. Slow Paced..................................................................................... 72

4.9.2. Superimposition............................................................................. 72

4.9.3. Cross Dissolve............................................................................... 73

4.9.4. Paused............................................................................................ 74


xi

4.9.5. DIP to White.................................................................................. 75


4.10. Klimaks....................................................................................................77

4.10.1. Fast Paced......................................................................................77

4.10.2. Pemilihan Footage.........................................................................77

4.10.3. Compositing...................................................................................79

4.11. Bridge.......................................................................................................93

4.11.1. Slow Paced....................................................................................93

4.11.2. Split Screen.....................................................................................93

4.11.3. Pemilihan Footage..........................................................................94

4.12. Ending......................................................................................................94

4.12.1. Slow Paced..................................................................................... 95

4.12.2. Superimposition............................................................................. 96


4.12.4. Clone.............................................................................................. 97

4.13. Color Correcting dan Color Grading....................................................103

BAB V PENUTUP............................................................................................. .113

5.1. Kesimpulan........................................................................................... 113

5.2. Saran..................................................................................................... 114

DAFTAR PUSTAKA............................................................................. xix

LAMPIRAN A:HASIL COLOR CORRECTING DAN GRADING...........xxii

LAMPIRAN B: SCRIPT MUSIC VIDEO......................................................xv

LAMPIRAN C:KARTU KONSULTASI BIMBINGAN TUGAS AKHIRxxxii


xii

DAFTAR GAMBAR

Gambar 2.1. Bruno Mars - The Lazy Song.............................................. 18

Gambar 2.2. Coldplay Strawberry Swing................................................ 19

Gambar 2.3. Ed Sheeran-Give Me Love. 2012.......................................... 20

Gambar 2.4. 30second To Mars-From Yesterday...................................... 20

Gambar 3.1. Proses Loading................................................................... 26

Gambar 3.2. Sistem Nama......................................................................... 26

Gambar 3.3. Proses Organizing............................................................ 26

Gambar 3.4. Music Video Macklemore & Ryan Lewis - Same Love Feat.Marry

Lambert. ............................................................................................... 29

Gambar 3.5. The Rules Of Attraction-Split Screen Scene.................................. 30

Gambar 3.6. The Rules Of Attraction-Split Screen Scene ............................... 30

Gambar 4.1. Sequence Intro...................................................................... 33

Gambar 4.2. Sequence Superimposition.................................................... 35

Gambar 4.3. Sequence Superiposition Memainkan Opacity ............................ 36

Gambar 4.5 Proses Dan Hasil Superimposition .......................................... 37

Gambar 4.6. Susunan Assembly Pada Intro............................................. 38

Gambar 4.7. Susunan Intro Sesudah Picture Lock ........................................ 39

Gambar 4.8. Susunan Footage Pada Intro ............................................. 40

Gambar 4.9. Memasukkan Video Pada Adobe After Effect Cs 6 ..................... 41

Gambar 4.10. Membuat New Solid Pada Adobe After Effect Cs 6 ................... 41

Gambar 4.11. Solid Setup Pada After Effect Cs 6...................................... 42

Gambar 4.12. Menentukan Warna Pada Solid Setup..................................... 42


xiii

Gambar 4.13. Penggunaan Eye Dropper Tool.............................................43

Gambar 4.14. Hasil Warna Yang Ditangkap Eye Dropper Tool ..................43

Gambar 4.15. Merubah Warna Yang Didapat Eye Dropper Tool ................... 44

Gambar 4.16. Ellipse Tool...................................................................... 44

Gambar 4.17. Membentuk Lingkaran Dengan Ellipse Tool .......................... 45

Gambar 4.18. Tampilan Transform ...................... ............................................. 45

Gambar 4.19. Mask Feather .............................................................................. 46

Gambar 4.20. Mask Opacity............................................................................... 46

Gambar 4.21. Sesudah Dan Sebelum Dilakukan Masking ............................ 47

Gambar 4.22. Membuat Null Object ........................................................... 48

Gambar 4.23. Mengeluarkan Menu Tracker ........................................... 48

Gambar 4.24. Tampilan Menu Tracker .................................................. 49

Gambar 4.25. Tampilan Menu Motion Target ......................................... 50

Gambar 4.26. Tampilan Menu Analyze Forward ..................................... 50

Gambar 4.27. Tampilan Track Point ............................................................ 51

Gambar 4.28. Apply Track Point ............................................................ 51

Gambar 4.29. Motion Tracking Apply Options ......................................... 52

Gambar 4.30. Hasil Motion Tracking ..................................................... 52

Gambar 4.31. Parent Tools ................................................................. 52

Gambar 4.32. Parent .......................................................................... 53

Gambar 4.33. Hasil Parent ....................................................................... 53

Gambar 4.34. Hasil Akhir Masking ..................................... .......................... 54

Gambar 4.35. Susunan Sequence Bait 1 .............................................................. 57


xiv

Gambar 4.36. Timeline Instrument Link ........................................................ 57

Gambar 4.37. Time Lapse...................................................................... 58

Gambar 4.38. Susunan Sequence Instrument Link ..................................... 60

Gambar 4.39. Timeline Bait 2 .............................................................. 60

Gambar 4.40. Susunan Sequence Bait 2 ....................................................... 62

Gambar 4.41. Susunan Sequence Instrument Link 2 ..................................... 63

Gambar 4.42. Susunan Sequence Reff ........................................................... 65

Gambar 4.43. Timeline Sequence Jump Cut ......................................................... 66

Gambar 4.44. Susunan Sequence Instrument Link Dan Chorus..................... 71

Gambar 4.45. Timeline Dengan Perlakuan Superimposition ........................ 72

Gambar 4.46 Susunan Sequence Dengan Perlakuan Superimposition ................ 73

Gambar 4.47. Susunan Sequence Dengan Efek Dip To White ...................... 76

Gambar 4.48. Susunan Sequence Bridge.................................................. 76

Gambar 4.45. Timeline Dengan Perlakuan Superimposition ........................ 78

Gambar 4.46 Susunan Sequence Dengan Perlakuan Superimposition ............... 79

Gambar 4.47. Susunan Sequence Dengan Efek Dip To White ....................... 80

Gambar 4.48. Susunan Sequence Bridge.................................................. 80

Gambar 4.53. Menu Place .................................................................... 81

Gambar 4.54. Place Gambar ...................................................................... 81

Gambar 4.55. Membuat Work Area ....................................................... 82

Gambar 4.56. Membuat Work Area Dengan Magic Wand Tool ................... 82

Gambar 4.57. Work Area Dihapus ......................................................... 83

Gambar 4.58. Eraser Setting ...................................................................... 83


xv

Gambar 4.59. Erasing.......................................................................... 84

Gambar 4.60. Brush Setting ................................................................... 84

Gambar 4.61. Brushing......................................................................... 84

Gambar 4.62. Saving Setting ................................................................. 85

Gambar 4.63. Blending Mode ................................................................. 86

Gambar 4.64. Tampilan Setelah Diperlakukan Overlay ............................. 86

Gambar 4.65. Solid Setting ........................................................................ 86

Gambar 4.66. Solid Opacity ................................................................... 87

Gambar 4.67. Effect & Preset, Brightness & Contrast ................................. 87

Gambar 4.68. Brightness Effect Setting .................................................. 87

Gambar 4.69. Effect & Preset, Gaussian Blur .................................................. 88

Gambar 4.70. Gaussian Blur Effect Setting ............................................. 88

Gambar 4.71. Effect & Preset Drop Shadow ................................................ 88

Gambar 4.72. Drop Shadow Setting ............................................................. 89

Gambar 4.73. Drop Shadow 2 Setting ............................................................. 89

Gambar 4.74. Menu Pre-Composse ............................................................. 90

Gambar 4.75. Level Effect Setting ............................................................. 90

Gambar 4.76. Menu New Adjustment Layer .................................................. 91

Gambar 4.77. Level Effect Setting ............................................................. 91

Gambar 4.78. Orange Solid ................................................................. 92

Gambar 4.79. Deep Blue Solid ............................................................. 92

Gambar 4.80. Pale Yellow Solid Masking ....................................................... 93

Gambar 4.81. Susunan Sequence Bridge ................................................... 94


xvi

Gambar 4.82. Susunan Superimpossed Ending ............................................... 95

Gambar 4.83. Susunan Sequence Ending ............................................................. 97

Gambar 4.84. Sebelum Dan Sesudah Clone ............................................... 98

Gambar 4.85. Pen Tool ...................................................................... 99

Gambar 4.86. Masking ...................................................................... 100

Gambar 4.87. Hasil Clone ................................................................. 101

Gambar 4.88. Proses Clone ................................................................. 102

Gambar 4.89. Window Workspace............................................................. 103

Gambar 4.90. Workspace Color Correction .................................................... 104

Gambar 4.91. Window Yc Waveform ............................................................. 104

Gambar 4.92. Tampilan Workspace ............................................................. 105

Gambar 4.93. Effect Search Engine............................................................. 106

Gambar 4.94. Three Way Color Corrector ..................................................... 107

Gambar 4.95. Level Hitam Dalam Three Way Color Corrector ..................... 108

Gambar 4.96. Level Putih Dalam Three Way Color Corrector ..................... 108

Gambar 4.97. Batas Hitam Dan Putih Dalam Yc Waveform ......................... 109

Gambar 4.98. Tint Effect Search Engine .............................................. 110

Gambar 4.99. Tint Effect Search Engine ................................................ 110

Gambar 4.100. Tint Effect .................................................................. 110

Gambar 4.101. Rgb Curves Effect ......................................................... 111


xvii

DAFTAR BAGAN

Bagan 2.1. Tahapan offline editing............................................................ 6

Bagan 2.2. Audiovisual Analysis of Music Video.......................................... 17

Bagan 2.3. Composing Music Video.....................................................18


xviii

DAFTAR TABEL

Tabel 2.1. Makna budaya warna............................................................15

Tabel 3.1 spesifikasi komputer yang digunakan.......................................... 24


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